Private Collection, Miami
i) Reykjavik, Reykjavik Art Museum, Santiago Sierra - The Black Cone. Monument to Civil Disobedience, 2012 (another example exhibited)
ii) London, Lisson Gallery, 7 Trabajos / 7 Works, November 2007 (another example exhibited)
i) Santiago Sierra, exh. cat., Galerie Peter Kilchmann and Galería Enrique Guerrero, Zurich, 2001, p. 18 (another example illustrated)
i) Santiago Sierra: Works 2002-1990, exh. cat., Ikon Gallery, Birmingham, 2002, pp. 52-53 (another example illustrated)
i) Rosa Martínez, Cuauhtémoc Medina and Ana Palacios, ed., Santiago Sierra, Pabellón de España, 50a Bienal de Venecia / Spanish Pavillion, 50th Venice Biennale", Venice, 2003, pp. 119-120 (another example illustrated)
i) Eckhard Schneider, ed. 300 Tons and Previous Works, Dusseldorf, 2004, pp. 94-95 (another example illustrated)
i) Fabio Cavallucci and Carlos Jiménez, Santiago Sierra, Milano, 2005, p.92 (another example illustrated)
i) Santiago Sierra - The Black Cone. Monument to Civil Disobedience, exh. cat., Reykjavik Art Museum, Reykjavik, 2012, p. 27 (another example illustrated)
ii) Santiago Sierra, exh. cat., Galerie Peter Kilchmann and Galería Enrique Guerrero, Zurich, 2001, p. 14 (another example illustrated)
ii) Santiago Sierra: Works 2002-1990, exh. cat., Ikon Gallery, Birmingham, 2002, p. 2 (another example illustrated)
ii) Santiago Sierra, exh. cat., Kunsthalle Wien Project Space, Vienna, 2002, p. 39 (another example illustrated)
ii) Rosa Martínez, Cuauhtémoc Medina and Ana Palacios, ed., Santiago Sierra, Pabellón de España, 50a Bienal de Venecia / Spanish Pavillion, 50th Venice Biennale", Venice, 2003, p. 117 (another example illustrated)
ii) Eckhard Schneider, ed. 300 Tons and PRevious Works, Dusseldorf, 2004, p. 27 (another example illustrated)
ii) Fabio Cavallucci and Carlos Jiménez, Santiago Sierra, Milano, 2005, p. 128 (another example illustrated)
ii) Mariana David, Pilar Villela Mascaró, Alvaro Vásquez Mantecón, Taiyana Pimentel, Francisco Javier San Martín, Paromita Vohra, 7 Trabajos / 7 works, London, 2007, p. 28 (another example illustrated)