(ORIGINALFAKE) COMPANION

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  • Provenance

    Gering & Lopez Gallery, New York
    Acquired from the above by the present owner in June 2009

  • Literature

    Ian Luna and Lauren A. Gould, KAWS: 1993-2010, New York, 2010, p. 231 (another variant illustrated)

  • Artist Bio

    KAWS

    American • 1974

    To understand the work of KAWS is to understand his roots in the skateboard and graffiti crews of New York City. Brian Donnelly chose KAWS as his moniker to tag city streets beginning in the 1990s, and quickly became a celebrated standout in the scene. Having swapped spray paint for explorations in fine art spanning sculpture, painting and collage, KAWS has maintained a fascination with classic cartoons, including Garfield, SpongeBob SquarePants and The Simpsons, and reconfigured familiar subjects into a world of fantasy. 

    Perhaps he is most known for his larger-than-life fiberglass sculptures that supplant the body of Mickey Mouse onto KAWS' own imagined creatures, often with 'x'-ed out eyes or ultra-animated features. However, KAWS also works frequently in neon and vivid paint, adding animation and depth to contemporary paintings filled with approachable imagination. There is mass appeal to KAWS, who exhibits globally and most frequently in Asia, Europe and the United States.  

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334

Property from a Distinguished Midwestern Collection

KAWS

(ORIGINALFAKE) COMPANION

signed and dated "KAWS..06" on the underside of the figure's left foot; numbered "9/10" on the underside of the figure's right foot; further numbered "9/10" on the original wooden case
painted bronze
15 1/4 x 6 1/2 x 5 1/8 in. (38.7 x 16.5 x 13 cm.)
Executed in 2006, this work is number 9 from an edition of 10 plus 2 artist's proofs and is accompanied by its original wooden case.

Estimate
$100,000 - 150,000 

sold for $325,000

Contact Specialist
Rebekah Bowling
Head of Day Sale, Afternoon Session
New York
+ 1 212 940 1250

20th Century & Contemporary Art Day Sale Afternoon Session

New York Auction 13 November 2019