紐約 Gershwin 酒店 Modern Culture 畫廊
現藏者於2001年購自上述來源
New York, Modern Culture at the Gershwin Hotel, Katherine Bernhardt, November 26–December 26, 2001
Jerry Saltz, "Something Wild," The Village Voice, vol. 46, no. 51, December 18, 2001, p. 73
American • 1975
Katherine Bernhardt, whether in her paintings or make-shift Moroccan rugs, is rapt by neons and geometries. The artist, who works in New York, takes an almost hasty-flick of a brushstroke that lands as a jagged architectural form — figures cut in space and in buzzing colors that leave a mental trace.
Seemingly each month, multiple galleries, museums or art fairs across the world exhibit Bernhardt's large-scale fantasies and rug-centric installations, as seen in 2017 at Art Basel and with a solo retrospective at the Modern Art Museum of Fort Worth, Fort Worth. "I think the best painters don't intellectualize their own art—they just make stuff," she says; but with sharks circling trash in the water in today's climate, as is depicted in Sharks, Toilet Paper and Plantains, it's not hard to see Bernhardt's deeper meanings.
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