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JW Marriott Hotel Hong Kong, 88 Queensway, Admiralty, Hong Kong (map)
\n
\nHong Kong Viewing
\nHighlights Preview 23-24 November 10am-7pm
\nViewing 25-28 November 10am-7pm
\n

\n\n

International Tour
\n

\n\n

Taipei
\n16-17 October, 11am-6pm
\nBellavita Gallery
\nB1, No. 28, Song Ren Road, Xinyi District, Taipei
\n

\n\n

Taichung
\n21 October, 11am-6pm
\nFong Yi Gallery
\nB1, No. 110, Sec. 1, Wu Quan W. Road, West District, Taichung
\n
\nShenzhen
\n26-27 October, 11am–7pm
\nRaffles Shenzhen 2/F
\nT7, One Shenzhen Bay, 3008 Zhongxin Road
\nNanshan District, Shenzhen, Guangdong
\nHai Yu Room, Xiang Mi Room, Wu Tong Room
\nOpen to Public
\n

\n\n

Beijing
\n4-5 November, 11am-7pm
\nRosewood Beijing 4/F
\nJing Guang Center, Hujialou, Chaoyang District Beijing
\nPavilion Ballroom
\nOpen to Public
\n

\n\n

Shanghai
\nVIP preview
\n11 November, 2pm-8pm
\n12 November, 1pm-8pm
\n
\nOpen to Public
\n13 November, 11am-6pm
\n14 November, 11am-6pm
\n
\nART 021 Shanghai Contemporary Art Fair
\nBooth S44, 1/F
\nShanghai Exhibition Center
\nNo.1000, Yanan Road Mid, Jingan District Yanan, Shanghai, China
\nOpen to Public
\n

\n\n

Singapore

\n\n

12–13 November, 11am–7pm

\n\n

The St Regis Singapore
\n29 Tanglin Road,
\nSingapore 247911
\nRSVP
\nchristinefernando@phillips.com
\n+65 9128 6277

\n","auctionDetailsSmall","Hong Kong Auction 29 November 2021","extraInfo","

Danielle So
\nSpecialist, Head of Day Sale
\n+852 2318 2027
\ndanielleso@phillips.com

\n","enableHighlightsView","enableOnlineCatalogue","endSale",true,"hideSoldLots","isChineseTranslate","isExhibition","isLiveAuction","isMixedAuction","makeLive","showAdvanceBidButton","showArtCollector","showBuyButton","showCatalogueDownloadLink","showInquireButton","showPrintCatalogueSection","showRegistrationLink","showSaleOffers","showSoldPrice","lots",[260,261,262,263,264,265,266,267,268,269,270,271,272,273,274,275,276,277,278,279,280,281,282,283,284,285,286,287,288,289,290,291,292,293,294,295,296,297,298,299,300,301,302,303,304,305,306,307,308,309,310,311,312,313,314,315,316,317,318,319,320,321,322,323,324,325,326,327,328,329,330,331,332,333,334,335,336,337,338,339,340,341,342,343,344,345,346,347,348,349,350,351,352,353,354,355,356,357,358,359,360,361,362,363,364,365,366,367,368,369,370,371,372,373,374,375,376,377,378,379,380,381,382,383,384,385,386,387,388,389,390,391,392,393,394,395,396,397,398,399,400,401,402,403,404,405,406,407,408,409,410,411,412,413,414,415,416,417,418,419,420,421,422,423,424,425,426,427,428,429,430,431,432,433,434,435,436,437,438],"viewing",{},"articles",[168,169,170,171,172,173,174],"departments",[161],"auctionCurrency",{"_158":72,"_159":160},"totalLotCount",179,"auctionMobilityAuctionRowId","1-51Z0LU","auctionUrl","https://www.phillips.com/auction/HK010421","auctionResultsFile","https://www.dist.phillips.com/content/web/auction-results/auctionResultsFile_HK010421.pdf","currencyCode","currencySign","HK$",{"_162":163,"_164":165,"_166":167},"departmentId",1,"departmentName","Contemporary","departmentDisplayName","Modern & Contemporary Art",{"_175":251,"_177":167,"_178":252,"_16":253,"_181":254,"_183":255,"_185":206,"_187":188,"_189":190,"_191":256,"_193":190,"_195":257,"_197":258,"_199":259},{"_175":242,"_177":167,"_178":243,"_16":244,"_181":245,"_183":246,"_185":206,"_187":188,"_189":190,"_191":247,"_193":163,"_195":248,"_197":249,"_199":250},{"_175":232,"_177":167,"_178":233,"_16":234,"_181":235,"_183":236,"_185":186,"_187":188,"_189":190,"_191":237,"_193":238,"_195":239,"_197":240,"_199":241},{"_175":222,"_177":167,"_178":223,"_16":224,"_181":225,"_183":226,"_185":206,"_187":188,"_189":190,"_191":227,"_193":228,"_195":229,"_197":230,"_199":231},{"_175":212,"_177":167,"_178":213,"_16":214,"_181":215,"_183":216,"_185":206,"_187":188,"_189":190,"_191":217,"_193":218,"_195":219,"_197":220,"_199":221},{"_175":201,"_177":167,"_178":202,"_16":203,"_181":204,"_183":205,"_185":206,"_187":188,"_189":190,"_191":207,"_193":208,"_195":209,"_197":210,"_199":211},{"_175":176,"_177":167,"_178":179,"_16":180,"_181":182,"_183":184,"_185":186,"_187":188,"_189":190,"_191":192,"_193":194,"_195":196,"_197":198,"_199":200},"coverUrl","https://flockler.com/thumbs/sites/889/162874_uc375554-19497d25-11b8-4800-b58e-ea58e490a0f8_s600x0.jpg","section","summary","當代大師的精品最近在一些世界最負盛名的美術館展出。","從美術館到拍賣場","body","

喬治·康多, 《纏繞的人體》, 2009年作
\n估價6,200,000 - 9,200,000港元
\n拍品44,富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

\n\n

\n\n

喬治·康多(George Condo)《被綁架的管家》,2011年作
\n估價1,800,000 - 2,800,000 港元
\n拍品168, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

\n\n

George Condo 喬治·康多

\n\n

關於喬治·康多的藝術論述，一種常見的結論是——他完全是一個特立獨行的藝術家。他以對待原始材料一視同仁而聞名（對他而言，立體主義和卡通可以輕而易舉地共存），康多的作品及其對當代社會的重新想像使它們獲得了全世界一些最傑出的公共機構的收藏。近期，藝術家在2019年的威尼斯雙年展上大放異彩，並且在2021年於上海龍美術館舉辦了一場個人展覽。

\n\n

《纏繞的人體》是一幅典型的康多作品。它貌似對美惠三女神進行了挪用：她們代表美麗、自然、創造力、豐饒和善意等美好的品質。然而，對於喬治·康多而言，不論畫什麼都要帶有一絲怪誕。一方面，這幅畫喚起了波提切利式的維納斯自海中升起的畫面。但另一方面，本件作品又有著一絲法蘭西斯·培根式的陰鬱：扭曲、揮之不去。這明顯是來自培根的影響。

\n\n

\n\n

奈良美智, 《潘多拉盒子》, 1990年作
\n估價 7,500,000 - 10,000,000港元
\n拍品42, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

\n\n

Yoshitomo Nara 奈良美智

\n\n

奈良美智是當今最具國際影響力的藝術家之一，他的作品強調私人感情的流露，近乎赤誠的傳達出一種敏感、脆弱的私人情緒。其作品不斷受到人們的追捧，如今被全球 60 多家公共機構收藏。今年他舉辦其國際巡迴之回顧展在洛杉磯郡藝術博物館、上海的余德耀美術館、畢爾包古根漢美術館和鹿特丹當代藝術博物館。他在台灣的關渡美術館個展獲得了廣泛好評；同時，德克薩斯州的達拉斯當代藝術博物館也舉辦奈良的大型美術館展覽。

\n\n

《潘多拉盒子》極具藝術家早期創作特色。在德國獨自留學的奈良美智因不擅長德語而無法與周圍人順暢表達和講述自己，這使得本就內斂、不擅言辭的他更加孤獨，因此他將種種情緒宣洩的出口寄託在繪畫上，並自言畫中的小孩或是小動物就是他的自畫像。畫面中的小女孩置於一片飽滿的、高彩度的、空曠的水天之間，在這樣一個無限景深的空間裡彷彿蘊含著無數中可能，同時也將畫面的焦點保留給了主角。

\n\n

\n\n

喬治·巴塞利茲, 《W.D.》, 2017年作
\n估價3,000,000 - 5,000,000港元
\n拍品190, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

\n\n

Georg Baselitz 喬治·巴塞利茲

\n\n

德國藝術家喬治·巴塞利茲在其六十多年的藝術實驗中不斷突破著繪畫和雕塑的極限。巴塞利茲以畫中倒置的人物形象而聞名。他致力除去畫像與內容之間的界限，在整個職業生涯中不斷地發展出自己的新風格。

\n\n

巴塞利茲將成為期待已久的，巴黎蓬皮杜中心2021 年秋季回顧展的主題。2018 年是巴塞利茲80 週年誕辰，多處機構曾舉辦了紀念他的回顧展，其中包括於慕尼黑現代藝術陳列館、貝耶勒基金會和巴塞爾美術館，以及華盛頓特區赫尚博物館和雕塑園。

\n\n

\n\n

莎拉·休斯, 《魔幻島》, 2012年作
\n估價1,500,000 - 2,500,000港元
\n拍品12,富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

\n\n

Shara Hughes 莎拉·休斯

\n\n

莎拉·休斯通過在大西洋兩岸舉辦的一系列小型展覽逐漸建立起她的聲譽。 2017 年，她的作品入選惠特尼雙年展，引起了國際上對她的重大關注。她的作品被達拉斯美術博物館、巴黎路易威登基金會；紐約大都會藝術博物館；丹佛藝術博物館；和紐約惠特尼美國藝術博物館等永久收藏。

