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  • 來源

    紐約 Gladstone 畫廊
    現藏者於2006年購自上述來源

  • 藝術家簡介

    李察德.佩利斯

    American • 1947

    For more than three decades, Prince's universally celebrated practice has pursued the subversive strategy of appropriating commonplace imagery and themes – such as photographs of quintessential Western cowboys and "biker chicks," the front covers of nurse romance novellas, and jokes and cartoons – to deconstruct singular notions of authorship, authenticity and identity.

    Starting his career as a member of the Pictures Generation in the 1970s alongside such contemporaries as Cindy Sherman, Robert Longo and Sherrie Levine, Prince is widely acknowledged as having expanded the accepted parameters of art-making with his so-called "re-photography" technique – a revolutionary appropriation strategy of photographing pre-existing images from magazine ads and presenting them as his own. Prince's practice of appropriating familiar subject matter exposes the inner mechanics of desire and power pervading the media and our cultural consciousness at large, particularly as they relate to identity and gender constructs.

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加州私人收藏

Ο101

《美式/英式(裸體午餐)》

款識:Richard Prince 2006(底座頂部)
Bondo 書本 壓克力木盒 壓克力木製底座
木盒:2 1/2 x 15 1/2 x 8 7/8 英吋 (6.4 x 39.4 x 22.5 公分)
底座:40 x 23 1/8 x 17 英吋 (101.6 x 58.7 x 43.2 公分)
整體:42 1/2 x 23 1/8 x 17 英吋 (108 x 58.7 x 43.2 公分)

2006年作,此作包括兩本為美國和英國市場印刷的1959年第一版 William S. Burroughs 著作《裸體午餐》。

估價
$15,000 - 20,000 

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紐約拍賣 2021年9月28日