Provenance
Galeria Graça Brandão, Lisbon
Acquired from the above by the present owner
Catalogue Essay
"As you can see, all is connected.
The artwork does not exist as a finished and resolved object,
But as something that is always present, permanent within people."
Lygia Pape

Lygia Pape’s contributions to Brazilian modern art cannot be underestimated. Most famously recognized for her achievements in the realm of Neoconcretism, a movement that fused geometric abstraction with everyday life, Pape was also an accomplished filmmaker, graphic designer, ballet choreographer and printmaker. In a 1997 interview, Pape stated, “Everything I observe can nourish me and even serve to subsidize some manifestation or invention I’m going to make, but not in the idealistic sense of considering art as something vague and simply beautiful. I think it’s more incisive. It’s a language. It’s my way of knowing the world.” (Lygia Pape, interviewed by Lücia Carneiro and Ileana Pradilla, “Birds of Marvelous colors” in Lygia Pape: A Multitude of Forms, exh. cat., The Metropolitan Museum of Art, New York, pp. 18-19)

Born in the state of Rio de Janeiro in 1927, Lygia Pape had no classical academic training in fine art. However, in the early 1950s, she became acquainted with the artistic circles in Rio surrounding the master Ivan Serpa, who by this time had begun giving classes at the Museu de Arte Moderna (MAM-RJ). During this period after World War II, Brazil was booming with industrialization, which materialized in the transformation of major cities, including the development of Brasilia, the nation’s new capital. This modernization carried over into the art world with the opening of three major museums from 1947 to 1948 and the inauguration of the Bienal de São Paulo in 1951. These venues provided Brazilian artists like Pape with major exhibition opportunities as well as unfettered access to international modern artists like Kazimir Malevich, Theo can Doesburg and Max Bill, leading to the birth of Concrete Art in Brazil in the form of Grupo Ruptura in São Paulo 1952 and Grupo Frente in Rio in 1954.

As a member of Grupo Frente, along with artists like Lygia Clark and Hélio Oiticica, Pape employs in her early work a universal language consisting of simplified forms in primary colors. These works eliminate the artist’s hand, appearing machine-made and featuring small squares that radically burst beyond the two-dimensional picture plane, thereby becoming part of the viewer’s space. Yet, it was with the invention of her Tecelares, black and white woodcuts on rice paper, that Pape brought Brazil back into her art practice. Nodding to the country’s extensive tradition of woodcut prints, typically associated with craft, Pape transformed the medium into something entirely modern by using it to produce simple geometric shapes that dissolved the boundaries between foreground and background. These works epitomize the birth of Neoconcretism in which popular culture and life experience become crucial components of art.

Paulo Herkenhoff eloquently affirmed that “Pape’s approach was driven by her poetic bent, and by her need to know more about indigenous societies and the economy of their symbolism. Her poetics was based in an absolute relationship between reason and nature.” (Paulo Herkenhoff, “Lygia Pape: The Art of Passage”, Lygia Pape: Magnetized Space, exh. cat., Museo Nacional Centro de Arte Reina Sofía, Madrid, p. 30) This is evident in Untitled, 1961, which demonstrates a strong relationship with Pape’s earlier Tecelares, through a rigorous exploration of space and the economy of line, as well as a foreshadowing of her later Ttéias, in which Pape filled entire rooms with glimmering golden columns made of delicate threads through which participants traversed, begging viewers to immerse themselves wholly in an unadulterated experience of light and physical sensation.

A radical inventor, Pape drew inspiration not only from famous artists like Giorgio Morandi, Alfredo Volpi and Alexander Calder, but also from indigenous, black and popular culture in Brazil. In this respect, her triumphs cannot be simply attributed to a cannibalization of European Concrete art because she also saw geometric abstraction in indigenous Brazilian culture, where simplified forms conveyed the purest expression of the natural world. Pape once said, “If you look at the painting of Frank Stella, you will find relationships to the painting of the Brazilian Indian.” (Lygia Pape, interviewed by Lücia Carneiro and Ileana Pradilla, “Birds of Marvelous colors” in Lygia Pape: A Multitude of Forms, exh. cat., The Metropolitan Museum of Art, New York, p. 18) It is through this nuanced understanding of human interaction with art and the bleeding of borders between art, life, poetry, dance and film that Pape has proven herself a groundbreaking modernist and will continue to influence many generations of artists in the future.
Artist Biography
Lygia Pape
Brazilian • 1927 - 2004
Lygia Pape's diverse oeuvre includes sculpture, engraving, performance and filmmaking. Along with Lygia Clark and Hélio Oiticica, Pape was a signatory of the Brazilian Neo-Concrete manifesto, which promoted the ideal that art was not a static representation but rather organic and experiential.

