Joseph Beuys - Editions & Works on Paper New York Monday, October 24, 2022 | Phillips

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  • It is an interesting fact that in 1964 Beuys projects Ingmar Bergman's Silence verbally into the "context which is directly related to Duchamp" and much later, in 1973, reinterprets it in the form of a multiple. If at that time a parallel was drawn between artistic silence and human silence as lack of communication, understanding, warmth, love, as the agony of art and life, the meanings conveyed by the multiple are further-reaching. 


    By galvanizing the five film reels, Beuys rendered them unusable; i.e., this way The Silence cannot be prolonged. It is finally contained and brought to an end and at the same time conserved as a memento... Beuys reinterpreted Bergman's film reels as objects capable of storing energy and warmth.' - On the Multiples of Joseph Beuys, Dierk Stemmer, 1975, Joseph Beuys: The Multiples, Jörg Schellmann, 1997

     

    Ingrid Thulin, Gunnel Lindblom and Jörgen Lindström in The Silence

     

    Ingrid Thulin and Ingmar Bergman on the set of The Silence

     

    Ingrid Thulin and Gunnel Lindblom in Ingmar Bergman’s The Silence
    • 來源

      私人收藏
      加州Thomas Babeor畫廊

    • 文學

      Jörg Schellmann 80
      Dieter Schwarz 1973.03

    • Catalogue Essay

      Including: 1. Hustenanfall Gletscher+; 2. Zwerge – Animalisierung; 3. Vergangenheit – Vegetabilisierung; 4. Panzer – Mechanisierung; and 5. Wir sind frei - Geysir+

32

《沉默 (S. 80)》

1973年作
五組由Ingmar Bergman執導的1962年電影《沉默》的35毫米原裝投影捲軸 塗漆 鍍銅鋅浴 存於原裝黑色卡盒
每組:2 x 15 x 15 英吋 (5.1 x 38.1 x 38.1 公分)
款識:標題、1-5(金屬牌匾壓花)35(首組壓花)
尚有50版、10版藝術家試作版,由柏林Edition René Block畫廊及紐約Multiples畫廊共同出版。

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