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155

Salvador Dalí

La Télévision; and La Tauromachine au tiroir, from Tauromachie surréaliste (Television; and Bullfight in a Drawer, from Surrealistic Bullfight)

Estimate
$1,500 - 2,500
$1,500
Lot Details
Two etchings with aquatint and stencil hand-coloring, on Arches paper, with full margins.
1966-67
La Télévision I. 11 3/4 x 15 5/8 in. (29.8 x 39.7 cm)
S. 19 7/8 x 25 7/8 in. (50.5 x 65.7 cm)
La Tauromachine I. 12 1/2 x 16 3/8 in. (31.8 x 41.6 cm)
S. 19 3/4 x 26 in. (50.2 x 66 cm)
Both signed, one dated, both numbered 98/150 in pencil (there was also an edition of 100 in Roman numerals on Japon nacré paper), published by Pierre Argillet, Paris (with the Dali blindstamp), both unframed.

Salvador Dalí

Spanish | B. 1904 D. 1989
Salvador Dalí was perhaps the most broadly known member of the Surrealist movement of the early twentieth century. Heavily influenced by Sigmund Freud, the avant-garde style explored consciousness and dream-like states through exaggerated landscapes and bizarre or grotesque imagery. Using the means of painting, sculpture, printmaking, film and literature, Dalí explored these ideas with a meticulous hand and inventive wit. Although known for his role in Surrealism, Dalí was also a seminal example of celebrity showmanship and the cult of personality, a phenomenon that dominates popular culture today. Always a colorful and flamboyant presence with his signature cape, wide-eyed expression and trademark upturned waxed mustache, Dalí was a master of self-promotion and spectacle.
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