\n\n

從馬蒂斯到畢加索，再從克拉斯·歐登伯格到戴娜·舒茨——休斯從各個藝術家身上汲取靈感，在作品中創造出具有她獨特審美特色的扭曲透視感；而這種扭曲的視覺效果與超現實主義中，風景和內景中隨機排列的物體一樣如出一轍。

\n\n

\n\n

赫南·巴斯, 《極簡主義 (解密)》, 2019年作
\n估價1,000,000 - 1,500,000港元
\n拍品10, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

\n\n

Hernan Bas 赫南·巴斯

\n\n

赫南·巴斯近年來舉辦了許多成功的個展，體現了他在當代藝術世界的重要地位。這些展覽包括：邁阿密魯貝爾美術館的展覽、巴黎貝浩登畫廊的「萬物慰藉」、威尼斯維多利亞米羅畫廊的「威尼斯百葉窗」，以及紐約立木畫廊的「時間生命」。

\n\n

《極簡主義（破解密碼）》是出生於邁阿密的藝術家以敘事驅動的肖像作品中一件迷人的典範之作。熱衷於文學和歷史典故，巴斯的作品取材包羅萬象，從浪漫主義詩歌、奧斯卡·王爾德和若利斯·卡爾·於斯曼的文字、民間傳說和梵谷的繪畫到哥特文化、鳥類學、酷兒男性主題，以及「來自互聯網的古怪趣味」。

\n\n

\n\n

比莉·贊格瓦, 《冬季馬戲團》, 2007年作
\n估價400,000 - 600,000港元
\n拍品53, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

\n\n

Billie Zangewa 比莉·贊格瓦

\n\n

出生於馬拉維、常駐約翰內斯堡的藝術家比莉·贊格瓦的絲綢掛毯作品可以說是名副其實地掛在牽動觀者心靈的繩子上的，它們所描繪的是日常生活中的場景、身為人母的感受，以及愛情中的親密片段。僅在今年秋季，藝術家就將舉辦數場展覽，其中包括在舊金山的非裔移民博物館舉辦的個展《網之絲線伊始》。

\n\n

贊格瓦的創作幾乎完全是將豐富多彩的拼貼手工縫製於一片片生蠶絲上製作而成。藝術家的職業生涯始於時尚和廣告行業，她以個人記憶為主要靈感來源，通過刻畫精細的絲綢掛毯試圖打破黑人女性形體的刻板印象。隨著她所受關注與日俱增，包括獲得巴黎蓬皮杜藝術中心的收藏以及近期在巴黎現代藝術博物館舉辦展覽，贊格瓦加入了越來越多有色人種藝術家和年輕女性藝術家的行列，掀起了席捲了藝術世界的熱潮。

\n\n

相關專題

\n\n

《ULTRA/NEO》隆重登場，聚焦超新星當代藝術家

\n\n

當代熱潮：現今藝術界最炙手可熱的名字

\n\n

現代大師之作

\n\n

女性凝視 - 她們眼中的虛實世界

\n\n

\n","publishDate","2021-11-18T07:13:16.000000Z","authorCredit","Veronica Chow","coverPosX",50,"coverPosY",0,"articleUrl","https://www.phillips.com/article/86974372/museum-to-auction-hong-kong-fall-cn","displayOrder",6,"auctionEditorialID",1424,"editorialID",3717,"flocklerID",86974372,"https://flockler.com/thumbs/sites/889/162874_uc375554-1f6b4045-9faf-49d6-b21a-f18ac4512db9_s600x0.jpg","A selection of works from contemporary masters who are currently exhibited in some of the world’s most prestigious institutions.","From Museum to Auction","

George Condo, Entangled Figures, 2009
\nEstimate: HK$6,200,000 - 9,200,000 (US$795,000 - 1,180,000)
\nLot 44, 20th Century & Contemporary Art Evening Sale, November 30

\n\n

中文閱讀

\n\n

\n\n

George Condo ,The Abducted Butler ,2011
\nEstimate HK$1,800,000 - 2,800,000 (US$231,000-359,000)
\nLot 168,20th Century & Contemporary Art & Design Day Sale, November 29

\n\n

George Condo

\n\n

One common observation that unites the discourse around George Condo is that he is an all-around maverick. Known for the non-hierarchical manner with which he treats his source material — for him, Cubism and cartoons coexist effortlessly — Condo has earned his place in the pantheon of the world’s finest institutions with his reimaginations of contemporary life. Most recently, the artist had significant prominence at the 2019 Venice Biennale and a solo exhibition at the Long Museum in Shanghai this year.

\n\n

Entangled Figures is typical of the artist. It ostensibly appropriates the Three Graces, the goddesses representing charm, nature, creativity, fertility and goodwill, among other positive attributes. With Condo, though, nothing is without a hint of the grotesque. On one hand, the image summons Botticellian memories of Venus emerging from the sea. On the other, the work’s sinister twist bears resemblance to the nudes of Francis Bacon, distorted, often haunting. Here, Bacon’s influence on Condo is palpable.

\n\n

\n\n

Yoshitomo Nara, Pandora’s Box, 1990
\nEstimate: HK$7,500,000 - 10,000,000 (US$962,000 - 1,280,000)
\nLot 42, 20th Century & Contemporary Art Evening Sale, November 30

\n\n

Yoshitomo Nara

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One of the most influential artists in the world today, Yoshitomo Nara is known for his works expressing inner emotion, sensitivity and fragility in a distinctly sincere way. His pieces remain highly sought after, forming part of over 60 public collections worldwide. This year, he was the subject of an international retrospective at the Los Angeles County Museum of Art, Shanghai’s Yuz Museum, the Museo Guggenheim Bilbao and the Kunsthal Rotterdam. He was also honored with a well-received solo exhibition in Taiwan at the Kuandu Museum of Arts and a monumental museum show at the Dallas Contemporary in Texas.

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Pandora’s Box is an iconic early work by Nara. Studying alone in Germany, the artist faced difficulty communicating with others as he was not fluent in the language. As a result, he turned to painting as an outlet for his emotions, considering the children and small animals in his compositions as self-portraits. Behind the girl is a highly saturated background of open water and open skies — a space with infinite depth, suggesting infinite possibilities. Yet the focus is still on the main character, the little girl holding a little box.

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Georg Baselitz, W.D., 2017
\nEstimate: HK$3,000,000 - 5,000,000 (US$385,000 - 641,000)
\nLot 190, 20th Century & Contemporary Art & Design Day Sale, November 29

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Georg Baselitz

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German artist Georg Baselitz has pushed the limits of painting and sculpture throughout more than six decades of artistic experimentation. Made famous by his upside-down images that attempted to supersede the boundaries of representation and content, Baselitz has continually evolved his style throughout his career.

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Baselitz will be the subject of a long-awaited retrospective this fall at the Centre Pompidou in Paris. His 80th birthday in 2018 was celebrated with several retrospectives held in his honor, including at the Pinakothek der Moderne in Munich, Fondation Beyeler and Kunstmuseum in Basel and the Hirshhorn in Washington, D.C.

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Shara Hughes, Magic Island, 2012
\nEstimate: HK$1,500,000 - 2,500,000 (US$192,000 - 321,000)
\nLot 12, 20th Century & Contemporary Art Evening Sale, November 30

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Shara Hughes

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Well-established through a series of smaller exhibitions with galleries on both sides of the Atlantic, Shara Hughes garnered major international attention with her inclusion in the 2017 Whitney Biennial. Her works are in the permanent collections of the Dallas Museum of Fine Art, the Foundation Louis Vuitton in Paris, the Metropolitan Museum of Art in New York, the Denver Museum of Art and the Whitney.

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Hughes’ large-scale interiors of imaginary rooms are inspired by artists ranging from Matisse and Picasso to Claes Oldenburg and Dana Schutz. Her aesthetically warped sense of perspective aligns with the random assortment of objects populating surreal landscapes and interiors.

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Hernan Bas, Minimalism (cracking the code), 2019
\nEstimate: HK$1,000,000 - 1,500,000 (US$128,000 - 192,000)
\nLot 10, 20th Century & Contemporary Art Evening Sale, November 30

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Hernan Bas

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Demonstrative of his position as a key figure in the contemporary art world, Hernan Bas has mounted numerous successful solo exhibitions in recent years, including at the Rubell Museum in Miami, Creature Comforts at Perrotin in Paris, Venetian Blind at Victoria Miro in Venice and TIME LIFE at Lehmann Maupin in New York.

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Minimalism (cracking the code) is an arresting example of the Miami-born artist’s narrative-driven portraiture. An eager consumer of literary and historic references, Bas draws from a rich tapestry of sources ranging from Romantic poetry and folklore to Oscar Wilde, Joris-Karl Huysmans, goth culture, ornithology, queer male themes and “deep dives into weirdness on the internet.”

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Billie Zangewa, Cirque d'hiver, 2007
\nEstimate: HK$400,000 - 600,000 (US$51,300 - 76,900)
\nLot 53, 20th Century & Contemporary Art Evening Sale, November 30

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Billie Zangewa

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Malawi-born and Johannesburg-based artist Billie Zangewa’s silk tapestries quite literally tug at their viewers’ heart strings, depicting familiar scenes of quotidian life, glimpses into motherhood and intimate snippets of romance. This autumn alone, the artist will be the subject of various shows, including at the Museum of the African Diaspora in San Francisco, in which her works will be featured in the aptly named Thread for a Web Begun.

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Zangewa’s practice almost exclusively involves the creation of elaborate collages hand-sewn onto fragments of raw silk. Having begun her career in fashion and advertising, the artist seeks to disrupt the stereotype of the Black female form through her detailed silk tapestries, drawing predominantly from personal memories. With mounting critical attention for her pieces, including being collected by the Centre Pompidou in Paris and having recently been exhibited at the Musée d’art Moderne, Zangewa joins a growing group of artists of colour and young female artists alike who are taking the art world by storm.

