Tracey Emin - Modern & Contemporary Art New York Wednesday, July 17, 2024 | Phillips
  • Tracey Emin’s You forgot to kiss my soul, 2007 is exemplary of the artist’s ability to combine text and image to recount complex, intimate narratives. Emin, who has worked in neon for over three decades, has extensively exhibited her neons in international museums and public spaces. Each work is made from hand-blown neon tubing shaped in the artist’s distinctive scrawling penmanship. Thematically, Emin’s neons are an unrestrained depiction of the artist’s tumultuous relationship with love and heartbreak. Raw and confessional, the present example distils an epic romantic narrative into pithy verse evocative of her interior world. 

    “Neon is emotional for everybody . . . That’s why neon is at fun fairs, casinos, red light districts and bars. It’s also to do with the way it electronically pulsates around the glass, it creates a feel-good factor.”
    —Tracey Emin 
    Magnificently affective, You forgot to kiss my soul is a striking portrait of tenderness and vulnerability. Emin’s sloping letters are diaristic and emotive, as if written in a private note, and framed in a similarly organic outlined heart. Yet, in the soft glow of the white and pink neon, the artist’s private thoughts are put on display, communing directly with the viewer in an openness characteristic of Emin’s seminal works.

    “I love writing. I think every artist has a backbone to what they do. For some it could be photography, painting, the ability to make a formal sculpture stand, but for me it's writing.”
    —Tracey Emin
    Across her multidisciplinary career, which has spanned painting, needlework, installation and photography, the quality of intimate, autobiographical storytelling has remained a central tenet. The artist’s seminal early contributions, including her critically acclaimed works Tracey Emin, CV, 1995 and My Bed, 1998, are testimony the artist’s encounters with grief, love and trauma. Like these two foundational works, You forgot to kiss my soul relishes in the intersection of poetry and visual art to present a defiant vulnerability.  

     

    A notable example from Emin’s oeuvre, You forgot to kiss my soul was exhibited in Tracey Emin: Angel Without You at the North Miami Museum of Contemporary Art in 2014, which surveyed the artist’s neon works. Another example from the edition is held in the collection of the Stedelijk Museum, Amsterdam.

    • Provenance

      White Cube, London
      Acquired from the above by the present owner in 2007

    • Exhibited

      Purchase, Neuberger Museum of Art, Living with Art: Collecting Contemporary in Metro New York, May 1–August 14, 2010
      North Miami, Museum of Contemporary Art, Tracey Emin: Angel Without You, December 4, 2013–March 9, 2014, p. 216

    • Literature

      Robert Preece, "Artist over -and in- the Broadsheets," Parkett, no. 63, 2001, p. 51 (another example illustrated)
      Patrick Elliiot and Julian Schnabel, Tracey Emin: 20 Years, Edinburgh, 2008, p. 47 (another example illustrated)
      Cliff Lauson, Ralph Rugoff and Tracey Emin, Tracey Emin: Love is What You Want, London, 2011, pp. 65, 201 (another example illustrated)
      Rebecca Bates, "Tracey Emin's Neon Works on View at the Museum of Contemporary Art, North Miami," Architectural Digest, November 30, 2013, online (illustrated)
      "Tracey Emin "Angel without You" at MOCA, Miami," Mousse, January 17, 2014, online (illustrated)

47

You forgot to kiss my soul

pale pink and white neon
45 1/2 x 55 3/8 in. (115.5 x 140.5 cm)
Executed in 2007, this work is number 2 from an edition of 3 and is accompanied by a certificate of authenticity signed by the artist.

Another example from the edition is housed in the permanent collection of the Stedelijk Museum, Amsterdam.

Full Cataloguing

Estimate
$100,000 - 150,000 

Sold for $114,300

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Nina Piro
Specialist, Associate Vice President
npiro@phillips.com
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Modern & Contemporary Art

New York Auction 17 July 2024