Pape's oeuvre was greatly informed by the notion that art should be activated by the viewer. This tenant is best represented in the artist's 1959 Livro da Criacão (Book of Creation), in which the artist utilized geometric shapes to create 16 wood constructions, or "pages," with abstract imagery — each signifying a moment in the creation of the world. Each page is accompanied by poetic lyrics and the viewer was encouraged to touch the books and read the poetry aloud.
View More Works

177

Lot offered with No Reserve

Lygia Pape

Olhando Miró

signed, inscribed and dated "Lygia Pape Rio 2000" lower right
acrylic on paper
25 1/4 x 19 5/8 in. (64 x 50 cm.)
Executed in 2000.

Estimate
$30,000 - 40,000 •

Sold for $13,750

Contact Specialist
John McCord
Head of Day Sale, Morning Session
New York
+1 212 940 1261
jmccord@phillips.com

20th Century & Contemporary Art Day Sale, Morning Session

New York Auction 16 May 2018

101
Fernand Léger
Composition
Estimate $40,000 - 60,000
Sold for $43,750
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102
Fernand Léger
Les deux profils
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103
Fernand Léger
Figure de Femme
Estimate $30,000 - 40,000
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104
Fernand Léger
Visage en creux (rouge et vert)
Estimate $30,000 - 40,000
Sold for $32,500
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105
Max Ernst
Clouds, Sun and Sea
Estimate $200,000 - 300,000
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106
Alberto Giacometti
Figurine
Estimate $150,000 - 200,000
Sold for $447,000
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107
Henry Moore
Family Group
Estimate $400,000 - 600,000
Sold for $447,000
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108
Henry Moore
Maquette for Draped Reclining Woman
Estimate $140,000 - 180,000
Sold for $156,250
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109
Henry Moore
Maquette for Warrior Without Shield
Estimate $15,000 - 20,000
Sold for $81,250
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110
Zoran Mušič
Donne con cavalli
Estimate $15,000 - 20,000
Sold for $35,000
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111
William Baziotes
The Room
Estimate $80,000 - 120,000
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112
This lot is no longer available.
113
Joaquín Torres-García
Untitled
Estimate $250,000 - 350,000
Sold for $300,000
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114
Arshile Gorky
Study for Nighttime, Enigma and Nostalgia
Estimate $100,000 - 150,000
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115
Armando Reverón
Calle del puerto
Estimate $200,000 - 300,000
Sold for $250,000
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116
Wifredo Lam
Midnight
Estimate $280,000 - 350,000
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117
Hans Hofmann
Wicker Chair No. II
Estimate $400,000 - 600,000
Sold for $495,000
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118
Theodoros Stamos
The Reward
Estimate $150,000 - 250,000
Sold for $275,000
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119
Conrad Marca-Relli
The Woman of Samura
Estimate $200,000 - 300,000
Sold for $375,000
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120No Reserve
John Little
Tropic of Cancer
Estimate $20,000 - 30,000 •
Sold for $87,500
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121No Reserve
Conrad Marca-Relli
Untitled
Estimate $8,000 - 12,000 •
Sold for $15,000
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122
This lot is no longer available.
123
Robert Motherwell
German Line #2
Estimate $60,000 - 90,000
Sold for $137,500
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124
Willem de Kooning
Untitled (Man)
Estimate $30,000 - 40,000
Sold for $37,500
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125
Willem de Kooning
Woman
Estimate $30,000 - 40,000
Sold for $43,750
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126
Sam Francis
Untitled
Estimate $90,000 - 130,000
Sold for $156,250
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127
Sam Francis
Untitled
Estimate $40,000 - 60,000
Sold for $47,500
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128
Sam Francis
Untitled
Estimate $40,000 - 60,000
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129
Sam Francis
Untitled
Estimate $12,000 - 18,000
Sold for $13,750
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130
Sam Francis
A Dream, An Image, Auto Portrait
Estimate $60,000 - 80,000
Sold for $75,000
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131
Sam Francis
Untitled
Estimate $400,000 - 600,000
Sold for $370,000
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132
Roy Lichtenstein
Entablature #6
Estimate $150,000 - 200,000
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133
Ed Ruscha
Run Any Where
Estimate $120,000 - 180,000
Sold for $325,000
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134
Joe Goode
Clouds
Estimate $60,000 - 80,000
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135
Ed Ruscha
Strong Smell of Fish—Strong Smell of Data Processing Forms
Estimate $150,000 - 200,000
Sold for $168,750
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136