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Recommended Reading

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Introducing ULTRA/NEO, Our Spotlight on Ultra-Contemporary Talent >

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In Demand: Artists to Watch in the Hong Kong Sales >

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\n","2021-11-17T07:11:00.000000Z","Gavin Huang","https://www.phillips.com/article/86120477/museum-to-auction-hong-kong-fall",5,1423,3691,86120477,"https://flockler.com/thumbs/sites/889/162737-c02a1312-b668-470d-940a-ebd7ab33d1ea_s600x0.jpg","一眾女性藝術家成長於不同年代和背景，受不同文化影響，各自以獨特藝術語彙締造鮮明的個人風格。","女性凝視 - 她們眼中的虛實世界","

米卡琳·托馬斯, 《往上看》(出自《她為錢賣命海報女郎系列》), 2004年作
\n估價: 1,000,000 - 2,000,000港元
\n拍品52, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

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米卡琳·托馬斯《往上看》(出自《她為錢賣命海報女郎系列》)

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米卡琳·托馬斯的藝術創作帶有刻意的顛覆性：她無視異性戀正統主義的話語，改寫美的定義，賦權予有色女性，同時模糊了低端和高端藝術之間的界限。厲蔚閣紐約空間目前正為她舉辦個展《超越快樂原則》，托馬斯的創作所主要表達的對黑人女性的讚頌受到藝術機構的廣泛關注，作品曾在古根漢美術館和惠特尼美國藝術博物館（均在紐約）展出，並為紐約現代藝術博物館等機構收藏。

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妮娜·香奈兒·阿布尼, 《無題 (IXI 黑色)》, 2015年作
\n估價: 1,500,000 - 2,500,000港元
\n拍品3, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

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妮娜·香奈兒·阿布尼《無題 (IXI 黑色)》

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紐澤西藝術家妮娜·香奈兒·阿布尼，以其引人注目、獨特的藝術作品而聞名，她的作品探索了當代城市生活的複雜社會張力。作為阿布尼在亞洲拍賣的第一幅畫作，《無題 (IXI 黑色)》是她所有作品中令人難以置信地引人注目的作品，這件作品也是她的首次美術館個展「妮娜·香奈兒·阿布尼：皇家同花順」的一部分。

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賈黛·法多朱蒂米, 《足跡的探尋》, 2017年作
\n估價: 1,200,000 - 2,200,000港元
\n拍品51, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

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賈黛·法多朱蒂米《足跡的探尋》

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作為當今最令人興奮的畫家之一，出生於倫敦的賈黛·法多朱蒂米已證明自己是當代藝術界不可忽視的力量。《足跡的探尋》創作於 2017 年。該年，法多朱蒂米於倫敦著名的皇家藝術學院畢業，在畢業展上首次受到 Pippy Houldsworth 畫廊的關注，地位迅速獲得躍升。這幅作品當年在英國當代繪畫大獎展覽上展出，完美地體現了法多朱蒂米廣受讚譽的朝氣與活力。

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朱莉·柯蒂斯, 《橫向擁抱 II》, 2018年作
\n估價: 1,200,000 - 1,800,000港元
\n拍品102, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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朱莉·柯蒂斯《橫向擁抱 II》

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朱莉·柯蒂斯出生於法國，父親是越南人，母親是法國人。2006 年她從巴黎著名的美術學院畢業後移居東京，目前居於布魯克林。柯蒂斯一生中經歷的各種文化碰撞所造成的張力讓她被「他者」的概念所吸引；她的作品中同時散發出來的吸引力和排斥力組織成一種詭異的對立性舞蹈，完美地詮釋了「他者」的主題。因此，繪畫中的主題常是抽象且令人不安的；頭髮如同瘋狂信仰的聖物般存在於畫面中。這個主題被柯蒂斯融入油畫、水粉和實驗雕塑中。

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洛伊·霍洛韋爾, 《舔舔：藍色、綠色、紅色》, 2015年作
\n估價: 800,000 - 1,200,000港元
\n拍品102, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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洛伊·霍洛韋爾《舔舔：藍色、綠色、紅色》

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富藝斯很榮幸地在亞洲拍賣會首次推出洛伊·霍洛韋爾的《舔舔》系列作品。霍洛韋爾以探索身體姿態的作品議題而聞名。她的畫作橫跨抽象與具象、空靈與形體，並對懷孕和生育等主題進行了研究。

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艾米莉·梅·史密斯, 《一千個日子》, 2017年作
\n估價: 600,000 - 900,000港元
\n拍品103, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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艾米莉·梅·史密斯《一千個日子》

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出生於德克薩斯州、常駐布魯克林的藝術家艾米莉·梅·史密斯精緻美妙的繪畫可以用充滿像徵主義、諷刺和異想天開來形容其特點。在過去的二十年裡，她的創作在國際上讚譽不斷。著眼於流行文化、超現實主義和修正主義史學，史密斯在其創作中大量使用和改編各種各樣的參考，創造出了一個她自己獨特、錯綜複雜的幻想世界，她的掃帚人形象就住在這個世界裡。代表了藝術家的畫筆，同時也是女性從事家務的象徵，這個掃帚人形象的靈感來自迪士尼的《幻想曲》中跳舞的魔法掃帚，而史密斯正希望將它「從電影中幹粗活和負責生育的角色」中解放出來。

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珍尼維·菲吉斯, 《化妝間》, 2017年作
\n估價: 600,000 - 900,000港元
\n拍品112, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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珍尼維·菲吉斯《化妝間》

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來自愛爾蘭的當代藝術家珍尼維·菲吉斯以其詼趣與顛覆性的集體肖像而聞名，其作品嘲諷著數世紀以來的社會規範。此前的藝術家盡心盡力捕捉西方商業消費及富裕中產階級的品味，而菲吉斯則以獨特的諷刺手法，結合真實人生中的慘淡寫照，將這個題材實實在在地推至到當下社會的語境之中。在《化妝間》中，菲吉斯作品中典型的濃密紋理和俏皮細節顯而易見。

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克裡絲汀·艾珠, 《歡迎獨白5號》, 2007年作
\n估價: 500,000 - 700,000港元
\n拍品206, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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克裡絲汀·艾珠《歡迎獨白5號》

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克里絲汀‧艾珠是東南亞當代藝術裡一位重要的藝術家，其作品觸動視覺及引人遐思的風格聞名國際，透過細膩的視覺語言，她優美靜謐的構圖有著既撼動人心卻又讓人沉澱的衝突力量，作品廣泛內涵了許多哲學及靈學的典故，不僅在訴說著她個人內在的情緒動盪，同時也延伸到所有人類共同與生俱來的內在情感。

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克萊爾·特伯萊, 《亡魂》, 2015年作
\n估價: 400,000 - 600,000港元
\n拍品109, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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克萊爾·特伯萊《亡魂》

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常駐洛杉磯的法國藝術家克萊爾·特伯萊從她個人的照片和記憶為出發點，用柔和的藍色、綠色或如《亡魂》中引人注目的黃色筆觸來創作。特伯萊熱衷於用明亮的色彩或不和諧的尖銳色調來刻畫「人」這一中心主題。她在作品中收集並整理歷史上的一些關鍵人物和時刻，以一種微妙的、超越時空的形式為他們賦予生命。

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希拉里·佩西斯, 《比佛利》, 2017年作
\n估價: 200,000 - 300,000港元
\n拍品104, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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希拉里·佩西斯《比佛利》

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在平衡全職工作和成為一位新母親的責任之後，希拉里·佩西斯才在2019 年轉型成為全職藝術創作者。她的作品是寫給陽光普照的洛杉磯的情書。佩西斯從健行、拜訪朋友和她自己身邊的個人照片中獲取靈感，用飽和的色彩和圖案創作風景與生活畫面，再現南加州的精髓。

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莎拉·休斯 (Shara Hughes)《法定監護人》，2004年作
\n估價: 800,000 - 1,200,000港元
\n拍品106, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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莎拉·休斯《法定監護人》

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紐約視覺藝術家莎拉·休斯因其超現實主義的、顛覆了觀眾對現實的認知的風景畫和室內畫而名聲鵲起。這些畫以強烈的野獸派和德國表現主義的手法所創，描繪出各種虛擬和夢幻的空間。《法定監護人》是一扇通往不同夢幻世界的窗戶：一面紋理豐富的綠色森林牆壁上安裝著鹿頭動物標本，下面有一張納瓦霍編織地毯，而旁邊的鑲釘門框外就是還泛著水波紋的現代游泳池。這種由一維向二維視覺空間的轉變令人迷失方向，結合那些名義上存在的隱形的守護者，一同將觀眾帶到一種在迷戀和排斥之間徘徊的狀態之中。

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相關專題

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\n","2021-11-20T07:49:23.000000Z","https://www.phillips.com/article/87091160/women-artists-hong-kong-fall-auction-cn",4,1431,3730,87091160,"https://flockler.com/thumbs/sites/889/162737-b15a4d09-235d-4f8d-b67b-6c7363cf581e_s600x0.jpg","Empowering works by female artists from different cultures, backgrounds and eras, each with her own distinct style and artistic vocabulary.","The Female Gaze: 11 Works by Women in the Hong Kong Sales","

Mickalene Thomas, Looking Up (From the She Works Hard for the Money Pin-Up Series), 2004
\nEstimate: HK$1,000,000 - 2,000,000 (US$128,000 - 256,000)
\nLot 52, 20th Century & Contemporary Art Evening Sale, November 30

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中文閱讀

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**Mickalene Thomas, Looking Up (From the She Works Hard for the Money Pin-Up Series)**

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Mickalene Thomas is deliberately subversive in her art practice, defying heteronormative discourse, redefining beauty and empowering women of color, all while blurring the divide between high and low art. Currently the subject of a global solo show, Beyond the Pleasure Principle, Thomas’ body of work, with its chief concern of celebrating Black women, has been exhibited at the Guggenheim and Whitney, and collected by the Museum of Modern Art in New York.

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Nina Chanel Abney, Untitled (IXI Black), 2015
\nEstimate: HK$1,500,000 - 2,500,000 (US$192,000 - 321,000)
\nLot 3, 20th Century & Contemporary Art Evening Sale, November 30

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Nina Chanel Abney, Untitled (IXI Black)

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New Jersey-based artist Nina Chanel Abney is celebrated for her striking, distinctive artwork that explores the complex social dynamics of contemporary urban life. As the first painting by Abney to be offered at auction in Asia, Untitled (IXI Black) is an incredibly arresting work from her oeuvre which was featured as part of her first museum solo exhibition, Nina Chanel Abney: Royal Flush.

