Richard Avedon - Photographs New York Wednesday, October 9, 2024 | Phillips
  • Lots 274 to 278 in the present auction come from the collection of pioneering gallerist Brent Sikkema (1948-2024). Sikkema was renowned for championing the work of some of the principal artists of the late 20th and early 21st centuries, including Kara Walker, Vik Muniz, Mark Bradford, Deana Lawson, and many others, and for broadening the market for Latin American art.    

     

    Mr. Sikkema studied photography and filmmaking at the San Francisco Art Institute. After earning his BFA in 1970 he became director of traveling exhibitions, and later director of exhibitions, at the Visual Studies Workshop, the groundbreaking photographic collective in Rochester, New York. In 1976 he relocated to Boston where he worked for Vision Gallery, handling 19th and 20th century photography, later becoming its owner and maintaining an adventurous curatorial program. He made his first foray into the New York City gallery world in 1989, exhibiting in a temporary space. He opened a permanent gallery in 1991; called Wooster Gardens, it quickly became known as a premiere venue for contemporary art. In 1999, Sikkema moved the gallery to Chelsea, partnering with Michael Jenkins under the name Sikkema Jenkins & Co. Sikkema’s generous support inspired loyalty in the artists in his stable, many of whom chose to remain with the gallery even after receiving invitations from the larger mega-galleries.

     

    Phillips is honored to be handling material from his estate. In addition to the photographs offered here, work from his collection will be featured in upcoming Editions and Design auctions this fall.   

    • Condition Report

    • Description

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    • Literature

      Louisiana Museum of Modern Art, Richard Avedon: Photographs 1946-2004, p. 102
      Random House, Richard Avedon, An Autobiography, pl. 75 (variant)
      Whitney Museum of American Art, Richard Avedon: Evidence, 1944-1994, p. 152

    • Artist Biography

      Richard Avedon

      American • 1923 - 2004

      From the inception of Richard Avedon's career, first at Harper's Bazaar and later at Vogue, Avedon challenged the norms for editorial photography. His fashion work gained recognition for its seemingly effortless and bursting energy, while his portraits were celebrated for their succinct eloquence. "I am always stimulated by people," Avedon has said, "almost never by ideas." 

      Indeed, as seen in his portraits — whether of famed movie stars or everyday people — the challenge for Avedon was conveying the essence of his subjects. His iconic images were usually taken on an 8 x 10 inch camera in his studio with a plain white background and strobe lighting, creating his signature minimalist style. Avedon viewed the making and production of photographs as a performance similar to literature and drama, creating portraits that are simultaneously intensely clear, yet deeply mysterious.

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PROPERTY FROM THE COLLECTION OF BRENT SIKKEMA

275

Igor Stravinsky, composer, New York City, 11-2-69

1969
Gelatin silver print triptych, printed 1975.
9 5/8 x 23 5/8 in. (24.4 x 60 cm)
Signed, numbered 19/50 in ink with title, date, and copyright credit reproduction limitation stamps on the reverse of the linen flush-mount.

Full Cataloguing

Estimate
$7,000 - 9,000 

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Contact Specialist

Sarah Krueger
Head of Department, Photographs
skrueger@phillips.com

 

Vanessa Hallett
Worldwide Head of Photographs and Chairwoman, Americas
vhallett@phillips.com

Photographs

New York Auction 9 October 2024