

ULTIMATE
42
Yoshinori Mizutani
Tokyo Parrots 023
- Estimate
- £5,000 - 7,000‡
£6,875
Lot Details
Archival pigment print, flush-mounted.
2013
Image/Sheet: 105.4 x 96.2 cm (41 1/2 x 37 7/8 in.)
Frame: 115 x 101 cm (45 1/4 x 39 3/4 in.)
Frame: 115 x 101 cm (45 1/4 x 39 3/4 in.)
Signed in Japanese, dated in ink, printed title and number AP1/AP2 on a Certificate of Authenticity affixed to the reverse of the frame.
This work is AP1 from the sold-out edition of 3 + 2 AP.
This work is AP1 from the sold-out edition of 3 + 2 AP.
Specialist
Full-Cataloguing
Catalogue Essay
Tokyo is not a place where one would expect to find wild, brightly coloured birds. In the 1960s, rose-ringed parakeets were brought over to Japan from Sri Lanka and India to be sold as pets. Some escaped while others were released, thus forming a feral population that spread all over the city. These birds became the subject of Mizutani’s captivating series Tokyo Parrots. Struck by his initial encounter with a few parakeets near his house, Mizutani chased them around Tokyo and soon discovered a large roost in a ginkgo tree on the campus of the Tokyo Institute of Technology where he saw the spectacle of hundreds of yellow-green, fluorescent winged creatures. Working at night with a bright flash, he spent over a year photographing the parakeets.
In Tokyo Parrots 023, the flattened plane of the image, the bright colours of the birds, and the linear arrangement of the power lines create a unique and disorienting perspective on the urban space. Mizutani was selected for Foam Talent for this series in 2014. In 2016, he collaborated with Issey Miyake Men for their Spring/Summer collection, printing images from Tokyo Parrots onto fabrics to create wearable art. Mizutani’s work is held in a number of collections, including the Kiyosato Museum of Photographic Arts and the Baltimore Museum of Art.
In Tokyo Parrots 023, the flattened plane of the image, the bright colours of the birds, and the linear arrangement of the power lines create a unique and disorienting perspective on the urban space. Mizutani was selected for Foam Talent for this series in 2014. In 2016, he collaborated with Issey Miyake Men for their Spring/Summer collection, printing images from Tokyo Parrots onto fabrics to create wearable art. Mizutani’s work is held in a number of collections, including the Kiyosato Museum of Photographic Arts and the Baltimore Museum of Art.
Exhibited
Literature