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此幅作品在2010年於香港海港城的KAWS個展中亮相。名為《KAWS:PASSING THROUGH》,這是其在大中華區的首場個人展覽,是KAWS作為藝術家的一個突破性里程碑,該展覽首次展示了他的大型公共雕塑,運用他最著名的作品之一《同伴》。除了他受歡迎的限量版塑膠玩具之外,此紙本作品是KAWS特別為藝術展手繪的13張真跡畫作之一,描繪了棉花糖般的「X」眼雲朵。藝術家精細的手法在清晰的圖像線條中得到了充分的展現,並顯示了他早期在惡搞廣告牌和公交候車亭的海報活動中對媒介的掌握。KAWS的藝術風格讓人回想起安迪·沃荷和凱斯·哈林等波普藝術前輩, 他所創造出的高識別 度之視覺詞彙,持續印證了他在當代的重要性。
KAWS
American | 1974To understand the work of KAWS is to understand his roots in the skateboard and graffiti crews of New York City. Brian Donnelly chose KAWS as his moniker to tag city streets beginning in the 1990s, and quickly became a celebrated standout in the scene. Having swapped spray paint for explorations in fine art spanning sculpture, painting and collage, KAWS has maintained a fascination with classic cartoons, including Garfield, SpongeBob SquarePants and The Simpsons, and reconfigured familiar subjects into a world of fantasy.
Perhaps he is most known for his larger-than-life fiberglass sculptures that supplant the body of Mickey Mouse onto KAWS' own imagined creatures, often with 'x'-ed out eyes or ultra-animated features. However, KAWS also works frequently in neon and vivid paint, adding animation and depth to contemporary paintings filled with approachable imagination. There is mass appeal to KAWS, who exhibits globally and most frequently in Asia, Europe and the United States.