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Robert Motherwell

Summertime in Italy (with Lines): four plates (E. & B. 35)

Estimate
$4,000 - 6,000
$8,890
Lot Details
Four lithographs in colors, on Rives BFK and Arches papers, with full margins.
1966
all I. 21 3/8 x 15 3/4 in. (54.3 x 40 cm)
all S. 22 x 17 in. (55.9 x 43.2 cm)
All signed, one annotated 'T.P.' and three annotated 'artist's proof' in pencil (a trial proof and three artist's proofs, the edition was 100 with 1/3 printed in dark blue, 1/3 printed in light blue, 1/3 printed in black, there were also some artist's proofs printed in dark blue/light blue/black/and with no background color), published by Hollanders Workshop, Inc., New York (with their blindstamp), printed in the United States, all unframed.

Robert Motherwell

American | B. 1915 D. 1991

One of the youngest proponents of the Abstract Expressionist movement, Robert Motherwell rose to critical acclaim with his first solo exhibition at Peggy Guggenheim's Art of This Century gallery in 1944. Not only was Motherwell one of the major practicing Abstract Expressionist artists, he was, in fact, the main intellectual driving force within the movement—corralling fellow New York painters such as Jackson Pollock, Willem de Kooning, Hans Hoffman and William Baziotes into his circle. Motherwell later coined the term the "New York School", a designation synonymous to Abstract Expressionism that loosely refers to a wide variety of non-objective work produced in New York between 1940 and 1960.

During an over five-decade-long career, Motherwell created a large and powerful body of varied work that includes paintings, drawings, prints and collages. Motherwell's work is most generally characterized by simple shapes, broad color contrasts and a dynamic interplay between restrained and gestural brushstrokes. Above all, it demonstrates his approach to art-making as a response to the complexity of lived, and importantly felt, experience.

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