Bouquet (P3)

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  • Provenance

    Acquired directly from the artist by the present owner

  • Artist Bio

    Gerhard Richter

    German • 1932

    Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. 

    Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016. 

    View More Works

160

Bouquet (P3)

numbered "156/500" on the reverse
Diasec-mounted chromogenic print laid on aluminum
23 1/2 x 34 3/4 in. (59.7 x 88.3 cm.)
Executed in 2014, this facsimile object is number 156 from an edition of 500.

Estimate
$5,000 - 7,000 

sold for $13,750

Contact Specialist
Rebekah Bowling
Head of Sale
New York
+ 1 212 940 1250

New Now

New York Auction 19 September 2017