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"I am an American painter of signs charting the course. I would be a people's painter as well as a painter's painter."
—Robert IndianaRobert Indiana’s Picasso was painted during the peak of the artist’s acclaimed career as one of the preeminent figures in Post-War American art. A quintessential example of the artist’s Pop compositions, here Indiana has rendered a series of hard-edged geometries with brilliant colors to commemorate the illustrious career of Pablo Picasso. Through his keen use of signs, numbers, and letters, Indiana pays homage to the legendary Modern masters, relying on his own distinctive visual language that he refined since the early 1960s.
In an effort to differentiate his work from Post-War European traditions in favor of a distinctly American style, Indiana initially aligned himself with Pop artists like Andy Warhol and Roy Lichtenstein by drawing inspiration from the culture of consumerism that emerged in the United States following World War II. The plethora of billboards, street signs and logos across the country captivated Indiana in his formative years as an artist. Indiana recalls that “in Europe trees grow everywhere; in America, signs grow like trees; signs are more common than trees.”i Proclaiming himself to be a “painter of signs,” the influence of American logos and advertisements is at the core of Indiana’s artistic practice. His engagement with consumerist culture is manifested in the crisp geometries and the chromatic intensity of Picasso that conjure up memories of American highway signs and advertisements.
Charles Demuth, I Saw the Figure 5 in Gold, 1928. Alfred Stieglitz Collection, 1949, Image: © The Metropolitan Museum of Art / Art Resource, NY "Indiana’s art corroborates this new reliance on street and highway signage, and on its chance poetry, on the endless flux of urban messages that ceaselessly buzz in front of our eyes and brain, and on its powerful visual fascination - in which these signs seem to gradually lose their referential meaning, although never quite completely."
—Joachim PissaroiiFrom Pop to Precisionism
In the 1970s, Indiana began to distance himself from Pop Art and embrace his American Modernist predecessors as a major source of inspiration. Precisionist artists such as Charles Demuth, Charles Sheeler and Ralston Crawford left a lasting impression on Indiana with their delineated lines and geometric planes used to depict the American industrial landscape. The artist’s fascination with these early American painters comes to full fruition in the sharply demarcated planes that compose Picasso. Indiana’s decision to pay homage to Pablo Picasso through his bold use of signs and numbers harkens back to the “poster portraits” that Charles Demuth painted in the 1920s, each inspired by a different artist, which Indiana saw in Chicago. Much like Demuth’s poster portrait I Saw the Figure 5 in Gold, 1928, Alfred Stieglitz Collection, which was an homage to the poet William Carlos Williams, Indiana’s Picasso portrays the Spanish master by means of recognizable symbols, letters and numbers. This includes block letters of his initials, “PP,” placed back-to-back in a symmetrical format, with the artist’s middle name “RUIZ” emblazoned diagonally across. Other markers including his birth and death dates, and the title of one of his most famous paintings Ma Jolie, are placed around the center of the circular composition. By using text-based imagery, like Demuth, Indiana reinvents and pushes the boundaries of traditional, representational portraiture. The product is an homage to Picasso unlike any other that unites the painterly traditions championed by the Precisionist painters with Pop ideology.
Robert Indiana, LOVE, 1967. The Museum of Modern Art, New York, © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY By placing his own trademark slanted “O,” as it appears in his iconic LOVE motif, Indiana inserts his own identity into the narrative of Picasso’s. By paying tribute to his predecessor in this way, Indiana uses the lens of an homage to further his own practice. Signifying the importance of this work, Indiana included a print of the painting in his iconic American Dream Portfolio set of screenprints in 1997, making this one of the most recognizable images in the artist’s oeuvre.
i Joachim Pissaro, “Signs into Art,” in Robert Indiana, exh. cat., Musée D’Art Moderne et D’Art Contemporain, Nice, 1998, p. 16.
ii Ibid.