Ed Ruscha
Divers
Estimate $150,000 - 200,000
Sold for $275,000
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137
Keith Haring
Untitled
Estimate $500,000 - 700,000
Sold for $1,335,000
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138
Keith Haring
Untitled
Estimate $150,000 - 200,000
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139
Richard Pettibone
Ten works: Andy Warhol 'Marilyn'
Estimate $250,000 - 350,000
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140
Jim Dine
Mauve Gold
Estimate $100,000 - 150,000
Sold for $137,500
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141
Richard Pettibone
Green Southern Pacific
Estimate $12,000 - 18,000
Sold for $18,750
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142
Ed Ruscha
Busted Glass #6
Estimate $15,000 - 20,000
Sold for $22,500
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143
Alex Katz
Union Square
Estimate $150,000 - 200,000
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144
Donald Judd
Untitled
Estimate $300,000 - 400,000
Sold for $423,000
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145
Fred Sandback
Untitled
Estimate $60,000 - 80,000
Sold for $62,500
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146
John Chamberlain
Chamooda
Estimate $600,000 - 800,000
Sold for $795,000
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147
John Chamberlain
Socket #27
Estimate $12,000 - 18,000
Sold for $30,000
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148
Frank Stella
Stapling Down and Cutting Up #2
Estimate $80,000 - 120,000
Sold for $187,500
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149
Frank Stella
Bamboo Trophy I
Estimate $20,000 - 30,000
Sold for $40,000
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150
Sir Anthony Caro, O.M, R.A.
Table Piece CCCCVII
Estimate $60,000 - 80,000
Sold for $100,000
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151
Richard Long
Somerset Turf Circle
Estimate $40,000 - 60,000
Sold for $87,500
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152
Sergio Camargo
Untitled
Estimate $70,000 - 90,000
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153
Jorge Eielson
Quipus 31TL-1
Estimate $40,000 - 60,000
Sold for $56,250
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154
Brice Marden
Untitled (#4)
Estimate $400,000 - 600,000
Sold for $471,000
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155
Brice Marden
Homage to Art 12
Estimate $250,000 - 350,000
Sold for $312,500
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156
Bernar Venet
79.5° Arc x 9
Estimate $150,000 - 200,000
Sold for $212,500
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157
Hélio Oiticica
Metaesquema
Estimate $40,000 - 60,000
Sold for $50,000
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158
Lygia Clark
Untitled
Estimate $60,000 - 80,000
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159
Sam Gilliam
Untitled (Diptych)
Estimate $60,000 - 80,000
Sold for $125,000
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160
Richard Serra
Videy Drawing XV
Estimate $70,000 - 100,000
Sold for $118,750
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161
Richard Serra
Forged Rounds V
Estimate $150,000 - 200,000
Sold for $200,000
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162
Yayoi Kusama
Far End of Disappointment
Estimate $400,000 - 600,000
Sold for $555,000
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163
Yayoi Kusama
Fires by the Beach
Estimate $18,000 - 25,000
Sold for $50,000
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164
Yayoi Kusama
Looking at Silver Clouds
Estimate $18,000 - 25,000
Sold for $65,000
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165
Yayoi Kusama
Nebula
Estimate $400,000 - 600,000
Sold for $423,000
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166
Jiro Takamatsu
Shadow of Key No. 283
Estimate $70,000 - 100,000
Sold for $150,000
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167
Jiro Takamatsu
Shadow No. 1395
Estimate $180,000 - 250,000
Sold for $312,500
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168
Kumi Sugaï
Akatsuki (Dawn)
Estimate $100,000 - 150,000
Sold for $106,250
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169
Satoru Hoshino
Surfacing Flower
Estimate $7,000 - 10,000
Sold for $6,250
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170
Toshikatsu Endo
Ring
Estimate $10,000 - 15,000
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171
Edward Kienholz
Five works: (i-v) Untitled
Estimate $12,000 - 18,000
Sold for $21,250
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172
Carol Rama
Senza titolo
Estimate $80,000 - 120,000
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173
Carol Rama
Luogo e segni
Estimate $200,000 - 300,000
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174
Louise Bourgeois
Rondeau for L
Estimate $80,000 - 120,000
Sold for $93,750
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175
Louise Bourgeois
The Loved Hand
Estimate $80,000 - 120,000
Sold for $70,800
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176
Louise Bourgeois
Untitled
Estimate $70,000 - 100,000
Sold for $156,250
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177No Reserve