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Jadé Fadojutimi, Fishing for Steps, 2017
\nEstimate: HK$1,200,000 - 2,200,000 (US$154,000 - 282,000)
\nLot 51, 20th Century & Contemporary Art Evening Sale, November 30

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Jadé Fadojutimi, Fishing for Steps

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One of the most exciting painters working today, London-born Jadé Fadojutimi has proven to be an indomitable force in the contemporary art world. Fishing for Steps was created in 2017, the same year as Fadojutimi’s graduation degree show at London’s prestigious Royal College of Art, where she first caught the attention of the Pippy Houldsworth Gallery, launching her meteoric rise to success. Perfectly exemplifying the dynamism and vibrancy for which she has become critically acclaimed, the work was presented at the Contemporary British Painting Prize exhibition that year.

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Julie Curtiss, Lateral Embrace II, 2018
\nEstimate: HK$1,200,000 - 1,800,000 (US$154,000 - 231,000)
\nLot 102, 20th Century & Contemporary Art & Design Day Sale, November 29

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Julie Curtiss, Lateral Embrace II

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Born in France to a Vietnamese father and a French mother, Julie Curtiss moved to Tokyo following her graduation from Paris’ prestigious Ecole des Beaux‐Arts in 2006 and is currently based in Brooklyn. The tensions wrought by this intermingling of cultures drew Curtiss to the idea of the “other,” as translated in her work through the uncanny dance between attraction and repulsion. The subjects of her figurative paintings are disquieting, utilizing the symbol of hair with a near fetishistic intensity. This motif is incorporated into oil paintings, gouaches and experimental sculptures.

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Loie Hollowell, Lick Lick in Blue, Green and Red, 2015
\nEstimate: HK$800,000 - 1,200,000 (US$103,000 - 154,000)
\nLot 102, 20th Century & Contemporary Art & Design Day Sale, November 29

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Loie Hollowell, Lick Lick in Blue, Green and Red

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Phillips is excited to present the first painting from Loie Hollowell’s Lick Lick series to come to auction in Asia. Known for paintings which explore the bodily landscape, Hollowell’s practice lies in a realm situated between abstraction and figuration, the ethereal and corporeal, and investigates themes of sexuality, pregnancy and birth.

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Emily Mae Smith, A Thousand Days, 2017
\nEstimate: HK$600,000 - 900,000 (US$76,900 - 115,000)
\nLot 103, 20th Century & Contemporary Art & Design Day Sale, November 29

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Emily Mae Smith, A Thousand Days

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Tangled in symbolism, the wry and whimsical paintings of Emily Mae Smith have earned her significant international praise that only continues to grow. Looking to pop culture, surrealism and revisionist historiography, Smith devours and reformulates a wide variety of references to create her unique, intricate fantasy worlds within which her iconic Broomstick character resides. Its image nods to the artist’s paintbrush and acts as a symbol of women-oriented domestic labor, with inspiration specifically taken from the dancing broomsticks in Disney’s Fantasia whom Smith aims to liberate “from the film’s menial labor and reproduction role.”

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Genieve Figgis, The Powder Room, 2017
\nEstimate: HK$600,000 - 900,000 (US$76,900 - 115,000)
\nLot 112, 20th Century & Contemporary Art & Design Day Sale, November 29

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Genieve Figgis, The Powder Room

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Genieve Figgis is a contemporary Irish painter known for her witty and subversive group portraits which satirize social norms of centuries past. Lampooning Western commercial consumption and the bourgeois tastes of the upper-middle class as dutifully captured by artists of the past, Figgis brings these subjects firmly into the present day with a mixture of satire and poignant depictions of real life. In The Powder Room, the hallmarks of Figgis’ work — lushly painted textures and playful details — are all present.

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Christine Ay Tjoe, Welcome Monolog #5, 2007
\nEstimate: HK$500,000 - 700,000 (US$64,100 - 89,700)
\nLot 206, 20th Century & Contemporary Art & Design Day Sale, November 29

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Christine Ay Tjoe, Welcome Monolog #5

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Internationally recognized for her visually arresting and thought-provoking pieces, Christine Ay Tjoe is one of Southeast Asia’s most prominent contemporary artists. Known for her distinctly intricate visual language, Ay Tjoe’s beautifully introspective compositions are at once loud and contemplative, drawing from a diverse range of philosophical and spiritual references that simultaneously manifest the artist’s inner turmoil while speaking to the universal nature of human emotions.

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Claire Tabouret, La Revenante (The Female Revenant), 2015
\nEstimate: HK$400,000 - 600,000 (US$51,300 - 76,900)
\nLot 109, 20th Century & Contemporary Art & Design Day Sale, November 29

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Claire Tabouret, La Revenante (The Female Revenant)

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Drawing upon a personal archive of photographs and memories, the LA-based French artist Claire Tabouret creates her paintings with sweeping brushstrokes of muted blues, greens and — as in the striking example of La Revenante — yellows. The human being, often represented with evocative colors and dissonant acid hues, is at the center of Tabouret’s practice. With a subtle fil rouge transcending space and time, her research puts together some key characters and moments in history, bringing them to life through her art.

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Hilary Pecis, Beverly, 2017
\nEstimate: HK$200,000 - 300,000 (US$25,600 - 38,500)
\nLot 104, 20th Century & Contemporary Art & Design Day Sale, November 29

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Hilary Pecis, Beverly

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After balancing a full‐time job with being a new mother, Hilary Pecis only recently transitioned to art full-time in 2019. Her paintings are a love letter to sun‐drenched Los Angeles, with imagery taken from an archive of personal snapshots taken on hikes, visits with friends and from her own surroundings. Pecis crafts still-lifes and landscapes saturated with pattern and color, reproducing the essence of southern California.

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Shara Hughes,Legal Guardian,2004
\nEstimate: HK$800,000 - 1,200,000(US$103,000-154,000)
\nLot 106,20th Century & Contemporary Art & Design Day Sale, November 29

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Shara Hughes,Legal Guardian

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New-York based visual artist Shara Hughes is widely recognised for her surreal landscape and interior paintings that reinvigorate the viewer’s perception of reality, and the intense Fauvist- and German Expressionist-inspired palette that suffuses these invented, dream-like spaces.Legal Guardian is a window into multiple phantasmagorical worlds: the woven Navajo rug placed under taxidermy deer heads which are mounted on richly textured forest green walls, whilst a modern swimming pool with churning waters lies just beyond the studded doorframe. The disorienting shift in one-point and two-point perspective between the two worlds, together with the invisible presence of the titular guardian, pulls the viewer between alternating states of enigmatic fascination and cryptic repulsion.

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Recommended Reading

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In Demand: Artists to Watch >

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From Museum to Auction >

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\n","2021-11-19T07:12:00.000000Z","https://www.phillips.com/article/86120604/women-artists-hong-kong-fall-auction",3,1430,3693,86120604,"https://flockler.com/thumbs/sites/889/156659-1c7a4b71-53a4-450c-a1dc-7cee90173d33_s600x0.jpg","富藝斯隆重呈獻全新拍賣主題《 ULTRA/NEO》，聚焦新一代冒起的當代藝術家。本季重點, 我們放眼於亞洲地區, 包括來自中國、日本、東南亞的後起之秀藝術家。上述主題並將在晚間和日間拍賣呈現。","《ULTRA/NEO》隆重登場，聚焦超新星當代藝術家","

松山智一 (Tomokazu Matsuyama), 《聖尿》, 2012年作
\n估價: 200,000 - 300,000港元
\n拍品 147,富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣 , 11月29日

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在文化背景急劇變化之下，當代藝術成為發展如日中天的門類，而《ULTRA/NEO》正好扮演傳遞橋樑，向這群「超新星」當代藝術家致意。他們生於1970年代以後，見證全球日新月異的科技與豐富的文化創建。

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鑒於這一代藝術家身處「超越」及「創新」的當代邊緣空間，富藝斯今次的主題便融合了「Ultra」和「Neo」兩詞。本季我們重點推介的年輕亞洲人才，為全新拍賣主題掀起序幕。

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這群藝術家同是成長於互聯網時代，他們創作上也有著不少的共同點。除了在東西方藝術史的基礎上創作外, 還會擅長於採用鮮艷耀眼的色彩對比、不一的粗線條和扁平形態等來對全球化、民族認同和人類狀況等主題帶來嶄新視角。本次主題的精選藝術家包括：山本麻由香、江上越、鹽田千春、崔潔和毛焰等。他們共同代表一種澎拜新動力，透過創作重新定義與當下藏家產生共鳴的作品。

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加藤泉 (Izumi Kato), 《無題》2008年作
\n估價4,500,000 - 7,500,000港元
\n拍品 41, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

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加藤泉

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1990年代初期日本經濟泡沫化，讓當時的商業畫廊在營運上舉步艱難，更別說去資助年輕藝術家成長。1992年，加藤泉畢業於日本最著名藝術學院之一的武藏野美術大學造形學部油繪科，隨後因經濟上的緣故無法即刻開始藝術家生涯，在以建築工人維生數年後，他才在30歲那年決定專注於藝術家的身分，開始潛心於創作。

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創作初期加藤泉多專注於抽象風景，後來才以各種神祕、怪誕的象徵性肖像作為主體。由於是本科出身，他受到藝術史的薰陶，從非洲傳統藝術到立體主義大師畢加索，再從梵高到具象派畫家培根，這些藝術家對加藤泉的風格影響極大，也往往能從他畫中人物或構圖上得以窺測一班。

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上條晋 (Susumu Kamijo), 《往太陽前進》, 2020年作
\n估價 450,000 - 650,000 港元
\n拍品 50, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

