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Rudolf Stingel’s Untitled, 2015, immerses the viewer into a vast, seemingly infinite, pictorial field. Daubs of thick dark grey and burgundy enamel coalesce across the metallic grey canvases into spectral impressions of an ornamental carpet, giving the sensation of standing within a grand hall receding into distance. As with Stingel’s greatest works, Untitled presents a vision of subtle grandeur that rewards prolonged looking.
The first large-scale triptych to come to auction–the few other triptychs are housed in such esteemed collections as the Pinault Collection–this work takes a singular place within Stingel’s oeuvre. One of only eight installations Stingel conceived for his monumental Part I-VIII exhibition held between 2015-2016 at Gagosian New York, Untitled was the sole work on view in the show’s fourth iteration. While the specific reference points for his acclaimed carpet paintings tend to be more oblique, this work specifically connects to Stingel’s famous Plan B carpet installation at New York City’s Grand Central Station in 2004. At the time, it represented the artist’s first major public project in the United States, with its counterpart concurrently shown at The Walker Art Center, Minneapolis.
Rudolf Stingel, Plan B, Grand Central Terminal installation. Image: Courtesy of Art Production Fund. For Plan B, Stingel realized a wall-to-wall dusty pink and blue floral carpet installation for the station’s Vanderbilt Hall waiting room–notably using a type of customized commercial carpet one would find in an upscale hotel or casino. Rather than simply decor, Stingel viewed the richly patterned textile as an enormous painting. In this assertion, Stingel not only highlighted the potential of seemingly ordinary materials and re-contextualized the hall’s architecture, but also expanded the notion of what painting can be. As he insisted, “My carpets are paintings. Not carpets.”i
Whereas Stingel typically covers his canvases with all-over carpeting or wallpaper patterns, Untitled sees him counter the flatness of the picture plane with an allusion to depth. The patten seemingly follows linear perspective, but instead of a reaching a perceptible vanishing point it dissolves into invisibility. The triptych further recalls Renaissance tripartite painting structures and their compositional orientations that highlight realistic depth and recession in space.
Piermatteo Lauro de' Manfredi da Amelia (c.1450-1503/8) / Italian, The Anunciation. Isabella Stewart Gardner Museum, Boston. Image: © Isabella Stewart Gardner Museum / Bridgeman Images. Since the late 1980s, a time in which painting had famously been declared dead and minimalist and conceptual narratives prevailed, Stingel has sought to redefine “what painting can be, what it has been, what it is”.ii To this end, he confronted the fundamental aspirations and failures of modernist painting through an expanded notion of painting, one that is distinguished by a simultaneous emphasis on the conceptual process and the material qualities of surface, space, color and image. Dissolving the boundaries between painting, sculpture, architecture, and performance, Stingel first garnered acclaim with his Instructions, 1989, which consisted of instruction manuals for creating silkscreen paintings. The delicate interplay of texture, surface and pattern within the resulting silver monochrome paintings helped foreground a wider project to explore the boundaries and processes that underpin the very act of painting itself.
With Untitled, Stingel returns to the one of his most enduring themes originating with to his first solo show, at Daniel Newburg Gallery in 1991. Leaving the walls of the SoHo gallery completely bare, he covered the floor with fluorescent orange carpet. At the 1993 Venice Biennale, he conversely glued the carpet to the wall with a sly nod to Color Field painting, and at his 2013-14 Palazzo Grassi exhibition, he famously filled the entire space with an oriental carpet. In the words of the curator Francesco Bonami, “By disrupting painting’s assumptions of material, process, and placement, Stingel not only bursts open the conventions of painting, but creates unique ways of thinking about the medium and its reception.”iii
“It’s aggressive, it’s against the system, it’s against the usual way of doing a painting.”–Rudolf Stingel
It is striking that Stingel returned to his Grand Central installation, Plan B, more than a decade later with Untitled. In silver monochrome, the work depicts an expanse of floral carpet derived from images of his Plan B carpet installation. Its conception introduces another conceptual layer that distinguishes this work within Stingel’s larger corpus of carpet paintings. For his exhibition at Gagosian, New York, Stingel devised of a monumental exhibition held as a series of eight installations over the span of one year, from October 2015 to December 16. Exemplifying the breadth of Stingel’s conceptual practice—almost akin to a retrospective—the installations including presented, among others, his iconic carpet and wallpaper pattern paintings, silver cast Celotex panels, a wall-to-wall carpet installation as well as photorealistic portraits of friends and artists such as Franz West or Ernst Ludwig Kirchner. Amongst these works Untitled stands alone, itself a full chapter of Stingel’s serial presentation.
i Rudolf Stingel in Roberta Smith, “The Threads That Tie a Show Together,” The New York Times, August 20, 2013, online.
ii Francesco Bonami quoted in Michelle Grabner, "Rudolf Stingel," Frieze, no. 106, April 2007, online.
iii Francesco Bonami, ed., Rudolf Stingel, New Haven, 2007, p. 10.
