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  • Provenance

    Maureen Paley Gallery, London
    Phillips, New York, 19 September 2013, Lot 97
    Acquired at the above sale by the present owner

  • Catalogue Essay

    In this present lot, Turner-prize winning German photographer Wolfgang Tillmans, who recently held a critically and publically acclaimed, multi-media debut exhibition at the Tate Modern, London as well as the Fondation Beyeler, Basel, presents one of his monumentous chromogenic prints – Lighter, Green I.

    Boasting an extensive photographic oeuvre spanning three decades, which has often eschewed traditional classification, Tillmans began by producing intimate, snapshot-like portraits of friends and other youth within the context of the rave and LGBT subcultures, drawing early inspiration from the works of Sigmar Polke and Andy Warhol. Having established a reputation as a distinguished purveyor of contemporary cultural and social movements, Tillmans was heralded as the “documentarian of his generation”. Although, as a result of the products of experiments with a Canon photocopier in the late 1980s, he was inspired to shift his attention to the non-representational, culminating most notably in his Freischwimmer series and Impossible Colour series, the latter of which was made from photochemical accidents and irreproducible hues.

    However, his Lighter series is perhaps the most groundbreaking of his developments, in which his “paper drop” photographs allow the paper itself to transcend its traditional role as a reproductive medium and instead function as an independent object. Essentially cameraless photographs, Tillmans exposes photosensitive paper directly to light, then during the subsequent developing process folds the paper, moulding the medium within a sculptural motif to render three dimensional forms.

    The result of such a process is what we see in Lighter, Green I. The sheer magnitude and tactile quality of the composition allows for the viewer to be engulfed by the deep swathes of rich greens, allowing surface and scale to serve as subject matter. Sensations of ingression or submission – heightened by how the folds of the paper point in towards its centre - lie at the heart of the work, which also carries a largely ambiguous discourse between photograph and object, one that almost holds an emotional, sentient presence. Such a visceral effect is not too dissimilar from the colour fields of Mark Rothko or the monochromatic photographs of Yves Klein. Ultimately, Tillmans allows for the viewer to interact with a composition that does not coerce nor predetermine, instead assisting in a personal experience that is metaphysical, yet transcendental.

    By rejecting the traditional conceptions of photographic medium and creating works which are voluminous but atmospheric, Tillmans presents to us an alternative and revolutionary form of abstraction - all the while challenging and probing the perceived boundaries of photography.

  • Artist Biography

    Wolfgang Tillmans

    German • 1968

    Since the early 1990s, Wolfgang Tillmans has pushed the boundaries of the photographic medium. Challenging the indexical nature traditionally associated with photography, his abstract and representational photographic bodies of work each in their own way put forward the notion of the photograph as object—rather than as a record of reality. While achieving his breakthrough with portraits and lifestyle photographs, documenting celebrity culture as well as LGBTQ communities and club culture, since the turn of the millennium the German photographer has notably created abstract work such as the Freischwimmer series, which is made in the darkroom without a camera.

    Seamlessly integrating genres, subject matters, techniques and exhibition strategies, Tillmans is known for photographs that pair playfulness and intimacy with a persistent questioning of dominant value and hierarchy structures of our image-saturated world. In 2000, Tillmans was the first photographer to receive the prestigious Turner Prize.

    View More Works

4

Lighter, Green I

2008
signed, titled and dated '"Lighter, green I" 2008 unique Wolfgang Tillmans' on the reverse
chromogenic print in artist's frame
61 x 51.1 cm. (24 x 20.1 in.)
Executed in 2008, this work is unique.

Estimate
HK$400,000 - 600,000 
€44,100-66,200
$51,300-76,900

Sold for HK$475,000

Contact Specialist
Jonathan Crockett
Deputy Chairman, Asia and Head of 20th Century & Contemporary Art, Asia
+852 2318 2023

Sandy Ma
Specialist, Head of Evening Sale
+852 2318 2025

General Enquiries
+852 2318 2000

20th Century & Contemporary Art & Design Evening Sale

Hong Kong Auction 26 November 2017