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KAWS
UNTITLED (MBFL10)
Full-Cataloguing
With ‘X’s for eyes that conventionally represent death in cartoon culture, the present lot shows KAWS utilising his signature motif onto a familiar comic strip beagle character. Well-known for his clean visual imagery, KAWS’s lack of visible brushstrokes and use of a minimalist monochrome palette maintain a graphic quality to the work— stripping the figurative into an abstract surface that directly confronts its viewers. The viewer recognises the lovable beagle character, but its crossed-out eyes and agitated lines assign an entirely new personality to the original cartoon. The repetitive effect from the multiplication of the figure conveys a sense of insecurity— as if the character is attempting to assert its presence by echoing itself.
Using accessible characters as his main subjects, KAWS opens up the realm of art not only to art critics and intellectuals, but also to a mass audience through popular culture.
KAWS
American | 1974To understand the work of KAWS is to understand his roots in the skateboard and graffiti crews of New York City. Brian Donnelly chose KAWS as his moniker to tag city streets beginning in the 1990s, and quickly became a celebrated standout in the scene. Having swapped spray paint for explorations in fine art spanning sculpture, painting and collage, KAWS has maintained a fascination with classic cartoons, including Garfield, SpongeBob SquarePants and The Simpsons, and reconfigured familiar subjects into a world of fantasy.
Perhaps he is most known for his larger-than-life fiberglass sculptures that supplant the body of Mickey Mouse onto KAWS' own imagined creatures, often with 'x'-ed out eyes or ultra-animated features. However, KAWS also works frequently in neon and vivid paint, adding animation and depth to contemporary paintings filled with approachable imagination. There is mass appeal to KAWS, who exhibits globally and most frequently in Asia, Europe and the United States.