19
William Eggleston
Untitled (Devoe Money in Jackson, Mississippi)
- Estimate
- $100,000 - 150,000
$88,900
Lot Details
Dye transfer print, printed 2015.
1970
Image 17 1/2 x 26 3/4 in. (44.5 x 67.9 cm)
Sheet 20 3/8 x 29 7/8 in. (51.8 x 75.9 cm)
Sheet 20 3/8 x 29 7/8 in. (51.8 x 75.9 cm)
Signed in pencil with the Eggleston Artistic Trust copyright credit reproduction limitation stamp on the verso. Printers’ proof from an edition of 10 plus three lettered artist's proofs.
This is the largest format dye transfer print of this image, and the first time a print in this scale has appeared at auction.
This is the largest format dye transfer print of this image, and the first time a print in this scale has appeared at auction.
Specialist
Further Details
Full-Cataloguing
Provenance
Literature
William Eggleston
American | 1939William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s.
At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.
Browse ArtistAt the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.