Provenance
Gagosian, New York
Private Collection, London
Acquired from the above by the present ownerExhibited
New York, Gagosian, Rudolf Stingel: Part IV, May 17–July 11, 2016
Literature
Rudolf Stingel, exh. cat., Fondation Beyeler, Riehen and Berlin, 2019, pp. 268–269 (illustrated)
Artist Biography
Rudolf Stingel
Italian • 1956
Rudolf Stingel came to prominence in the late 1980s for his insistence on the conceptual act of painting in a context in which it had been famously declared dead. Despite the prevailing minimalist and conceptual narrative of the time, the Italian-born artist sought to confront the fundamental aspirations and failures of Modernist painting through the very medium of painting itself. While his works do not always conform to the traditional definitions of painting, their attention to surface, space, color and image provide new and expanded ways of thinking about the process and "idea" of painting. Central to his multifarious and prolific oeuvre is an examination of the passage of time and the probing of the fundamental questions of authenticity, meaning, hierarchy, authorship and context by dislocating painting both internally and in time and space. Stingel is best known for his wall-to-wall installations, constructed of fabric or malleable Celotex sheets, as well as his seemingly more traditional oil-on-canvas paintings.
330
Untitled
signed, consecutively inscribed and dated "Stingel 2015 [1-3]/3" on the reverse of each part
oil and enamel on canvas, in 3 parts
each 83 x 67 in. (210.8 x 170.2 cm)
installation dimensions 83 x 205 in. (210.8 x 520.7 cm)
Painted in 2015.
Estimate
$900,000 - 1,200,000
Sold for $723,900
Patrizia Koenig
Specialist, Head of Sale, Afternoon Session
+1 212 940 1279
pkoenig@phillips.com
20th Century & Contemporary Art Day Sale, Afternoon Session
New York Auction 15 November 2023
301
Ilana Savdie
Deliberate Rotation of The Nips (y un Manguito)
Estimate $25,000 - 35,000
Sold for $69,850
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302
Caroline Kent
Out of the solitude and into the daydream
Estimate $40,000 - 60,000
Sold for $63,500
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303
Salvo
Se Elena mi chiede un quadro rosso tra zero e tutto questo è quello che posso
Estimate $60,000 - 80,000
Sold for $406,400
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304
Marina Perez Simão
Untitled
Estimate $40,000 - 60,000
Sold for $63,500
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305
Salvo
Prima primavera
Estimate $60,000 - 80,000
Sold for $495,300
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306
Jo Messer
Shifting into Five
Estimate $40,000 - 60,000
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307
Denzil Forrester
Dub Salute
Estimate $50,000 - 70,000
Sold for $63,500
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308
Henry Taylor
PAAK
Estimate $100,000 - 150,000
Sold for $177,800
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309
Celeste Rapone
Room with a View
Estimate $20,000 - 30,000
Sold for $57,150
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310
This lot is no longer available.
311
Blair Whiteford
Mass Controller
Estimate $60,000 - 80,000
Sold for $63,500
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312
Francesca Mollett
Shuttle
Estimate $10,000 - 15,000
Sold for $49,530
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313
Naudline Pierre
BLT
Estimate $20,000 - 30,000
Sold for $50,800
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314
Elizabeth Glaessner
Bacchanal
Estimate $20,000 - 30,000
Sold for $24,130
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315
Henni Alftan
Collar
Estimate $30,000 - 40,000
Sold for $66,040
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316
Chase Hall
Jocko Where Grandpa Would Sit
Estimate $15,000 - 20,000
Sold for $38,100
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317
Jesse Mockrin
The dark-haired odalisque
Estimate $40,000 - 60,000
Sold for $107,950
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318
Allison Katz
Showery
Estimate $20,000 - 30,000
Sold for $63,500
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319
Henry Taylor
I Relate to Amy H
Estimate $60,000 - 80,000
Sold for $95,250
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320
Miriam Cahn
Ohne Titel
Estimate $70,000 - 100,000
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321
Louis Fratino
Big Tristan
Estimate $150,000 - 200,000
Sold for $152,400
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322
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323
Caroline Walker
Maid
Estimate $200,000 - 300,000
Sold for $355,600
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324
