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  • Provenance

    Roberto Paradise, San Juan
    Acquired from the above by the present owner

  • Literature

    Dan Nadel, ed., Katherine Bernhardt, New York, 2017, p. 170 (illustrated, p. 5)

  • Artist Biography

    Katherine Bernhardt

    American • 1975

    Katherine Bernhardt, whether in her paintings or make-shift Moroccan rugs, is rapt by neons and geometries. The artist, who works in New York, takes an almost hasty-flick of a brushstroke that lands as a jagged architectural form — figures cut in space and in buzzing colors that leave a mental trace.

    Seemingly each month, multiple galleries, museums or art fairs across the world exhibit Bernhardt's large-scale fantasies and rug-centric installations, as seen in 2017 at Art Basel and with a solo retrospective at the Modern Art Museum of Fort Worth, Fort Worth. "I think the best painters don't intellectualize their own art—they just make stuff," she says; but with sharks circling trash in the water in today's climate, as is depicted in Sharks, Toilet Paper and Plantains, it's not hard to see Bernhardt's deeper meanings. 

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Tacos and Money

signed, titled and dated "Katherine Bernhardt 2013 Tacos + Money $" on the reverse
acrylic and spray paint on canvas
76 x 84 in. (193 x 213.4 cm.)
Executed in 2013.

$30,000 - 50,000 

Sold for $35,000

Contact Specialist
Rebekah Bowling
Head of Day Sale, Afternoon Session
New York
+ 1 212 940 1250
[email protected]

20th Century & Contemporary Art Day Sale, Afternoon Session

New York Auction 15 May | On View at 450 Park Avenue