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上條晋

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上條晋利用現實事物抽象化並融合美學角度，渾成為自身獨特的視覺語言。畫作中精煉極簡的輪廓和對比色塊頗有亨利．馬蒂斯的剪紙創作中脫俗、率真與質樸。在一系列貴賓犬的畫作中, 捲毛部份採用的點畫技法，令人聯想起草間彌生和珍妮佛·圭迪等作品以靈巧和觸感著稱的藝術家。畫作中, 以鮮艷拼色與輪廓分明的硬邊抽象畫處理方式, 而平面構圖亦賦予作品充滿日本木刻版畫風格。

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上條於 2014 年發表出他那標誌性的貴賓犬圖案。他選擇貴賓犬原因是其奇特的形狀，尤指那些捲毛修剪後的造型。上條始終對構成形狀線條、顏色和純粹藝術形式的基本元素著迷，因此他參考狗展或雜誌照片作為靈感，連最基本的元素：眼睛、耳朵、鼻子、嘴巴都被解構成起伏的形狀、極簡的輪廓和銳利的線條。

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加賀温, 《即使月亮被雲朵遮蓋，我們依然在這裏（在封鎖期間）（繼薩金特）》, 2020年作
\n估價 200,000 - 300,000港元
\n拍品 136, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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加賀温

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在都柏林國立藝術與設計學院接受教育的加賀温自稱「宅男」，他喜以日本動漫、動畫及諷刺性愛爾蘭文學來細說故事。他的創作糅合西方藝術史、哲學、塞爾特文化及日本繪畫。

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作品中的兔子猶如自畫像，描繪藝術家另一面向，以擬人化角色帶領觀者穿越另一複雜宇宙。

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松山智一 (Tomokazu Matsuyama),《歐米茄夫人》, 2020年作
\n估價 200,000 - 300,000港元
\n拍品146, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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松山智一

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松山智一曾在洛杉磯、紐約、倫敦、東京和日本岐阜縣高山市生活過，因此長期以來對他自身日本和美國的二元身份甚感興趣。因而，他的作品試圖從西方與東方、點綴性與概念性、傳統與現代等各種極端狀態之間找到共同點，從而淬煉出不同的文化火花。這些多元融合的作品靈感源自日本傳統藝術、迪士尼動畫、西方設計的美感以及日本傳統色系。

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井田幸昌 (Yukimasa Ida), 《頭》, 2019年作
\n估價 240,000 - 420,000港元
\n拍品158, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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井田幸昌

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井田幸昌其美輪美奐、令人難以忘懷的作品在現實主義和抽象主義之間取得了微妙的平衡。他的作品傾注了念舊之情及對人類存在的轉瞬即逝本質深入了解。近年來，井田幸昌的作品對一個日本諺語「ichi-go ich-e」，其意為「一期一會」的概念進行了探索。他的反思源於他在印度貧民窟的經歷，令他對既美麗又殘酷的現實感到疲憊不已。

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六角彩子 (Ayako Rokkaku), 《無題 ARP 07-013》, 2007年作
\n估價 2,000,000 - 3,000,000港元
\n拍品139, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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六角彩子

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雖然六角彩子從未上過藝術學校，但她卻研究出自己的繪畫技巧，即是直接用她的雙手和指尖在畫布上塗抹顏料。六角也使用超越傳統媒介的素材，創作材料從硬紙板、到復古路易威登手提箱再到層層膠片和羊毛。她的作品皆充滿爆炸性的彩虹能量，喚記起孩童劃下無憂無慮的筆觸，並融入了印象派的元素及濃密的色彩條紋。

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與日本動漫經典和「卡哇伊」文化相似，六角筆下的女孩們非常迷人；但是，作品並非如表面氛圍一般看似愉快。六角的女孩們散發純真的氣質，但彩虹的表面下卻蟄伏著一絲不安或浮躁，暗示著情緒的動盪。這些變化多端，充滿童趣的表象承襲自日本美學，讚譽著淳樸及偶然緣分的樂趣，同時也點出那些兒童的純潔之心正面對著潛在的脅逼。

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黃宇興 (Huang Yuxing), 《浮沉的氣泡》, 2014年作
\n估價 1,800,000 - 2,800,000港元
\n拍品34, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

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黃宇興

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畢業於中央美術學院的黃宇興是當今備受讚譽的中國畫家。與同時代藝術家不同的是，黃宇興並沒有通過藝術去表達在迅猛、劇烈的經濟改革和城市化進程中成長的一代人所遭受的意識形態的幻滅。他集中用自己的視覺語言來捕捉「時間的永恆輪迴」和「人性的複雜」之間的內在張力。從自然界汲取靈感，他用上色彩明豔的畫面，重新構建起周遭的世界, 從而扭曲對現實的感知。

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黃宇興忠於創作的過程，他不斷將色彩和細緻的筆觸相互交疊，這一方法之中流露著中國山水畫中工筆技法所採用的渲染和描繪精細輪廓之傳統。然而，畫面中不存在用來固定構圖的水平線，於是將觀者陶醉在一個沒有界定的空間之中，這個空間可以被任意解讀，因為這些抽象圖案可以被視為對內心的一種沈思和探索。

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趙趙 (Zhao Zhao), 《天空2號》, 2013-14年作
\n估價100,000 - 200,000 港元
\n拍品133, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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Zhao Zhao 趙趙

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趙趙以其不拘一格的藝術作品和其艾未未助手的特殊身份而在近年來逐漸受到國際上的認可和讚譽。2019年，趙趙在北京松美術館舉辦首場美術館個展。同年，他獲得了「AAC藝術中國年度藝術家大獎」。

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他的《天空》系列作品於 2015 年首次亮相，運用不同層次及色調的藍色油彩在亞麻布上捕捉了天空中雲卷的絕妙景象。這一系列作品是趙趙對北京空氣污染問題的回應，體現出他對罕見藍天的思念之情。的確，畫面中滾滾的黑暗讓人聯想到濃密的煙霧；隱約可見的陽光在幾片稀疏的藍色天空下似乎難以穿透。

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禤善勤 (Chris Huen), 《狗狗請進》, 2013-14年作
\n估價300,000 - 500,000港元
\n拍品137, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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禤善勤

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常駐香港的藝術家禤善勤的作品是對自己日常生活經驗的一種觀察，通過將生活中的家常與超現實進行迅速結合，呈現動人的瞬間。

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禤善勤的創作不事先畫素描或底稿，而是熟練地直接在大型畫布上用來自傳統水墨畫和抽象繪畫的技巧作畫。他的作品展現了自己對周圍事物的敏銳感知，其靈感來自他的家或在元朗的工作室周圍的人、事和風景。藝術家的作品刻意忽略細節，直覺性地喚起感覺或記憶中稍縱即逝、或已然遺忘的瞬間，讓夢境般的圖像從自由生長、雜亂隨意的油彩中浮現。

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陳飛 (Chen Fei), 兩件作品：(i)《殺人者系列：切膚之愛》; (ii)《殺人者系列：歌劇魅影》, 2010年作
\n估價 70,000 - 120,000港元
\n拍品157, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

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陳飛

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陳飛現居於中國北京，他生於中國80年代後，執行一胎化政策之時，見證了中國經濟的巨大發展。他的作品很大程度上受到了主流文化的影響，例如漫畫和動漫等。陳飛的作品就像電影的情節,反映了他的電影教育背景。

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作品的敘事常常充滿了幻想和黑色幽默，他試圖追求現實主義和超現實主義的並行畫面。陳飛的作品充滿政治諷刺並評論中國文化和經濟發展，以及它如何影響全球化。藝術家經常將自身轉化為一種自我嘲諷和自我批評的形式在作品中出現。

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相關專題

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\n","2021-11-15T10:34:33.000000Z","https://www.phillips.com/article/86788983/ultra-neo-hong-kong-fall-auction-cn",2,1413,3708,86788983,"https://flockler.com/thumbs/sites/889/156659-f88a2077-8b2a-4303-a36f-079a2d736c5f_s600x0.jpg","Phillips is proud to present ULTRA/NEO, a themed series centered on a new generation of rising ultra-contemporary artists. This season, we’re kicking off the series with a focus on Asia, with a lineup of up-and-coming artists from China, Japan and Southeast Asia in our Hong Kong sales.","Introducing ULTRA/NEO, Our Spotlight on Ultra-Contemporary Talent","

Tomokazu Matsuyama, Holy Urine, 2012
\nEstimate: HK$200,000 - 300,000 (US$25,600 - 38,500)
\nLot 147, 20th Century & Contemporary Art & Design Day Sale, November 29

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中文閱讀

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In a category that is constantly evolving, against a backdrop of accelerated cultural change, ULTRA/NEO is our love letter to a selection of ultra-contemporary artists, all born after the 1970s in a world that has seen rapid developments, both technological and cultural.

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The amalgamation of “ultra” and “neo” draws on the hyper-contemporary, liminal spaces in which artists of our generation exist. This season, Phillips is kicking off the series with a focus on young Asian talent.

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All raised in the age of the internet, they share a common thread: their strong ability to build upon Eastern and Western art history, to imbue a fresh perspective on themes of globalization, national identity and human condition through the use of high-octane color palettes, bold lines and flattened forms. Artists in this curation include Mayuka Yamamoto, Etsu Egami, Chiharu Shiota, Cui Jie and Mao Yan. Together, they represent a dynamic force that is redefining what resonates with collectors of our time.

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Izumi Kato, Untitled, 2008
\nEstimate: HK$4,500,000 - 7,500,000 (US$577,000 - 962,000)
\nLot 41, 20th Century & Contemporary Art Evening Sale, November 30

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Izumi Kato

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Graduating from the department of oil painting at Tokyo’s Musashino University in 1992, Izumi Kato found his artistic career delayed by economic circumstances (Japan’s asset price bubble had just burst). For years, he worked as a construction worker to make a living. Only until he was 30 did he decide to fully identify as an artist and concentrate on his love of creation.

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Initially, Kato focused on abstract landscapes. However, his attention gradually shifted to symbolic portraits of mysterious and grotesque forms. As an art major, he studied traditional African art, Pablo Picasso, Vincent van Gogh and figurative master Francis Bacon — all influences which are readily visible in the subjects and compositions of Kato’s paintings.

