Carl Freedman Gallery, London
Acquired from the above by the present owner
London, Carl Freedman Gallery, Katherine Bernhardt: Strawberry Banana Power Smoothie, 12 October - 14 November 2015
Dan Rookwood, 'Lifestyle: Mr Lawrence Van Hagen', Mr Porter, 19 January 2017, online (illustrated)
Colin Gleadell, 'Market News: the modern art comeback', The Telegraph, 3 November 2015, online (illustrated)
American • 1975
Katherine Bernhardt, whether in her paintings or make-shift Moroccan rugs, is rapt by neons and geometries. The artist, who works in New York, takes an almost hasty-flick of a brushstroke that lands as a jagged architectural form — figures cut in space and in buzzing colors that leave a mental trace.
Seemingly each month, multiple galleries, museums or art fairs across the world exhibit Bernhardt's large-scale fantasies and rug-centric installations, as seen in 2017 at Art Basel and with a solo retrospective at the Modern Art Museum of Fort Worth, Fort Worth. "I think the best painters don't intellectualize their own art—they just make stuff," she says; but with sharks circling trash in the water in today's climate, as is depicted in Sharks, Toilet Paper and Plantains, it's not hard to see Bernhardt's deeper meanings.
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