

PHOTOGRAPHS FROM THE FAMOUS PHOTOGRAPHERS SCHOOL ARCHIVE
117
Irving Penn
Still life
- Estimate
- £5,000 - 7,000‡
Lot Details
Two gelatin silver prints, printed no later than 1964.
1961-1964
(i) 19.7 x 19.6 cm (7 3/4 x 7 3/4 in.)
(ii) 25.4 x 20 cm (10 x 7 7/8 in.)
(ii) 25.4 x 20 cm (10 x 7 7/8 in.)
Annotated 'Possible ingredients of picture laid out before beginning work', 'Final composition', respectively, in ink on the mounts; credit and Famous Photographers School lesson stamps with annotation in an unidentified hand in pencil on the reverse of each mount.
Specialist
Full-Cataloguing
Catalogue Essay
The images in lots 117 and 118 were produced by Alfred Eisenstaedt and Irving Penn during their time as part of the Famous Photographers School, founded in 1961. The school which counted ten photographic greats of the time (Richard Avedon, Philippe Halsman and Bert Stern among them) as its conveyers of the trade, was created to help its students achieve the standard and quality of photographs that its mentors produced continuously. Each photographer bought his own individual skills to the task whether they were more familiar with commercial or editorial photography or perhaps specifically known for a particular genre such as still-life or portraiture. What is incredibly interesting and fascinating about these works is the unique chance to have an exclusive insight in to the way these bastions of the medium operated; how exactly they viewed through the camera lens and how the sequential frame inevitably amounts to so much. From these surviving, carefully composed lessons prepared for their students, we are gifted an opportunity to understand visually, step by step, how craftsmen like Eisenstaedt and Penn came to deliver such exquisite works that people have enjoyed for decades ever since.
Provenance
Literature
Irving Penn
American | B. 1917 D. 2009Irving Penn was one of the 20th century’s most significant photographers, known for his arresting images, technical mastery, and quiet intensity. Though he gained widespread acclaim as a leading Vogue photographer for over sixty years, Penn remained a private figure devoted to his craft. Trained under legendary art director Alexey Brodovitch in Philadelphia, he began his career assisting at Harper’s Bazaar before joining Vogue in 1943, where editor and artist Alexander Liberman recognized Penn’s distinctive eye and encouraged him to pursue photography. Penn’s incomparably elegant fashion studies reset the standard for the magazine world, and his portraits, still lifes, and nude studies broke new ground. His 1960 book Moments Preserved redefined the photographic monograph with its dynamic layout and high-quality reproductions. In 1964, Penn began printing in platinum and palladium, reviving this 19th-century process to serve his own distinct vision. An innovator in every sense, Penn’s approach to photography was endlessly adventurous. Few photographers of his generation experimented as widely with both conventional and historic print processes, and none achieved Penn’s level of excellence in all.
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