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Susumu Kamijo, Marching to the Sun, 2020
\nEstimate: HK$450,000 - 650,000 (US$57,700 - 83,300)
\nLot 50, 20th Century & Contemporary Art Evening Sale, November 30

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Susumu Kamijo

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Susumu Kamijo’s visual language abstracts reality through a blend of aesthetic styles. His sublimated minimalist shapes and contrasting constellation of colors recall the organic elegance of Henri Matisse’s cut-outs. His Pointillist daubs of poodle fur invoke the dexterous, tactile works of artists such as Yayoi Kusama and Jennifer Guidi, while his use of block color and isolated forms lend his compositions the hard-edged, graphic style of ancient Japanese woodblock printing.

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Kamijo arrived at his signature motif, the poodle, in 2014, drawn by their peculiar shape and clipped, coiffed fur. For his drawings, Kamijo used photographs from dog shows and magazines as inspiration, and then reduced them to their most essential elements — eyes, ears, nose and mouth — which he then deconstructed into undulating shapes.

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Atsushi Kaga, We Are Still Here Even Though the Moon Is Clouded (During the Lockdown) (After Sargent), 2020
\nEstimate: HK$200,000 - 300,000 (US$25,600 - 38,500)
\nLot 136, 20th Century & Contemporary Art & Design Day Sale, November 29

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Atsushi Kaga

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Through the eyes of a self-proclaimed otaku, Atsushi Kaga mixes storytelling with manga, anime and satirical Irish literature, owing to his education at the National College of Art and Design in Dublin. His work incorporates a mixture of Western art history, philosophy, Celtic culture and Japanese painting.

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The bunny in this work is somewhat of a self-portrait, his alter ego. The goal is to take viewers on journey through a complex alternate universe with anthropomorphic characters.

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Tomokazu Matsuyama, Mrs. Omega, 2020
\nEstimate: HK$200,000 - 300,000 (US$25,600 - 38,500)
\nLot 146, 20th Century & Contemporary Art & Design Day Sale, November 29

\n\n

Tomokazu Matsuyama

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Having lived in Los Angeles, New York, London, Tokyo and Takayama, Tomokazu Matsuyama has long been interested in the dichotomy between his Japanese and American identities. His art attempts to find common threads between two poles — Western and Eastern, ornamental and conceptual, traditional and contemporary — resulting in an alchemical explosion of different cultures. His hybrid works take inspiration from traditional Japanese art, Disney animations, Western design sensibilities and Japanese color schemes.

\n\n

\n\n

Yukimasa Ida, A Head, 2019
\nEstimate: HK$240,000 - 420,000 (US$30,800 - 53,800)
\nLot 158, 20th Century & Contemporary Art & Design Day Sale, November 29

\n\n

Yukimasa Ida

\n\n

Yukimasa Ida’s hauntingly beautiful works strike a fine balance between realism and abstraction, infused with a deep sense of nostalgia and appreciation for the fleeting nature of human existence. In recent years, the artist has explored the concept of ichi-go ich-e, a Japanese idiom that translates to “once-in-a-lifetime moment.” This exploration stemmed from his encounters in the slums of India, where he was drawn toward the dual beauty and cruelty of time.

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Ayako Rokkaku, Untitled ARP 07-013, 2007
\nEstimate: HK$2,000,000 - 3,000,000 (US$256,000 - 385,000)
\nLot 139, 20th Century & Contemporary Art & Design Day Sale, November 29

\n\n

Ayako Rokkaku

\n\n

Ayako Rokkaku never attended art school but developed her own painting technique, using her bare hands and fingertips to apply acrylic onto canvas. She has since moved beyond traditional media, transforming materials ranging from cardboard to vintage Louis Vuitton suitcases to layered acetate and wool. Her works of art hum with an explosive rainbow energy, evoking the carefree mark‐making of children mixed with elements of impressionism in their thickly applied streaks of color.

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In line with the canon of Japanese anime, Rokkaku’s girls are deceptively charming. A glint of dissatisfaction and impetuousness lurks behind their seeming innocence, alluding to emotional turmoil rippling beneath the rainbow surface. The metamorphosing, playful surfaces adhere to a lineage of Japanese aesthetics, celebrating the pleasures of the spontaneous and occasional, while also addressing the potential threats to the purity of children.

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Huang Yuxing, Floating Bubbles, 2014
\nEstimate: HK$1,800,000 - 2,800,000 (US$231,000 - 359,000)
\nLot 34, 20th Century & Contemporary Art Evening Sale, November 30

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Huang Yuxing

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A graduate of Beijing’s prestigious Central Academy of Fine Arts, Huang Yuxing is one of the most acclaimed Chinese painters working today. Unlike many of his contemporaries, whose art expresses their disillusionment with having grown up under drastic economic reforms and rapid urbanization, Huang has focused his visual language on capturing the inner tension between what he calls the “eternal cycles of time” and “complexity of human nature.” Drawing inspiration from the natural environment, his vibrant canvases distort reality by reconstructing the world around him.

\n\n

Devoted to the process of creation itself, Huang superimposes layers upon layers of color with meticulous brushstroke, applying a method that reveals the traditions of tonality and sharp form in Chinese gongbi landscape painting. But with no horizon line to ground his compositions, viewers are instead immersed into an ambiguous space open to interpretation as abstract patterns come to be understood as a contemplative exploration of the psyche.

\n\n

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Zhao Zhao, Sky No. 2, 2013-14
\nEstimate: HK$100,000 - 200,000 (US$12,800 - 25,600)
\nLot 133, 20th Century & Contemporary Art & Design Day Sale, November 29

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Zhao Zhao

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Leading Chinese contemporary artist Zhao Zhao is famous for his non-conformist work and role as the long-time assistant of influential Chinese artist and activist Ai Weiwei. Zhao has been the subject of increasing international recognition and acclaim in recent years. In 2019, he held his first solo museum exhibition at the Song Art Museum in Beijing and won AAC Art China’s Artist of the Year Award.

\n\n

His beautifully-rendered Sky paintings, first unveiled in 2015, depict billowing clouds that undulate across the canvas. These works serve as Zhao’s response to the air pollution in Beijing, and the rarity of having a clear blue sky in the city. Indeed, the apparent thickness of the work’s billowing darkness is reminiscent of a dense smog, through which patches of light blue sky and natural sunlight struggle to pierce from behind.

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Chris Huen, Dog Allowed, 2013-14
\nEstimate: HK$300,000 - 500,000 (US$38,500 - 64,100)
\nLot 137, 20th Century & Contemporary Art & Design Day Sale, November 29

\n\n

Chris Huen

\n\n

Hong Kong-based Chris Huen’s works are observations of his own quotidian experiences, constellations of daily moments swiftly constructed to bring the domestic and surreal in one compelling partnership.

\n\n

Without prior sketching or under drawing, Huen deftly executes on large canvases with techniques borrowed from traditional ink paintings and abstract figuration. His works showcase an acute awareness of his surroundings, inspired by the people, activities and landscapes around his home and Yuen Long studio. Deliberately omitting details, the artist works intuitively to recall a fleeting or forgotten moment from a feeling or memory, developing dream-like images from organic and haphazard dabs of paint.

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\n\n

Chen Fei, Two works: (i) Killer Series: The Audition; (ii) Killer Series: Phantom of the Opera, 2010
\nEstimate: HK$70,000 - 120,000 (US$9,000 - 15,400)
\nLot 157, 20th Century & Contemporary Art & Design Day Sale, November 29

\n\n

Chen Fei

\n\n

Based in Beijing, Chen Fei belongs to the generation of Chinese artists born after 1980, raised under the one-child policy and China’s tremendous economic growth. His work is largely influenced by pop culture, especially manga and anime. His film background is reflected in his paintings, which resemble movie stills.

\n\n

Chen’s paintings are often dark-humor fantasies situated in realism and surrealism all at once. His work is filled with political satire commenting on China’s cultural and economic development, and how it has impacted globalization. The artist often depicts himself within his paintings as a form of self-mockery and criticism.

\n\n

Recommended Reading

\n\n

In Demand: Artists to Watch in the Hong Kong Sales >

\n\n

The Female Gaze: 10 Women Artists in the Hong Kong Sales >

\n\n

\n","2021-11-13T07:13:00.000000Z","https://www.phillips.com/article/86120605/ultra-neo-hong-kong-fall-auction",1412,3692,86120605,"https://flockler.com/thumbs/sites/889/vr-cover-c110b99d-512d-486e-a1ef-bcd5fb7da692_s600x0.jpg","Join us for a virtual walkthrough of our 20th Century & Contemporary Art & Design auction previews at the JW Marriott Hotel in Hong Kong. On view: Gerhard Richter, Yayoi Kusama, George Condo, Yoshitomo Nara, Loie Hollowell and more.","VR Walkthrough: 20th Century & Contemporary Art & Design, Hong Kong","

Travel through our 20th Century & Contemporary Art & Design auction previews at the JW Marriott Hotel in Hong Kong, and browse highlights from our upcoming Evening and Day sales.

\n\n

Featuring sought-after works by Gerhard Richter, Yayoi Kusama, George Condo, Yoshitomo Nara, Loie Hollowell, Emily Mae Smith, Claude Monet, Auguste Rodin and more.

\n\n

4th Floor Gallery:

\n\n

Pantone Room:

\n\n

3rd Floor Gallery:

\n\n

Our 20th Century & Contemporary Art & Design Day Sale and 20th Century & Contemporary Art Evening Sale in association with Poly Auction will take place on 29-30 November at the JW Mariott Hotel in Hong Kong.

\n\n

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Rising star Susumu Kamijo’s whimsically surreal portraits of poodles have earned widespread attention in the art world. Born in 1975 in Nagano, Japan, Kamijo moved to the US at the age of 16 and completed a BFA in Painting and Drawing at the University of Oregon in 2000, followed by an MFA in Painting and Drawing at the University of Washington in 2002.