Lygia Pape
Olhando Miró
Estimate $30,000 - 40,000 •
Sold for $13,750
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178
Lygia Pape
Untitled
Estimate $80,000 - 120,000
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179
Jean-Michel Basquiat
Venus
Estimate $60,000 - 80,000
Sold for $343,750
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180
Andy Warhol
Astor Place Haircutters
Estimate $18,000 - 25,000
Sold for $37,500
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181
Andy Warhol
Still Life
Estimate $20,000 - 30,000
Sold for $40,000
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182
Andy Warhol
Still Life
Estimate $20,000 - 30,000
Sold for $37,500
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183
Andy Warhol
Sonia Rykiel
Estimate $25,000 - 35,000
Sold for $40,000
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184
Andy Warhol
Boy
Estimate $20,000 - 30,000
Sold for $17,500
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185
Andy Warhol
Feet in High Heels
Estimate $15,000 - 20,000
Sold for $35,000
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186
Andy Warhol
Female Head (With Blue Flowers)
Estimate $15,000 - 20,000
Sold for $37,500
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187
This lot is no longer available.
188
Christo
The Gates, Project for Central Park, New York City
Estimate $40,000 - 60,000
Sold for $75,000
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189
Agostino Bonalumi
Bianco
Estimate $80,000 - 120,000
Sold for $81,250
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190
Agostino Bonalumi
Rosso
Estimate $70,000 - 100,000
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191
Turi Simeti
Trittico bianco-blu-azzuro
Estimate $70,000 - 90,000
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192
Nedo
Progresión 56
Estimate $25,000 - 35,000
Sold for $25,000
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193
Ary Brizzi
Construcción a partir de dos arcos de circunferencia
Estimate $40,000 - 60,000
Sold for $35,000
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194
Carlos Rojas
De San Felipe
Estimate $20,000 - 30,000
Sold for $32,500
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195
Arman
Par Avion
Estimate $6,000 - 9,000
Sold for $12,500
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196
Balthus
Untitled
Estimate $8,000 - 12,000
Sold for $10,000
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197
Alighiero Boetti
I verbi riflessivi
Estimate $25,000 - 35,000
Sold for $37,500
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198
Louise Nevelson
Untitled
Estimate $50,000 - 70,000
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199
Rufino Tamayo
Sandías
Estimate $80,000 - 120,000
Sold for $125,000
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200
Armando Morales
Dos mujeres frente al espejo
Estimate $40,000 - 60,000
Sold for $60,000
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201
Armando Morales
Deux nus assis
Estimate $70,000 - 90,000
Sold for $62,500
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202
Sophia Vari
Temps Suspendu
Estimate $40,000 - 60,000
Sold for $68,750
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203
Edgar Negret
Aparato mágico
Estimate $30,000 - 50,000
Sold for $40,000
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204
This lot is no longer available.
205
Fernando Botero
Seated Woman
Estimate $200,000 - 300,000
Sold for $275,000
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206No Reserve
Matta
Untitled
Estimate $20,000 - 30,000 •
Sold for $50,000
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207
Pedro Figari
La Volanta
Estimate $50,000 - 70,000
Sold for $52,500
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208
Victor Vasarely
Reytéy, no. 0772
Estimate $15,000 - 20,000
Sold for $65,000
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209
Victor Vasarely
Orion K
Estimate $80,000 - 120,000
Sold for $187,500
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210
Victor Vasarely
Mow
Estimate $130,000 - 180,000
Sold for $162,500
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211
Gerd Leufert
Upata
Estimate $50,000 - 70,000
Sold for $50,000
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212
Julian Stanczak
Deserted No. 6645
Estimate $25,000 - 35,000
Sold for $30,000
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213
Alexander Calder
Les Masques
Estimate $12,000 - 18,000
Sold for $187,500
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214
Mark Tobey
New York IV
Estimate $30,000 - 50,000
Sold for $32,500
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215
Fernando de Szyszlo
Mesa ritual
Estimate $50,000 - 70,000
Sold for $62,500
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216
Gunther Gerzso
Arcaico
Estimate $50,000 - 70,000
Sold for $62,500
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20th Century & Contemporary Art Day Sale,...

New York Auction 16 May 2018

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Provenance

Catalogue Essay

Artist Biography

Lygia Pape

177

Lygia Pape

Olhando Miró

20th Century & Contemporary Art Day Sale, Morning Session

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