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  • Literature

    Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography, figs. 177, 376, 420, 559, 606, 853, 1035, 1866, F.3
    Aperture, Edward Weston, pp. 15, 29, 37, 45, 61
    Merrell, Edward Weston: A Legacy, p. 184
    Scalo, Edward Weston, Helmut Newton: die Künstlichkeit Des Wirklichen, Fotografierte Körper, p. 105

  • Catalogue Essay

    Titles include:
    Blue Dune, Oceano, 1948; Plaster Works, Los Angeles, 1925; Casa de Vecindad, D.F., 1926; Nude, 1934; Flaming Cypress Root, Point Lobos, 1929; Grass and Sea, Big Sur, 1937; Rose, Mexico, 1926; Pepper No. 30, 1930; Two Shells, 1927; North Wall, Point Lobos, 1946

143

The Edward Weston Portfolio

New York: Witkin-Berley Limited, 1971. Nine gelatin silver prints, printed later by Cole Weston and one dye transfer print, printed later.
Varying dimensions from 3 1/2 x 4 1/2 in. (8.9 x 11.4 cm) to 7 1/2 x 9 1/2 in. (19.1 x 24.1 cm) or the reverse
Each signed, titled, dated by Cole Weston in pencil, each gelatin silver print with Edward Weston signature stamp, and dye transfer print with 'dye print from Edward Weston color transparency authorized by Cole Weston' stamp, all on the reverse of the mount; each print sequentially numbered '1-10' in an unidentified hand in ink on a portfolio label affixed to the reverse of the mount. Numbered '7' in an unidentified hand in ink on the colophon. One from an edition of 50 plus 5 artist's proofs. Enclosed in a black slipcase with metallic cover, printed title and half-tone reproduction of Pepper No. 30.

Estimate
$15,000 - 25,000 

Sold for $16,250

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Sarah Krueger
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Vanessa Hallett
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Photographs

New York Auction 4 October 2018