Matthew Wong
Blue Tree
Estimate $400,000 - 600,000
Sold for $431,800
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325
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326
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327
Anish Kapoor
Untitled
Estimate $400,000 - 500,000
Sold for $508,000
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328
Rudolf Stingel
Untitled
Estimate $250,000 - 350,000
Sold for $254,000
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329
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330
Rudolf Stingel
Untitled
Estimate $900,000 - 1,200,000
Sold for $723,900
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331
Rashid Johnson
Untitled Escape Collage
Estimate $600,000 - 800,000
Sold for $635,000
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332
Rashid Johnson
The Barefoot Prophet
Estimate $120,000 - 180,000
Sold for $152,400
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333
Titus Kaphar
Mother with Child
Estimate $100,000 - 150,000
Sold for $139,700
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334
Mark Bradford
Untitled
Estimate $150,000 - 200,000
Sold for $127,000
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335
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336
Pat Steir
Untitled
Estimate $120,000 - 180,000
Sold for $228,600
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337
Pat Steir
From Dark to Light (from the Waterfall series)
Estimate $400,000 - 600,000
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338
John Armleder
Amontilad
Estimate $60,000 - 80,000
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339
Yuan Fang
Corporeal Loop 03
Estimate $20,000 - 30,000
Sold for $57,150
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340
Kehinde Wiley
Passing/Posing (The Reluctant Messiah)
Estimate $100,000 - 150,000
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341
Kehinde Wiley
St. Michael
Estimate $80,000 - 120,000
Sold for $101,600
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342
Chris Ofili
The Almighty Shadow
Estimate $40,000 - 60,000
Sold for $38,100
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343
Nathaniel Mary Quinn
How Come Not Me
Estimate $80,000 - 120,000
Sold for $88,900
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344
Jeff Sonhouse
Schizophrenic Scripture Highlighted in Van Dyck Brown
Estimate $15,000 - 20,000
Sold for $20,320
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345
TM Davy
Fire Island Moonrise
Estimate $18,000 - 25,000
Sold for $20,320
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346
Jeanette Mundt
I Have Proof
Estimate $15,000 - 20,000
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347
Issy Wood
Study for you in every drop
Estimate $80,000 - 120,000
Sold for $304,800
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348
Chloe Wise
Haley with Melon
Estimate $35,000 - 45,000
Sold for $44,450
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349
Caroline Walker
Study for Review
Estimate $25,000 - 35,000
Sold for $33,020
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350
Heidi Hahn
Folded Venus / Pomaded Sweater #3
Estimate $20,000 - 30,000
Sold for $30,480
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351
Loie Hollowell
Direct Shot
Estimate $30,000 - 50,000
Sold for $35,560
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352
Lucy Bull
Untitled (LB 129)
Estimate $15,000 - 20,000
Sold for $31,750
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353
Carol Bove
Untitled
Estimate $50,000 - 70,000
Sold for $76,200
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354
Carol Bove
Childhood memory of a woman who brought candy
Estimate $40,000 - 60,000
Sold for $44,450
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355
Isa Genzken
Kirche (Church)
Estimate $100,000 - 150,000
Sold for $165,100
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356
Erwin Wurm
Mies van der Rohe—melting
Estimate $30,000 - 40,000
Sold for $53,340
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357
Günther Förg
Untitled
Estimate $100,000 - 150,000
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358
Günther Förg
Untitled
Estimate $30,000 - 50,000
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359
Vaughn Spann
Dalmatian No. 6 (Martha's Vineyard)
Estimate $50,000 - 70,000
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360
Glenn Ligon
Study for Negro Sunshine #70
Estimate $12,000 - 18,000
Sold for $27,940
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361
Glenn Ligon
Mirror Drawing #9
Estimate $30,000 - 50,000
Sold for $48,260
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362
This lot is no longer available.
