Margo Leavin Gallery, Los Angeles Marvin Ross Friedman & Co., Miami Private Collection
Literature
Parkett no. 32, p.83, Daniela Salvioni, The Transgression of Sherrie Levine, 1992
Catalogue Essay
I thought a wine bottle was the perfect generic Modernist icon, having been so frequently used as a subject by the Cubists and Surrealists. Sherrie Levine, in conversation with Constance Lewallen, Journal of Contemporary Art, Inc.