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  • Provenance

    Private Collection, California

  • Catalogue Essay

    Because the dunes were unknown artistic grounds for both men, Brett’s work is not an extension of his father’s vision but rather a simultaneous exploration of the same subject matter…Brett’s dunes were overtly subjective and more two-dimensional from the start. He exploited dramatic side slighting, sometimes working directly into the light. The dunes fulfilled Brett’s desire to pursue sensual form irrespective of the “thing.”
    -John Charles Woods, introduction to Dune: Edward & Brett Weston

200

Dunes

1932
Gelatin silver print.
6 1/4 x 9 1/2 in. (15.9 x 24.1 cm)
Signed and dated in pencil on the reverse of the mount.

Estimate
$25,000 - 35,000 

Sold for $32,500

Contact Specialist
Vanessa Kramer Hallett
Worldwide Head, Photographs
[email protected]

Shlomi Rabi
Head of Sale, New York
[email protected]

General Enquiries:
+1 212 940 1245

Photographs

New York Auction 1 October