Chen Ke - Asteroid B-612 Online Auction: Inspired by a Saint-Exupéry Novel Hong Kong Tuesday, December 7, 2021 | Phillips

Create your first list.

Select an existing list or create a new list to share and manage lots you follow.

  • “If I try to describe him here, it is to make sure that I shall not forget him. To forget a friend is sad. Not everyone has had a friend. And if I forget him, I may become like the grown−ups who are no longer interested in anything but figures.”

     

    — Antoine de Saint-Exupéry, The Little Prince

  • Catalogue Essay

     “My characters are somewhat sad, isolated and powerless and this is exactly how I feel sometimes. My art is as real as my spirit. — Chen Ke

     

    As one of the most iconic female painters amongst the post 1970s generation of Chinese contemporary artists, Chen Ke has already made her mark with her distinctive oeuvre. Seeking for new breakthroughs in her career, the artist tirelessly experiments with a myriad of mediums and subject matters: whether it is her signature little girl with a button nose and melancholic expression in Light No.2; her series of installation works made from vintage furniture; or her large scale ink paintings that completely deviating from her previous aesthetics. The artist shows great determination in expanding the dynamics of her oeuvre, continuously garnering critical acclaim across different stages. 

      

    Embracing her identity as an artist of ‘the cartoon generation’, Chen Ke’s little girls are inspired by art world superstars such as Takashi Murakami and Yoshitomo Nara, whose own images of young girls captured the hearts of many. The artist resonated with the populist image of Nara’s and Murakami’s protagonists, as they ‘... (were) not the kind of superior high art (you usually see). I thought (their style) was particularly good at expressing ideas directly, so I painted in this way.’

      

    Sleek in its execution, Chen Ke’s Light No.2 is a particularly captivating piece from the artist’s oeuvre that depicts her iconic little girl with a rounded button nose, set against a dreamy painterly backdrop of teal blues, light greens, and baby yellows, glowing from within. Representing the sense of loneliness and loss coming from her generation born under the One Child Policy, Chen’s works convey the complex inner turmoil of Chinese youth that are struggling to find their path in a society that once valued societal connection, but is now occupied with personal desires and material pursuits.

     

    Immaculately redenered, Chen Ke’s portraits emit an air of introspection with their looks of innocence. Similar to Nara’s protagonists, the little girl in Light No. 2 is also floating in a void of soft pastel colours that eminates the sheen and texture of fine lacquerware or polished jade, demonstrating the allure of her kaleidoscopic and dazzling world of imagination. As the artist explains herself: 

     

    “It’s an imaginary little girl, kinda like another me, it was also inspired by my observation of the young people around me: whether they are having problems socializing with other people, or feeling dreamy.” — Chen Ke

     

    Chen Ke, Little Road, 2009 
    © the artist, Courtesy Sigg Collection

     

     

    Born 1978 in Tongjiang, Sichuan, Chen Ke currently lives and works in Beijing. Chen obtained a BA from the Oil Painting Department of Sichuan Academy of Fine Arts in 2002 and an MFA in 2005. Recent exhibitions include: For the Children, Long Museum, Shanghai, (2020); The Unknown Woman Artist, CNCNM, Beijing (2020), and The Real Deal Is Talking with Dad, YUZ Museum, Shanghai (2018-2019). Her works are in the collections of  enterprises and museums alike, including the Franks-Suss Collection (London), BSI art collection (Lugano), M+ Sigg Collection (Hong Kong), the Shenzhen Art Museum, and the Minsheng Art Museum (Shanghai), amongst others.

     

     

    Interview with the artist, 2021

     

    Chen Ke, quoted in ‘The Most Popular Female Painted in China So Far This Year’, Yit, 21 July 2021, online

    • Provenance

      Private Collection
      Poly Auction, 29 November 2007, lot 399
      Private Collection
      Poly Auction, 1 December 2012, lot 220
      Private Collection
      Christie's, Hong Kong, 5 April 2014, lot 11
      Acquired at the above sale by the present owner

Ж11

Light No. 2

signed and dated 'Ke [in Chinese] 2005' lower right; further signed, titled and dated ' "Light No. 2" [in Chinese and English] Chen Ke [in Chinese] 2005' on the reverse
oil on canvas
110 x 110 cm. (43 1/4 x 43 1/4 in.)
Painted in 2005.

Full Cataloguing

Estimate
HK$500,000 - 700,000 
€56,900-79,600
$64,100-89,700

Sold for HK$756,000

Contact Specialist

Hin Hin Wong
Associate Specialist, 20th Century & Contemporary Art, Hong Kong
+852 2318 2013
hinhinwong@phillips.com

Asteroid B-612 Online Auction: Inspired by a Saint-Exupéry Novel

Online Auction 7-14 December 2021