Robert Rauschenberg - Editions & Works on Paper New York Tuesday, April 18, 2023 | Phillips

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  •  “I think a good dealer is also a collector.”
    —Rosa Esman

    Rosa and Aaron Esman assembled an outstanding collection of Modern, Post-War, and Contemporary art over the course of their seventy-year marriage. The collection’s highlights mirror that of Rosa’s career as a gallerist and print publisher (which Aaron, a psychoanalyst, strongly supported), with interests in Modernism, Dada, Russian Constructivism, and American Pop Art taking center stage. Rosa got her start publishing artists’ print portfolios in the 1960s, including the New York Ten Portfolio, 1965, and Ten for Leo Castelli, 1967, which featured works by rising contemporary artists such as Andy Warhol, Roy Lichtenstein, and Robert Rauschenberg, and helped pioneer the field of artist’s editions and multiples. Her eponymous gallery exhibited in Manhattan for over twenty years, and she was a founding partner of Ubu Gallery, which is still in operation today.

     

    When asked about her wide artistic tastes in 2009, Rosa emphasized her love of drawing, “the quintessential bit of the art,” which can be seen across the collection, regardless of genre.

     

    The pair bonded over gallery visits when dating in the early 1950s. While Aaron already had begun collecting by then, the first work they purchased together was a drawing by Miró, early in their marriage. Rosa recalled: ‘sometimes we look at something, and I say, “Oh, isn’t that marvelous?”’ and Aaron would respond, ‘It’s for us.’

     

    Founded on lifelong love, the Collection of Rosa and Aaron Esman gives a unique vision of the art movements of the 20th century that shaped New York’s art scene.

     

    Rosa and Aaron Esman, Madrid, 1963
    • Provenance

      Leo Castelli Gallery, New York
      Rosa and Aaron Esman, New York (acquired from the above, 1964)
      Thence by descent to the present owners

    • Literature

      Edward A. Foster 19
      Esther Sparks 15

Property from the Collection of Rosa and Aaron Esman

33

XXXIV Drawings for Dante's Inferno (F. 19, S. 15)

1964
The complete set of 35 prints, including lithograph Kar and 34 facsimiles in colors, on Angoumois à la main and wove papers, with full margins and the full sheets, with text of Dante's Inferno translated by John Ciardi, all contained in the original cloth-covered portfolio.
Kar S. 16 1/4 x 15 1/2 in. (41.3 x 39.4 cm)
portfolio 18 5/8 x 18 1/2 x 2 1/2 in. (47.3 x 47 x 6.4 cm)

Kar signed, titled, dated and numbered 2/44 in pencil, additionally signed and numbered '172' in pencil and blue ballpoint ink on the justification pages (the facsimile edition was 300 with one of seven lithographs), co-published by Universal Limited Art Editions, West Islip, New York (with their blindstamp) and Harry N. Abrams Inc., New York.

Full Cataloguing

Estimate
$5,000 - 8,000 

Sold for $8,890

Contact Specialist

Editions@phillips.com
212 940 1220

 

Editions & Works on Paper

New York Auction 18 - 20 April 2023