William Eggleston - Photographs New York Tuesday, October 1, 2013 | Phillips

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  • Provenance

    Christie's New York, 'Photographs by William Eggleston from the Collection of Bruce and Nancy Berman', 13 October 2008, lot 143

  • Literature

    'Democratic Photographs- the Los Alamos Project', Art on Paper, November-December 2001, p. 66
    'Los Alamos...A Fragment', Grand Street, 1990, p. 160
    'In Country', New York Times Magazine, 20 October 2002, p. 47

  • Artist Biography

    William Eggleston

    American • 1939

    William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s.

    At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.

    View More Works


Untitled from Los Alamos 'Cousins'

Dye transfer print, printed 2002.
12 x 17 7/8 in. (30.5 x 45.4 cm)
Signed in ink in the margin; numbered 1/7 in an unidentified hand in ink, edition and Eggleston Artistic Trust copyright credit reproduction limitation stamp on the verso.

$7,000 - 9,000 

Sold for $25,000

Contact Specialist
Vanessa Kramer Hallett
Worldwide Head, Photographs
+1 212 940 1245


New York 30 September & 1 October 2013