\n\n

Animals best known for their intelligence and loyalty - as well as their comically fluffy appearance - Kamijo’s poodles are depicted cantering majestically in open fields, lolling under the sun, their faces earnestly cocked towards the sky. Kamijo’s use of flat blocks of contrasting colours evokes the expressionistic fervour of Van Gogh and Gauguin, whilst the rough woodcut-esque lines and prismatic, almost Cubist, compositions combine with the animated, patterned surfaces to convey a vibrant dynamism.

\n\n

Kamijo cites the German Expressionists as one of his key influences. Their application of vivid fields of colour draws ready parallels with Kamijo’s works, in particular those of Franz Marc, a German painter and printmaker who was a founding member of Der Blaue Reiter and one of the key figures of German Expressionism. Marc’s mature works depict brightly-coloured animals in simple, natural settings, symbolic of an age of innocence before the advent of materialism and the corrupting influences of modernity.

\n\n

\"\" — Franz Marc, *Blue Horse I* ,1911
\nStädtische Galerie im Lenbachhaus Collection, Munich

\n\n

Kamijo’s recent solo exhibitions include Lick Me Till Dawn, Jack Hanley Gallery (New York, 2020); Fetch Your Own Bones, Kantor Gallery (Beverly Hills, 2020); I’ll Follow You To The Sunset, GNYP Gallery (Berlin, 2019); Walk With Me To The Sea, Sakurado Fine Arts (Tokyo, 2018); and I Will Walk You Tomorrow, Harper’s Books (New York, 2018). Kamijo currently lives and works in Brooklyn, New York.

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喬治·康多(George Condo)《被綁架的管家》,2011年作\n估價1,800,000 - 2,800,000 港元\n拍品168, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

George Condo 喬治·康多

奈良美智, 《潘多拉盒子》, 1990年作\n估價 7,500,000 - 10,000,000港元\n拍品42, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

Yoshitomo Nara 奈良美智

喬治·巴塞利茲, 《W.D.》, 2017年作\n估價3,000,000 - 5,000,000港元\n拍品190, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

Georg Baselitz 喬治·巴塞利茲

莎拉·休斯, 《魔幻島》, 2012年作\n估價1,500,000 - 2,500,000港元\n拍品12,富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

Shara Hughes 莎拉·休斯

赫南·巴斯, 《極簡主義 (解密)》, 2019年作\n估價1,000,000 - 1,500,000港元\n拍品10, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

Hernan Bas 赫南·巴斯

比莉·贊格瓦, 《冬季馬戲團》, 2007年作\n估價400,000 - 600,000港元\n拍品53, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

Billie Zangewa 比莉·贊格瓦

George Condo ,The Abducted Butler ,2011 \nEstimate HK$1,800,000 - 2,800,000 (US$231,000-359,000)\nLot 168,20th Century & Contemporary Art & Design Day Sale, November 29

George Condo

Yoshitomo Nara, Pandora’s Box, 1990\nEstimate: HK$7,500,000 - 10,000,000 (US$962,000 - 1,280,000)\nLot 42, 20th Century & Contemporary Art Evening Sale, November 30

Yoshitomo Nara

Georg Baselitz, W.D., 2017\nEstimate: HK$3,000,000 - 5,000,000 (US$385,000 - 641,000)\nLot 190, 20th Century & Contemporary Art & Design Day Sale, November 29

Georg Baselitz

Shara Hughes, Magic Island, 2012\nEstimate: HK$1,500,000 - 2,500,000 (US$192,000 - 321,000)\nLot 12, 20th Century & Contemporary Art Evening Sale, November 30

Shara Hughes

Hernan Bas, Minimalism (cracking the code), 2019\nEstimate: HK$1,000,000 - 1,500,000 (US$128,000 - 192,000)\nLot 10, 20th Century & Contemporary Art Evening Sale, November 30

Hernan Bas

Billie Zangewa, Cirque d'hiver, 2007\nEstimate: HK$400,000 - 600,000 (US$51,300 - 76,900)\nLot 53, 20th Century & Contemporary Art Evening Sale, November 30

Billie Zangewa

米卡琳·托馬斯《往上看》(出自《她為錢賣命海報女郎系列》)

妮娜·香奈兒·阿布尼, 《無題 (IXI 黑色)》, 2015年作\n估價: 1,500,000 - 2,500,000港元\n拍品3, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

妮娜·香奈兒·阿布尼《無題 (IXI 黑色)》

賈黛·法多朱蒂米, 《足跡的探尋》, 2017年作\n估價: 1,200,000 - 2,200,000港元\n拍品51, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

賈黛·法多朱蒂米《足跡的探尋》

朱莉·柯蒂斯, 《橫向擁抱 II》, 2018年作\n估價: 1,200,000 - 1,800,000港元\n拍品102, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

朱莉·柯蒂斯《橫向擁抱 II》

洛伊·霍洛韋爾, 《舔舔：藍色、綠色、紅色》, 2015年作\n估價: 800,000 - 1,200,000港元\n拍品102, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

洛伊·霍洛韋爾《舔舔：藍色、綠色、紅色》

艾米莉·梅·史密斯, 《一千個日子》, 2017年作\n估價: 600,000 - 900,000港元\n拍品103, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

艾米莉·梅·史密斯《一千個日子》

珍尼維·菲吉斯, 《化妝間》, 2017年作\n估價: 600,000 - 900,000港元\n拍品112, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

珍尼維·菲吉斯《化妝間》

克裡絲汀·艾珠, 《歡迎獨白5號》, 2007年作\n估價: 500,000 - 700,000港元\n拍品206, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

克裡絲汀·艾珠《歡迎獨白5號》

克萊爾·特伯萊, 《亡魂》, 2015年作\n估價: 400,000 - 600,000港元\n拍品109, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

克萊爾·特伯萊《亡魂》

希拉里·佩西斯, 《比佛利》, 2017年作\n估價: 200,000 - 300,000港元\n拍品104, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

希拉里·佩西斯《比佛利》

莎拉·休斯 (Shara Hughes)《法定監護人》，2004年作\n估價: 800,000 - 1,200,000港元\n拍品106, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

莎拉·休斯《法定監護人》

Mickalene Thomas, Looking Up (From the She Works Hard for the Money Pin-Up Series)

Nina Chanel Abney, Untitled (IXI Black), 2015\nEstimate: HK$1,500,000 - 2,500,000 (US$192,000 - 321,000)\nLot 3, 20th Century & Contemporary Art Evening Sale, November 30

Nina Chanel Abney, Untitled (IXI Black)

Jadé Fadojutimi, Fishing for Steps, 2017\nEstimate: HK$1,200,000 - 2,200,000 (US$154,000 - 282,000)\nLot 51, 20th Century & Contemporary Art Evening Sale, November 30

Jadé Fadojutimi, Fishing for Steps

Julie Curtiss, Lateral Embrace II, 2018\nEstimate: HK$1,200,000 - 1,800,000 (US$154,000 - 231,000)\nLot 102, 20th Century & Contemporary Art & Design Day Sale, November 29

Julie Curtiss, Lateral Embrace II

Loie Hollowell, Lick Lick in Blue, Green and Red, 2015\nEstimate: HK$800,000 - 1,200,000 (US$103,000 - 154,000)\nLot 102, 20th Century & Contemporary Art & Design Day Sale, November 29

Loie Hollowell, Lick Lick in Blue, Green and Red

Emily Mae Smith, A Thousand Days, 2017\nEstimate: HK$600,000 - 900,000 (US$76,900 - 115,000)\nLot 103, 20th Century & Contemporary Art & Design Day Sale, November 29

Emily Mae Smith, A Thousand Days

Genieve Figgis, The Powder Room, 2017\nEstimate: HK$600,000 - 900,000 (US$76,900 - 115,000)\nLot 112, 20th Century & Contemporary Art & Design Day Sale, November 29

Genieve Figgis, The Powder Room

Christine Ay Tjoe, Welcome Monolog #5, 2007\nEstimate: HK$500,000 - 700,000 (US$64,100 - 89,700)\nLot 206, 20th Century & Contemporary Art & Design Day Sale, November 29

Christine Ay Tjoe, Welcome Monolog #5

Claire Tabouret, La Revenante (The Female Revenant), 2015\nEstimate: HK$400,000 - 600,000 (US$51,300 - 76,900)\nLot 109, 20th Century & Contemporary Art & Design Day Sale, November 29

Claire Tabouret, La Revenante (The Female Revenant)

Hilary Pecis, Beverly, 2017\nEstimate: HK$200,000 - 300,000 (US$25,600 - 38,500)\nLot 104, 20th Century & Contemporary Art & Design Day Sale, November 29

Hilary Pecis, Beverly

Shara Hughes,Legal Guardian,2004\nEstimate: HK$800,000 - 1,200,000(US$103,000-154,000)\nLot 106,20th Century & Contemporary Art & Design Day Sale, November 29

Shara Hughes,Legal Guardian

加藤泉 (Izumi Kato), 《無題 》2008年作\n估價4,500,000 - 7,500,000港元\n拍品 41, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

加藤泉

上條晋 (Susumu Kamijo), 《往太陽前進》, 2020年作\n估價 450,000 - 650,000 港元\n拍品 50, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

上條晋

加賀温, 《即使月亮被雲朵遮蓋，我們依然在這裏（在封鎖期間）（繼薩金特）》, 2020年作\n估價 200,000 - 300,000港元\n拍品 136, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

加賀温

松山智一 (Tomokazu Matsuyama),《歐米茄夫人》, 2020年作\n估價 200,000 - 300,000港元\n拍品146, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

松山智一

井田幸昌 (Yukimasa Ida), 《頭》, 2019年作\n估價 240,000 - 420,000港元\n拍品158, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

井田幸昌

六角彩子 (Ayako Rokkaku), 《無題 ARP 07-013》, 2007年作\n估價 2,000,000 - 3,000,000港元\n拍品139, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

六角彩子

黃宇興 (Huang Yuxing), 《浮沉的氣泡》, 2014年作\n估價 1,800,000 - 2,800,000港元\n拍品34, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

黃宇興

喬治·康多(George Condo)《被綁架的管家》,2011年作
\n估價1,800,000 - 2,800,000 港元
\n拍品168, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

