Quatre femmes nues et tête sculptée (Four Nude Women and a Carved Head), plate 82 from La Suite Vollard (Bl. 219, Ba. 424)

Entrée en piste (On the Track) (M. 433)

La Femme au miroir (Woman at the Mirror) (M. 242)

Nana Hyaku Mizu (K. 22, 32-33, 37-38, 55, 59)

Look at it on a Rainy Day (Regentag portfolio) (K. 44-53)

Le Bestiaire de La Fontaine Dalinisé (La Fontaine's Bestiary Dalinized) (M. & L. 653-664)

Much Ado About Shakespeare II (M. & L. 390-405)

Triptyque de la tauromachie (Bulfighting Triptych) (S. 29, T. 37)

Trois études pour un autoportrait (after, Three Studies for a Self-Portrait 1983) (S. 26, T. 28)

Dutch Iris

Pluto (H. 37)

Toaster (L. 63)

Figure 5, from Black Numeral Series (G. 92, U.L.A.E. 49)

Jacqueline Kennedy I (Jackie I), from 11 Pop Artists, Volume I (F. & S. 13)

Electric Chair (F. & S. IIIA. 4)

Portrait of the Artists, from Ten from Leo Castelli (F. & S. 17)

Mao (F. & S. 96)

Flowers (F. & S. 65)

Flowers (F. & S. 72)

Campbell's Soup I (F. & S. 44-53)

The Student, from Hommage à Picasso (S.A.C. 153, M.C.A.T. 143)

Still Life with Picasso, from Hommage à Picasso (C. 127)

Reflections on Girl, from Reflections Series (C. 245)

Untitled (Still Life with Lemon and Glass), from For Meyer Schapiro (C. 134)

Red Lamp (C. 279)

Composition IV (C. 293)

Objects Of Our Time

Art & Design

Red Yellow Black White, from Standing People

Walking Statuettes

Tina Walking (C. 143)

Verity Walking (C. 149)

Mechanic, from Stone Heads

Pocketwatch, scene No. 5 from The Emancipation Approximation

Oona, from Black Dress

Untitled (Iceman X)

Crystal

Future Relic Eroded Basketball

Pumpkin 2000 (Red) (K. 299)

Untitled 1

These Feelings Were True

The Virtues (H. 9)

Mercy, from The Aspects (H6-1)

Earth, from The Elements (H6-6)

Oleoylsarcosine

It's a Beautiful Day

A Map of Days (blue)

A Bigger Green Valley

Abstraktes Bild (P1)

Haggadah (P2)

Schwarz - Rot - Gold IV (Black - Red - Gold IV)

Vanish

Untitled (La Lune en Rodage - Carlo Belloli) (S. 6, T. & G. 7)

Six in Light Orange with Red in Yellow; Six in Vermilion with Green in Yellow; Six in Vermilion with Red in Red; and Six in Vermilion with Violet in Red

Anima Mundi 45-5 Ed.

Anima Mundi 81-3 III Ed.

Table Bleu KleinTM / Klein Blue

Table Rose (Pink)

Blue Poppies

Diamond (Red)

Balloon Animals Collector's Set

Balloon Dogs Presentation Set (Magenta, Orange, Yellow)

Four Majors

8 Etchings

Hammer Interior

King Brand

Oedipus Schmedipus

High on Hope

Too Cool To Lose

Love Conquers Nothing

Kate Moss, She’s Light (Dots)

Love Rat

Bomb Love (Bomb Hugger)

Happy Chopper

Laugh Now

Weston Super Mare

Visage no. 157 (Face no. 157) (R. 489)

Têtes (Heads) (R. 367)

Tête de chèvre de profil (Goat's Head in Profile) (R. 107)

Visage à la fraise (Strawberry Face) (R. 625)

Exposition Vallauris (Vallauris Exhibition) (Bl. 1301, Ba. 1354, C. 53)

Portrait imaginaire (Imaginary Portraits): three plates

La Fête de la Patronne, ces Dames médisent de Degas, réduit à un Tiers de Profil (The Feast of the Patron Saint, these Ladies slander Degas, reduced to a Third Party in Profile), plate 127 from Séries 156 (Bl. 1982, Ba. 1992)