Provenance
Marisa del Re, New York
Private Collection, Paris
Christie’s, New York, February 22, 1996, lot 65
Private Collection, France
Michel Fedoroff, Monaco
Galerie Loevenbruck, Paris
Private Collection (acquired from the above)
Christie’s, New York, November 16, 2017, lot 657
Acquired at the above sale by the present ownerExhibited
New York, Kennedy Galleries, Artists Salute Skowhegan, December 8–21, 1977, n.p. (illustrated)
Rockland, Farnsworth Art Museum; Waterville, Colby College Museum of Art; Reading Public Museum; Framingham, Danforth Museum; Manchester, Currier Gallery of Art; Flint Institute of Arts; Pittsfield, Berkshire Museum, Indiana’s Indianas: A 20-Year Retrospective of Painting and Sculpture from the Collection of Robert Indiana, July 16, 1982–March 1984, pp. 14, 22 (illustrated, p. 14)Literature
Robert L. B. Tobin, William Katz and Donald B. Goodall, Robert Indiana, exh. cat., University of Texas at Austin, University Art Museum, Austin, 1977, p. 53
John Loring, “Architectural Digest Visits: Robert Indiana,” Architectural Digest, November 1978, p. 112 (illustrated)
Barbaralee Diamonstein, “Robert Indiana,” Inside New York's Art World, New York, 1979, p. 156
Ray Koehler, “For Museum Exhibit All You Need Is ‘Love’,” Reading Eagle, January 14, 1983, p. 25
Tess Panfil, “Robert Indiana Retrospective,” Berkshire Eagle, December 29, 1983, p. 21
“‘Indiana’s Indianas’ on Display,” Argus-Press, February 24, 1984, p. 7
Carl J. Weinhardt Jr., Robert Indiana, New York, 1990, pp. 143-144, 183 (illustrated, p. 143)
Denis Picard, "Nice: Robert Indiana et Georges Rousse," Connaissance des Arts, July/August 1998, p. 21 (illustrated)
Stephen C. Foster, Robert Indiana, exh. cat., Shanghai Art Museum, Shanghai, 2002, p. 41
Property from a Private Collection, Florida
127
Picasso
stenciled with the artist's name, inscription and date "ROBERT INDIANA 2 NEW YORK SPRING 1974" on the reverse
oil on canvas
60 x 50 in. (152.4 x 127 cm)
Painted in 1974.
Estimate
$600,000 - 800,000
Sold for $1,058,500
Annie Dolan
Specialist, Head of Day Sale, Morning Session
+1 212 940 1288
adolan@phillips.com
20th Century & Contemporary Art Day Sale, Morning Session
New York Auction 19 May 2022
101
Gerhard Richter
4.10.85 (3)
Estimate $20,000 - 30,000
Sold for $73,080
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102
Gerhard Richter
22.5.86 (2)
Estimate $15,000 - 20,000
Sold for $60,480
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103
Gerhard Richter
7.12.85
Estimate $120,000 - 180,000
Sold for $252,000
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104
Gerhard Richter
12.12.85
Estimate $120,000 - 180,000
Sold for $239,400
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105
Gerhard Richter
8.3.85
Estimate $120,000 - 180,000
Sold for $151,200
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106
Gerhard Richter
Nach 'Fallschirm' (After 'Parachute')
Estimate $120,000 - 180,000
Sold for $163,800
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107
Gerhard Richter
8.1.84 (1)
Estimate $15,000 - 20,000
Sold for $22,680
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108
Gerhard Richter
8.1.84 (2)
Estimate $15,000 - 20,000
Sold for $18,900
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109
Theodoros Stamos
Jewel of Memory
Estimate $15,000 - 20,000
Sold for $81,900
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110
Adolph Gottlieb
Two Figures
Estimate $50,000 - 70,000
Sold for $55,440
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111
Sam Francis
Untitled (SF88-399)
Estimate $150,000 - 250,000
Sold for $302,400
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112
John Chamberlain
The Vagabond's Prayer
Estimate $400,000 - 600,000
Sold for $378,000
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113
Sam Gilliam
With Blue and...
Estimate $200,000 - 300,000
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114
Vivian Springford
Untitled
Estimate $70,000 - 100,000
Sold for $144,900
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115
Mary Heilmann
Yellow, Red + Blue Drawing
Estimate $25,000 - 35,000
Sold for $126,000
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116
Mary Heilmann
Le Mans
Estimate $70,000 - 100,000
Sold for $189,000
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117
David Smith
Main Pribilof
Estimate $300,000 - 400,000
Sold for $277,200
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118
Norman Lewis
Eye of the Storm
Estimate $500,000 - 700,000
Sold for $604,800
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119
This lot is no longer available.
