

130
Sarah Charlesworth
Subtle Body from Academy of Secrets
- Estimate
- $8,000 - 12,000
$10,625
Lot Details
Dye destruction print, mounted.
1989
71 x 49 in. (180.3 x 124.5 cm)
Overall 78 x 57 in. (198.1 x 144.8 cm)
Overall 78 x 57 in. (198.1 x 144.8 cm)
Initialed and dated in white ink within a blindstamp credit on the recto. One from an edition of 4 plus 2 artist's proofs.
Specialist
Full-Cataloguing
Catalogue Essay
Sarah Charlesworth’s Subtle Body is a part of the Academy of Secrets series that the artist developed in the late 1970s to the early 1980s. The series illustrates Charlesworth’s attempt to “create a complex, emotional field resembling a visual dream or a feeling,” and an effort to “exorcise, rearrange and reshape” symbolisms attached to preexisting images in one’s subconscious through repeated exposure in the media.
In the composition, cut-outs of delicate and vulnerable objects –– clay vessels, a heart, a fetus, a lotus flower, and a snail –– are arranged vertically on a monochromatic field of white. Such alignment appropriates the format of Tantric meditation emblems, in which a vertical sequence of symbols represents seven centers of the human body. The life-size scale of the work further encourages an anthropomorphic experience when the viewer confronts the work. Created during the artist’s pregnancy, the work urges the spectators to turn their contemplation inwards, exploring the body and the self through symbolic images. The surface is also deliberately made matte, eliminating any reflections that might cause distractions to the exploration of one’s interior.
In the composition, cut-outs of delicate and vulnerable objects –– clay vessels, a heart, a fetus, a lotus flower, and a snail –– are arranged vertically on a monochromatic field of white. Such alignment appropriates the format of Tantric meditation emblems, in which a vertical sequence of symbols represents seven centers of the human body. The life-size scale of the work further encourages an anthropomorphic experience when the viewer confronts the work. Created during the artist’s pregnancy, the work urges the spectators to turn their contemplation inwards, exploring the body and the self through symbolic images. The surface is also deliberately made matte, eliminating any reflections that might cause distractions to the exploration of one’s interior.