Femme aux trois Profils, en Chemise et en Bottines, et Femme nue songeant (Woman with Three Profiles, in a Shirt and Boots, and a Nude Woman Thinking), plate 142 from Séries 156 (Bl. 1996, Ba. 2006)

La Jeune artiste (The Young Artist) (Bl. 609, M. 150)

Sable mouvant (Quicksand) (Bl. 1183-1192, Ba. 1152-1161, C. 136)

Lysistrata (Bl. 267-272, Ba. 387-392, C. 24)

L'Arbre des voyageurs (The Travelers' Tree) (C. 1)

La Bague d'aurore (The Ring of Dawn) (D. 122-125, 128, C. 45)

Bonjour Max Ernst (Hello Max Ernst) (D. 936, C. 215)

Nu allongé, jambes repliées (Reclining Nude, Legs Bent) (D. 115)

Le Signe de Vie (The Sign of Life) (D. 13)

L’Hiver (Winter), from Daphnis et Chloé (Daphnis and Chloe) (M. 333, C. 46)

Tristan et Iseult (Tristan and Isolde) (M. & L. 406-426)

La Vénus aux fourrures (Venus in Furs) (M. & L. 357-376)

Don Quichotte (Don Quixote) (M. & L. 144)

Mr. Knife, Miss Fork (S. & L. 13)

Petite tortue sur socle rond II (Small Turtle on Round Base II) (S. & M. 4589 II)

La Ballade du soldat (The Ballad of the Soldier) (S. & L. 218)

La Brebis galante, Les Éditions Premières (The Galant Sheep, The First Edition) (S. & L. 28)

The Creation II (Schöpfungsgeschichte II) from The First Portfolio (Die Erste Mappe) (H. & J. 42)

Jeux et travaux (Games and Work) (W. 385)

Dinosaure (Dinosaur) (W. 23)

Semen

Untitled B

Trentatré Erbe (Thirty-three Herbs)

Estroflessione (Eversion)

Concetto Spaziale (incisione bianca) (Space Concept White Engraving) (R. & R. E35)

Don Juan

Cartella A

Cartella B

TER-A

Topaz Blanche Négatif (Negative White Topaz)

Composition

Écossais (Scottish)

La Vague (The Wave)

Presenza Grafica (Graphic Presence)

Brushstrokes in Different Colors in Two Directions, Plate #06 (K. 1993.08)

Untitled (L. 254)

Interaction of Color

St (W. & D. 28)

Hommage au Carré (Tribute to the Square): one plate (D. 160.11)

Paintings and Drawings 1974-1990

London II (Homage to Annely Juda) (K. 95009)

Ozendu (K. 81003)

Extension #3 (G. 2003, B.-W. 181)

Hyena Stomp, from Jasper's Dilemma (A. & K. 83)

The Great Heidelburgh Tun, from Waves I (A. & K. 186)

Life Mask (G. 941, C. 41)

Man and Woman

Life Class (Ll. 48a-g, A. 533-540)

Brigitte Bardot (H. & I. 22)

Marlon Brando

Kate, from Stars

American Trilogy: two works

Love Me Tender, from Diamond Dust Volume One

Homage to Schwitters

Fag Packets (Boule)

The Software Chart

He, She, & It II

Big Sausage; Three Sausages; and Sausage (C. 53-55)

Split Performance, from Second Thoughts

And the days are not full enough / And the nights are not full enough; Empty are the ways of this land; Fortitude as never before.... / Frankness as never before; You stand about the streets / You loiter at the corners and bus-stops / You do next to nothing at all; The thought of what America would be like / If the classics had a wide circulation; and I had laid out just the right books / I had almost turned down the pages

Pier and Ocean - Venice; and Four History Pictures A-D

Points of Contact No. 31 (L. G5)

The Seasons: Spring, Summer, Autumn and Winter (L. 329-332)

Fly Away

Untitled

Untitled

Blue and Deep Violet with Orange, Brown and Green

January 1973: 7

Three Reds in Magenta and Green in Blue; and Three Reds in Green and Magenta in Blue

Magenta Disc and Red Edge; and Umber Disc and Red Edge

Venice, Morning, from Venetian Views (H. 93)

For Jack

Indian Views (H. 11-22)

The Road to Rio, from Official Limited Edition Prints for Team GB at the Rio 2016 Olympic Games

The Tall Tree (M.C.A.T. 314)

