

Property from the Collection of Diane and Marc Grainer
61
Judy Kensley McKie
"Monkey Settee"
- Estimate
- $70,000 - 90,000
$187,500
Lot Details
Walnut, patinated bronze.
1994
35 x 64 x 22 in. (88.9 x 162.6 x 55.9 cm)
Bronze produced by Artworks Foundry, Berkeley, California. Number 4 from the edition of 12 plus 4 artist's proofs. Underside incised © JKM 1994 4 / 12 Bench B.
Specialist
Full-Cataloguing
Catalogue Essay
Monkey Settee has become an iconic representation of Judy Kensley McKie’s body of work, for the ultimate incorporation of animal forms in her furniture designs, and for its combination of fluency in woodworking and bronze casting. As McKie’s woodworking career progressed, she moved from carving animals in relief onto the surfaces of cabinets and tables, to carving animals out of the body of the form itself, becoming the arms, legs and back structural supports of her designs, to fully realized animal sculptures incorporated into her designs that appear to be in movement, simultaneously living within the object and among its users. Among the most successful executions of her vision, clues of her research into ancient art, Art Deco aesthetics, and international cultures abound in Monkey Settee.
An example of Monkey Settee is in the permanent collection of the Renwick Gallery of the Smithsonian American Art Museum in Washington, DC.
An example of Monkey Settee is in the permanent collection of the Renwick Gallery of the Smithsonian American Art Museum in Washington, DC.
Provenance
Literature
Judy Kensley McKie
American | 1944Judy Kensley McKie is an American designer best known for her whimsical furniture, which often features animal forms and a combination of woodworking and bronze casting. As McKie’s woodworking career progressed, she moved from carving animals in relief onto the surfaces of cabinets and tables, to carving animals out of the body of the form itself, becoming the arms, legs and back structural supports of her designs, to fully realized animal sculptures incorporated into her designs that appear to be in movement, simultaneously living within the object and among its users.
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