奈良美智, 《潘多拉盒子》, 1990年作
\n估價 7,500,000 - 10,000,000港元
\n拍品42, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

喬治·巴塞利茲, 《W.D.》, 2017年作
\n估價3,000,000 - 5,000,000港元
\n拍品190, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

莎拉·休斯, 《魔幻島》, 2012年作
\n估價1,500,000 - 2,500,000港元
\n拍品12,富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

赫南·巴斯, 《極簡主義 (解密)》, 2019年作
\n估價1,000,000 - 1,500,000港元
\n拍品10, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

比莉·贊格瓦, 《冬季馬戲團》, 2007年作
\n估價400,000 - 600,000港元
\n拍品53, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

George Condo ,The Abducted Butler ,2011
\nEstimate HK$1,800,000 - 2,800,000 (US$231,000-359,000)
\nLot 168,20th Century & Contemporary Art & Design Day Sale, November 29

Yoshitomo Nara, Pandora’s Box, 1990
\nEstimate: HK$7,500,000 - 10,000,000 (US$962,000 - 1,280,000)
\nLot 42, 20th Century & Contemporary Art Evening Sale, November 30

Georg Baselitz, W.D., 2017
\nEstimate: HK$3,000,000 - 5,000,000 (US$385,000 - 641,000)
\nLot 190, 20th Century & Contemporary Art & Design Day Sale, November 29

Shara Hughes, Magic Island, 2012
\nEstimate: HK$1,500,000 - 2,500,000 (US$192,000 - 321,000)
\nLot 12, 20th Century & Contemporary Art Evening Sale, November 30

Hernan Bas, Minimalism (cracking the code), 2019
\nEstimate: HK$1,000,000 - 1,500,000 (US$128,000 - 192,000)
\nLot 10, 20th Century & Contemporary Art Evening Sale, November 30

Billie Zangewa, Cirque d'hiver, 2007
\nEstimate: HK$400,000 - 600,000 (US$51,300 - 76,900)
\nLot 53, 20th Century & Contemporary Art Evening Sale, November 30

妮娜·香奈兒·阿布尼, 《無題 (IXI 黑色)》, 2015年作
\n估價: 1,500,000 - 2,500,000港元
\n拍品3, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

賈黛·法多朱蒂米, 《足跡的探尋》, 2017年作
\n估價: 1,200,000 - 2,200,000港元
\n拍品51, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

朱莉·柯蒂斯, 《橫向擁抱 II》, 2018年作
\n估價: 1,200,000 - 1,800,000港元
\n拍品102, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

洛伊·霍洛韋爾, 《舔舔：藍色、綠色、紅色》, 2015年作
\n估價: 800,000 - 1,200,000港元
\n拍品102, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

艾米莉·梅·史密斯, 《一千個日子》, 2017年作
\n估價: 600,000 - 900,000港元
\n拍品103, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

珍尼維·菲吉斯, 《化妝間》, 2017年作
\n估價: 600,000 - 900,000港元
\n拍品112, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

克裡絲汀·艾珠, 《歡迎獨白5號》, 2007年作
\n估價: 500,000 - 700,000港元
\n拍品206, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

克萊爾·特伯萊, 《亡魂》, 2015年作
\n估價: 400,000 - 600,000港元
\n拍品109, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

希拉里·佩西斯, 《比佛利》, 2017年作
\n估價: 200,000 - 300,000港元
\n拍品104, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

莎拉·休斯 (Shara Hughes)《法定監護人》，2004年作
\n估價: 800,000 - 1,200,000港元
\n拍品106, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

**Mickalene Thomas, Looking Up (From the She Works Hard for the Money Pin-Up Series)**

Nina Chanel Abney, Untitled (IXI Black), 2015
\nEstimate: HK$1,500,000 - 2,500,000 (US$192,000 - 321,000)
\nLot 3, 20th Century & Contemporary Art Evening Sale, November 30

Jadé Fadojutimi, Fishing for Steps, 2017
\nEstimate: HK$1,200,000 - 2,200,000 (US$154,000 - 282,000)
\nLot 51, 20th Century & Contemporary Art Evening Sale, November 30

Julie Curtiss, Lateral Embrace II, 2018
\nEstimate: HK$1,200,000 - 1,800,000 (US$154,000 - 231,000)
\nLot 102, 20th Century & Contemporary Art & Design Day Sale, November 29

Loie Hollowell, Lick Lick in Blue, Green and Red, 2015
\nEstimate: HK$800,000 - 1,200,000 (US$103,000 - 154,000)
\nLot 102, 20th Century & Contemporary Art & Design Day Sale, November 29

Emily Mae Smith, A Thousand Days, 2017
\nEstimate: HK$600,000 - 900,000 (US$76,900 - 115,000)
\nLot 103, 20th Century & Contemporary Art & Design Day Sale, November 29

Genieve Figgis, The Powder Room, 2017
\nEstimate: HK$600,000 - 900,000 (US$76,900 - 115,000)
\nLot 112, 20th Century & Contemporary Art & Design Day Sale, November 29

Christine Ay Tjoe, Welcome Monolog #5, 2007
\nEstimate: HK$500,000 - 700,000 (US$64,100 - 89,700)
\nLot 206, 20th Century & Contemporary Art & Design Day Sale, November 29

Claire Tabouret, La Revenante (The Female Revenant), 2015
\nEstimate: HK$400,000 - 600,000 (US$51,300 - 76,900)
\nLot 109, 20th Century & Contemporary Art & Design Day Sale, November 29

Hilary Pecis, Beverly, 2017
\nEstimate: HK$200,000 - 300,000 (US$25,600 - 38,500)
\nLot 104, 20th Century & Contemporary Art & Design Day Sale, November 29

Shara Hughes,Legal Guardian,2004
\nEstimate: HK$800,000 - 1,200,000(US$103,000-154,000)
\nLot 106,20th Century & Contemporary Art & Design Day Sale, November 29

加藤泉 (Izumi Kato), 《無題》2008年作
\n估價4,500,000 - 7,500,000港元
\n拍品 41, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

上條晋 (Susumu Kamijo), 《往太陽前進》, 2020年作
\n估價 450,000 - 650,000 港元
\n拍品 50, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

加賀温, 《即使月亮被雲朵遮蓋，我們依然在這裏（在封鎖期間）（繼薩金特）》, 2020年作
\n估價 200,000 - 300,000港元
\n拍品 136, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

松山智一 (Tomokazu Matsuyama),《歐米茄夫人》, 2020年作
\n估價 200,000 - 300,000港元
\n拍品146, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

井田幸昌 (Yukimasa Ida), 《頭》, 2019年作
\n估價 240,000 - 420,000港元
\n拍品158, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

六角彩子 (Ayako Rokkaku), 《無題 ARP 07-013》, 2007年作
\n估價 2,000,000 - 3,000,000港元
\n拍品139, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

黃宇興 (Huang Yuxing), 《浮沉的氣泡》, 2014年作
\n估價 1,800,000 - 2,800,000港元
\n拍品34, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術晚間拍賣, 11月30日

趙趙 (Zhao Zhao), 《天空2號》, 2013-14年作
\n估價100,000 - 200,000 港元
\n拍品133, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

禤善勤 (Chris Huen), 《狗狗請進》, 2013-14年作
\n估價300,000 - 500,000港元
\n拍品137, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

陳飛 (Chen Fei), 兩件作品：(i)《殺人者系列：切膚之愛》; (ii)《殺人者系列：歌劇魅影》, 2010年作
\n估價 70,000 - 120,000港元
\n拍品157, 富藝斯與保利拍賣聯合呈獻二十世紀及當代藝術和設計日間拍賣, 11月29日

Izumi Kato, Untitled, 2008
\nEstimate: HK$4,500,000 - 7,500,000 (US$577,000 - 962,000)
\nLot 41, 20th Century & Contemporary Art Evening Sale, November 30

Susumu Kamijo, Marching to the Sun, 2020
\nEstimate: HK$450,000 - 650,000 (US$57,700 - 83,300)
\nLot 50, 20th Century & Contemporary Art Evening Sale, November 30

Atsushi Kaga, We Are Still Here Even Though the Moon Is Clouded (During the Lockdown) (After Sargent), 2020
\nEstimate: HK$200,000 - 300,000 (US$25,600 - 38,500)
\nLot 136, 20th Century & Contemporary Art & Design Day Sale, November 29

Tomokazu Matsuyama, Mrs. Omega, 2020
\nEstimate: HK$200,000 - 300,000 (US$25,600 - 38,500)
\nLot 146, 20th Century & Contemporary Art & Design Day Sale, November 29

Yukimasa Ida, A Head, 2019
\nEstimate: HK$240,000 - 420,000 (US$30,800 - 53,800)
\nLot 158, 20th Century & Contemporary Art & Design Day Sale, November 29

Ayako Rokkaku, Untitled ARP 07-013, 2007
\nEstimate: HK$2,000,000 - 3,000,000 (US$256,000 - 385,000)
\nLot 139, 20th Century & Contemporary Art & Design Day Sale, November 29

Huang Yuxing, Floating Bubbles, 2014
\nEstimate: HK$1,800,000 - 2,800,000 (US$231,000 - 359,000)
\nLot 34, 20th Century & Contemporary Art Evening Sale, November 30

Zhao Zhao, Sky No. 2, 2013-14
\nEstimate: HK$100,000 - 200,000 (US$12,800 - 25,600)
\nLot 133, 20th Century & Contemporary Art & Design Day Sale, November 29

Chris Huen, Dog Allowed, 2013-14
\nEstimate: HK$300,000 - 500,000 (US$38,500 - 64,100)
\nLot 137, 20th Century & Contemporary Art & Design Day Sale, November 29

Chen Fei, Two works: (i) Killer Series: The Audition; (ii) Killer Series: Phantom of the Opera, 2010
\nEstimate: HK$70,000 - 120,000 (US$9,000 - 15,400)
\nLot 157, 20th Century & Contemporary Art & Design Day Sale, November 29

130

Susumu Kamijo

Sunrise

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Susumu Kamijo