Lemons & Oranges

Landscape with a Plant (M.C.A.T. 293)

Marguerites (S.A.C. 157, M.C.A.T. 141)

Hockney’s Alphabet

Portrait of Mother II, from Moving Focus Series (M.C.A.T. 282)

My Window, iPhone drawing ‘No. 610’, 23 December 2010

A Bigger Book, Art Edition A

A Bigger Book, Art Edition B

A Bigger Book, Art Edition C

A Bigger Book, Art Edition D

Watercolor in Galilee

The Hand-Colored Viennese Hearts II (C. 34.2)

The Hand-Colored Viennese Hearts IV (C. 34.4)

The Hand-Colored Viennese Hearts VI (C. 34.6)

Tools and Dreams (D. & F. 191)

Finn MacCool (L. 138)

Archive I (L. 118)

The Heaventree of Stars (L. 190)

Guggenheim (Black) (L. M3)

Guggenheim Tondo

Chosen Love

London Knees (A. & P. 51, A. 677)

Still Life with Crystal Bowl (C. 150)

Study of Hands (C. 191)

Icons: one plate (L. 170-171)

Cow (F. & S. 11A)

Electric Chair (F. & S. 75)

Happy December (Children Playing Ring Around The Rosie)

Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts)

Red House

Untitled III, from Men in the Cities

Serpent’s Tongue

Untitled (Hercules)

Untitled (Riot Cops), from Charcoal

Night Sky 2 (Reversed) (G. 1933, R. 41)

12″

Inflammatory Essays: 10 works

Untitled (Kiss)

Bale

Turps Banana

Cafe Royal, from Colour Space (H5-7)

Gritti, from Colour Space (H5-1)

Hope, from Butterfly Etchings

Tribulation, from Butterfly Etchings

Sausages, from The Last Supper

Liver, Bacon & Onions, from The Last Supper

Notepad Doodle (State II)

Notepad Doodle 3 (State III)

No Time For Love

No Surrender

Kate Moss 2000

I Loved My Innocence

Grand Hotel I

She Watched

Beautiful Girl II

Love Is What You Want

Believe In Extraordinary

True Love Always Wins

Print for Chicago 8, from Conspiracy: The Artist as Witness (S. 15, T & G. 16)

Measure for Measure (T. & G. 94)

Breathing Blue

We Swam Amongst The Fishes (C. 45)

Handbag, from Melbourne Statuettes

Jacket, from Melbourne Statuettes

New York Couple 6, from New York Couples

Jeremy

Face 2 Ed.

Face 64 Ed.

Der Deutsche 12 Ed. (The German 12 Ed.)

Der Deutsche 5 Ed. (The German 5 Ed.)

Nachtfahrt (Night Drive)

Kanarische Landschaften I (Canary Landscapes I) (B. 39)

Cage 4 (P19-4)

Cage 6 (P19-6)

Zaun (Fence) (P13)

Tulpen (Tulips) (P 17)

Besetztes Haus (Squatter's House) (B. 73)

Trees

My Rampage Is Over

Untitled (I Am Listening)

I've Never Seen You

You Are Special

A Gap in the Clouds

I'm Sorry For Being Awful

Art Will Save The World

Fucking Ace

Incurable Romantic Seeks Dirty Filthy Whore

Gateshead Revisited

Heroin, It's What Your Right Arm's For

Pride in Prejudice (Donald Trump)

Plaque (Heritage Blue)

Piggy Bank

Work No. 2852

Intimate Relations

Umbrella, from Fundamentals

Watch, from Fragments

Drawing I, from The Chapman Family Collection

Afro Lunar Lovers II

Imaginary Boys

Adam & Eve

Mum's

Lineup

The Women

if the function of writing is to express the world

Puppy Vase

Balloon Dog (Yellow)

GOAT: A Tribute to Muhammad Ali (Champ's edition); with Radial Champs

Inflatable Balloon Flower (Yellow) (for Parkett No. 50/51)

Gold Leaf

Artist's Hand

BOMB

Serpentine Gallery Pavilion

Eroded Classical Prints

Fictional Nonfiction: Archaeology 3019

Cracked Bear (Pink)

COMPANIONSHIP IN THE AGE OF LONELINESS

Full Moon Night, from In the Floating World (M. & S. E-1999-013)

Angry Face, from In the Floating World (M. & S. E-1999-012)