







32
Carlo Scarpa
Two rare armchairs
- Estimate
- £30,000 - 50,000‡
£38,100
Lot Details
Cherry, cherry-veneered wood, fabric.
1935-1937
Taller: 85.6 x 66.5 x 67 cm (33 3/4 x 26 1/8 x 26 3/8 in.)
Shorter: 84 x 66.5 x 64 cm (33 1/8 x 26 1/8 x 25 1/4 in.)
Shorter: 84 x 66.5 x 64 cm (33 1/8 x 26 1/8 x 25 1/4 in.)
Produced by Falegnameria Anfodillo, Venice, Italy.
Specialist
Further Details
Full-Cataloguing
Catalogue Essay
Provenance
Literature
Carlo Scarpa
Italian | B. 1906 D. 1978Phillips Design has a deep-rooted passion for the work of Carlo Scarpa, one of the twentieth century's great poets, whose rhythms, lines and materials — a grammar of space — appeal both as a local response to the architect's birth city, Venice, and a universal language of ordered dynamism.
Carlo Scarpa graduated with a degree in architectural drawing from the Accademia di Belle Arti in Venice in 1926. In the years that followed, he worked as a teaching assistant for a former professor, ran his own architectural practice in Venice and worked as a freelance artist for M.V.M. Cappellin glassworks. When M.V.M. Cappellin went bankrupt in 1932, Scarpa joined Venini & C. in Murano, where he served as artistic director until 1947. During his tenure at Venini, Scarpa developed a host of new techniques — in particular, mezza filigrano, a bollicine and corroso — that catapulted the centuries-old tradition of Venetian glassblowing to the forefront of modernist design.
Browse ArtistCarlo Scarpa graduated with a degree in architectural drawing from the Accademia di Belle Arti in Venice in 1926. In the years that followed, he worked as a teaching assistant for a former professor, ran his own architectural practice in Venice and worked as a freelance artist for M.V.M. Cappellin glassworks. When M.V.M. Cappellin went bankrupt in 1932, Scarpa joined Venini & C. in Murano, where he served as artistic director until 1947. During his tenure at Venini, Scarpa developed a host of new techniques — in particular, mezza filigrano, a bollicine and corroso — that catapulted the centuries-old tradition of Venetian glassblowing to the forefront of modernist design.