Henri Cartier-Bresson - Photographs London Wednesday, May 17, 2017 | Phillips
  • Provenance

    Fay Gold Gallery, Atlanta

  • Literature

    J.P. Montier, Henri Cartier-Bresson and the Artless Art, Boston: Little Brown and Company, 1999, pl. 282
    E. Orsenna, Henri Cartier-Bresson: City and Landscapes, Boston: Bullfinch Press, 2001, cover and p. 62
    Chorus of Light: Photographs from the Sir Elton John Collection, Atlanta: High Museum of Art, 2000, p. 146
    P. Galassi et al., Henri Cartier-Bresson: The Man, the Image and the World, London: Thames & Hudson, 2003, p. 146

  • Artist Biography

    Henri Cartier-Bresson

    French • 1908 - 2004

    Candidly capturing fleeting moments of beauty among the seemingly ordinary happenings of daily life, Henri Cartier-Bresson's work is intuitive and observational. Initially influenced by the Surrealists' "aimless walks of discovery," he began shooting on his Leica while traveling through Europe in 1932, revealing the hidden drama and idiosyncrasy in the everyday and mundane. The hand-held Leica allowed him ease of movement while attracting minimal notice as he wandered in foreign lands, taking images that matched his bohemian spontaneity with his painterly sense of composition.

    Cartier-Bresson did not plan or arrange his photographs. His practice was to release the shutter at the moment his instincts told him the scene before him was in perfect balance. This he later famously titled "the decisive moment" — a concept that would influence photographers throughout the twentieth century. 

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55

Brie, France

1968
Gelatin silver print, printed later.
23.8 x 35.5 cm (9 3/8 x 13 7/8 in.)
Signed in ink and copyright credit blindstamp in the margin.

Estimate
£5,000 - 7,000 ‡♠

Sold for £9,375

Contact Specialist
Genevieve Janvrin
Co-Head of Photographs, Europe
+44 20 7901 7996

Yuka Yamaji
Co-Head of Photographs, Europe
+44 20 7318 4098

Photographs

London Auction 18 May 2017