363
Jenny Holzer
Survival: Hide under water…
Estimate $150,000 - 200,000
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364
Gary Hume
American Tan VI
Estimate $50,000 - 70,000
Sold for $50,800
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365
Richard Prince
Untitled
Estimate $80,000 - 120,000
Sold for $120,650
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366
Mel Bochner
Nothing
Estimate $30,000 - 40,000
Sold for $60,960
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367
Barry McGee
Untitled
Estimate $30,000 - 50,000
Sold for $60,960
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368
Daniel Arsham
Crystal Eroded Locks
Estimate $12,000 - 18,000
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369
KAWS
UNTITLED (HTLC8)
Estimate $100,000 - 150,000
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370
KAWS
UNTITLED
Estimate $50,000 - 70,000
Sold for $63,500
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371
Peter Halley
Spell
Estimate $100,000 - 150,000
Sold for $114,300
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372
Anke Weyer
Eye Beep
Estimate $25,000 - 35,000
Sold for $46,990
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373
Miquel Barceló
Ull de Perdiu
Estimate $150,000 - 250,000
Sold for $177,800
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374
Nicola De Maria
Regno dei Fiori
Estimate $40,000 - 60,000
Sold for $60,960
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375
Barry X Ball
Perfect Forms
Estimate $70,000 - 100,000
Sold for $54,610
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376
Michal Rovner
Mathematics 3
Estimate $15,000 - 20,000
Sold for $17,780
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377
Pat Steir
Egg #081
Estimate $10,000 - 15,000
Sold for $27,940
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378No Reserve
Amy Sillman
Word of Mouth
Estimate $40,000 - 60,000 •
Sold for $48,260
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379
Katherine Bradford
Mother Ship
Estimate $50,000 - 70,000
Sold for $50,800
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380
Katherine Bradford
Runner At Rest
Estimate $25,000 - 35,000
Sold for $48,260
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381
Genieve Figgis
The Last Night
Estimate $50,000 - 70,000
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382
Shara Hughes
Untitled
Estimate $70,000 - 100,000
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383
Awol Erizku
Arrangement for the historians who’ve re-casted Egypt in an African Context
Estimate $7,000 - 10,000
Sold for $8,890
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384
Ariana Papademetropoulos
Untitled
Estimate $8,000 - 12,000
Sold for $21,590
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385
This lot is no longer available.
386
Raelis Vasquez
Me Siento Hoy
Estimate $18,000 - 25,000
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387
Alake Shilling
Bearly Hanging On
Estimate $10,000 - 15,000
Sold for $12,700
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388
Mario Ayala
Bad Boy
Estimate $8,000 - 12,000
Sold for $12,700
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389
Danica Lundy
Press Here, Open, Eject
Estimate $5,000 - 7,000
Sold for $13,970
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390
Jenny Morgan
Resolution
Estimate $8,000 - 12,000
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391
Caroline Absher
Freeing the Potted Plants
Estimate $15,000 - 20,000
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392
This lot is no longer available.
393
Mosie Romney
Award Winning Wisdom
Estimate $15,000 - 20,000
Sold for $12,700
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394
Cornelius Annor
Anigye
Estimate $20,000 - 30,000
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395
Emmanuel Taku
Empress of the Night
Estimate $10,000 - 15,000
Sold for $15,240
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396
This lot is no longer available.
397
Nate Lowman
Untitled
Estimate $20,000 - 30,000
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398
Oscar Murillo
Untitled
Estimate $60,000 - 80,000
Sold for $44,450
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399
Ludovic Nkoth
Item #57
Estimate $20,000 - 30,000
Sold for $22,860
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400
Milo Matthieu
Miss Congeniality.II
Estimate $10,000 - 15,000
Sold for $15,240
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401
John Currin
Untitled
Estimate $30,000 - 40,000
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402
Elizabeth Peyton
Untitled (Barenboim and Bosie)
Estimate $15,000 - 20,000
Sold for $17,780
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403
Antony Gormley
Learning to think VI
Estimate $20,000 - 30,000
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404
Huma Bhabha
Untitled
Estimate $10,000 - 15,000
Sold for $12,700
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405
Vik Muniz
Catherine Deneuve (Diamond Divas)
Estimate $25,000 - 35,000
Sold for $22,860
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406
Raymond Pettibon
Untitled
Estimate $25,000 - 35,000
Sold for $48,260
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407
Martin Kippenberger
Untitled (Bates Hotel)
Estimate $7,000 - 10,000
Sold for $8,890
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408
Martin Kippenberger
Untitled
Estimate $25,000 - 35,000
Sold for $15,240
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409
Thomas Scheibitz
Flyer
Estimate $8,000 - 12,000
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410
Katherine Bernhardt
Doritos + Socks + Basketballs
Estimate $35,000 - 45,000
Sold for $60,960
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411
Sarah Crowner
Dichotomic Organization, 1959 (Blue)
Estimate $25,000 - 35,000
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412
Petra Cortright
boy+free+sex+storiesboylink
Estimate $10,000 - 15,000
Sold for $13,970
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413
Petra Cortright
free metallica wallpaper
Estimate $15,000 - 20,000
Sold for $24,130
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414
RETNA
This is Show Business
Estimate $40,000 - 60,000
Sold for $69,850
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415
Jordi Ribes
The Slide
Estimate $30,000 - 40,000
Sold for $38,100
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416
Jon Rafman
New Age Demanded (Twistface Pink)
Estimate $12,000 - 18,000
Sold for $16,510
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417
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418
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419
This lot is no longer available.