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  • Provenance

    Bailey Fine Arts, Toronto
    Acquired from the above by the present owner in February 2003

  • Exhibited

    New York, Whitney Museum of American Art, The Kids Are Alright: Photographs by Ryan McGinley, February 1–May 18, 2003 (another example exhibited)
    Museum of Contemporary Art Denver, The Kids Were Alright: Photographs by Ryan McGinley, February 10–August 20, 2017, pp. 184, 328 (another example exhibited and illustrated, p. 185; erroneously dated, 2001)
    New York, Peter Hay Halpert Fine Art, Ryan McGinley: The Kids. Early Works, 2019, April 2–27, 2019 (another example exhibited)

  • Literature

    Ariel Levy, "Chasing Dash Snow," New York Magazine, January 4, 2007, online
    Ryan McGinley, "Remembering Dash Snow, July 14, 2009," Vice, July 31, 2009, online
    Martin Herbert, “An Elusive State of Being: Moonmilk revisited,” DARE magazine, March 18, 2012, online
    Ryan McGinley, Whistle for the Wind, New York, June 26, 2012, pp. 46, 230 (another example illustrated, p. 47)

Property from a Private Collection, California

Ο404

Dash Bombing

chromogenic print flush-mounted to aluminum
29 3/4 x 39 3/4 in. (75.6 x 101 cm)
Executed in 2000, this work is from an edition of 6.

Another example from this edition is housed in the permanent collection of the Whitney Museum of American Art, New York.

Estimate
$8,000 - 12,000 

Sold for $18,900

Contact Specialist

Rebekah Bowling
Head of Day Sale, Afternoon Session
New York

1 212 940 1250
[email protected]

 

20th Century & Contemporary Art Day Sale, Afternoon Session

New York Auction 24 June 2021