Roy Lichtenstein - Editions & Works on Paper New York Tuesday, April 19, 2022 | Phillips

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  • Literature

    Mary Lee Corlett III.20

  • Catalogue Essay

    "[This poster] was supposed to be Buck Rogers architecture, or that's what it meant to me. Then when looking at it, it began to look very thirties. Later I did a poster for the Lincoln Center Film Festival and I wanted something about the movies, just as a design, and the thirties occurred to me." - Roy Lichtenstein, quoted in "Thoughts on the 'Modern Period'"

  • Artist Biography

    Roy Lichtenstein

    One of the most influential and innovative American artists of the post-war period, Roy Lichtenstein ushered in the prominence of Pop Art through his high-impact representations of consumer imagery, common entertainment, and the accoutrements of contemporary life rendered in the Ben-Day dots of contemporary comic strips. Central to Lichtenstein’s practice was parody, which enabled the artist to engage with often-disparaged commercial source imagery from an ironic distance as he considered the nature of the banal and probed the boundaries of what fine art could be.

     

    While Lichtenstein’s early Pop work cemented his status as one of the main figures of one of the most iconic and original movements of postmodernism, he continued to develop his practice over the course of the following decades until his death in 1997. Retaining his characteristic comic style and ironic distance, Lichtenstein engaged new and disparate influences from Abstract Expressionism to Chinese landscape painting to evolve the subject of his own work and consider the contradictions of representation, style, and substance. Lichtenstein is a central figure in the 20th century art historical canon and accordingly his work is represented in the collections of major museums worldwide, including The Museum of Modern Art, New York; Tate, London; and Centre Pompidou, Paris.

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234

This Must Be the Place (C. III.20)

1965
Offset lithograph in colors, on wove paper, with full margins.
I. 21 1/2 x 16 in. (54.6 x 40.6 cm)
S. 24 3/4 x 17 3/4 in. (62.9 x 45.1 cm)

Signed in pencil and additionally signed and dated in the plate (as issued), from the edition of unknown size, published by Leo Castelli Gallery, New York, framed.

Estimate
$6,000 - 8,000 

Sold for $19,530

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Editions & Works on Paper

New York Auction 19 - 21 April 2022