120
Jean-Michel Basquiat
Untitled
Estimate $600,000 - 800,000
Sold for $877,000
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121
George Condo
Untitled
Estimate $250,000 - 350,000
Sold for $504,000
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122
Dondi White
Reign Man Cometh
Estimate $40,000 - 60,000
Sold for $44,100
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123
Jean Dubuffet
Mire G 67 (Boléro)
Estimate $180,000 - 250,000
Sold for $214,200
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124
Kenny Scharf
PRIMARYBLOBZ
Estimate $80,000 - 120,000
Sold for $214,200
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125
Kenny Scharf
DR. PURPLE
Estimate $120,000 - 180,000
Sold for $302,400
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126
Robert Indiana
LOVE (Violet Faces Red Sides)
Estimate $600,000 - 800,000
Sold for $724,500
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127
Robert Indiana
Picasso
Estimate $600,000 - 800,000
Sold for $1,058,500
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128
Jim Dine
The King of Patches
Estimate $80,000 - 120,000
Sold for $113,400
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129
James Rosenquist
The Serenade for the Doll after Claude Debussy, Gift Wrapped Doll #22
Estimate $120,000 - 200,000
Sold for $138,600
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130
Alex Katz
Untitled
Estimate $150,000 - 200,000
Sold for $403,200
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131
Andy Warhol
Portrait of Hans Preben Smith
Estimate $100,000 - 150,000
Sold for $201,600
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132
Richard Pettibone
Roy Lichtenstein, 'Seductive Girl', 1964 Purple-Yellow
Estimate $15,000 - 20,000
Sold for $69,300
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133
Richard Pettibone
Andy Warhol, 'Mao'
Estimate $15,000 - 20,000
Sold for $20,160
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134
Richard Pettibone
Andy Warhol, ‘Two Jackies', 1964
Estimate $15,000 - 20,000
Sold for $37,800
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135
Richard Pettibone
Andy Warhol, 'Scotch Broth Soup', 1962
Estimate $15,000 - 20,000
Sold for $32,760
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136
Richard Pettibone
Andy Warhol, 'Campbell’s Soup Can', 1962
Estimate $15,000 - 20,000
Sold for $37,800
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137
Jim Dine
Two Hearts (Due Cuori)
Estimate $10,000 - 15,000
Sold for $69,300
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138
Tom Wesselmann
Final Study for Kate Nude
Estimate $70,000 - 100,000
Sold for $115,920
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139
Peter Saul
Bush Over Baghdad
Estimate $100,000 - 150,000
Sold for $163,800
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140
Malcolm Morley
Aegean Crime
Estimate $150,000 - 200,000
Sold for $327,600
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141
Ed Paschke
Dumattica
Estimate $20,000 - 30,000
Sold for $16,380
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142
Robert Colescott
Crocodile in the Sewer
Estimate $25,000 - 35,000
Sold for $52,920
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143
Philip Guston
Untitled (Drawing from the Phlebitis Series)
Estimate $80,000 - 120,000
Sold for $88,200
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144
Larry Rivers
Last Civil War Veteran
Estimate $20,000 - 30,000
Sold for $47,880
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145
Andy Warhol
Gun
Estimate $50,000 - 70,000
Sold for $126,000
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146
Ed Ruscha
Statistical Significance
Estimate $150,000 - 200,000
Sold for $189,000
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147
David Hockney
The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 17 April
Estimate $150,000 - 200,000
Sold for $277,200
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148
Jennifer Bartlett
In the Garden #108
Estimate $80,000 - 120,000
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149
John Baldessari
Woman Looking at Plant (With Two Carrots)
Estimate $350,000 - 450,000
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150
Charles Ray
All my Clothes
Estimate $100,000 - 150,000
Sold for $170,100
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151
Vito Acconci
Modular Fluorescent Sofa
Estimate $30,000 - 50,000
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152
John McCracken
IOS
Estimate $60,000 - 80,000
Sold for $151,200
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153
Brice Marden
Untitled
Estimate $70,000 - 100,000
Sold for $75,600
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154
Sol LeWitt
Wall Drawing #1023: Isometric form
Estimate $120,000 - 180,000
Sold for $151,200
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155
Sam Gilliam
Reef II
Estimate $100,000 - 150,000
Sold for $371,700
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156
Sam Gilliam
Shimmering Pisces
Estimate $250,000 - 350,000
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157
Louise Nevelson
Rain Forest Column XXI
Estimate $100,000 - 150,000
Sold for $630,000
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158
Louise Nevelson
The Wedding Present
Estimate $300,000 - 400,000
Sold for $352,800
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159
Thierry De Cordier
Je Suis le Monde!
Estimate $80,000 - 120,000
Sold for $107,100
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160
John Chamberlain
Maquette
Estimate $30,000 - 50,000
Sold for $126,000
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161
Louise Nevelson
Cityscape
Estimate $35,000 - 50,000
Sold for $52,920
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162
Louise Bourgeois
Femme
Estimate $150,000 - 200,000
Sold for $352,800
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163
Louise Bourgeois
Untitled
Estimate $60,000 - 80,000
Sold for $100,800
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164
Alice Rahon
Main Street
Estimate $20,000 - 30,000
Sold for $44,100
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165
Alice Rahon
Dans la nuit du commencement
Estimate $50,000 - 70,000
Sold for $69,300
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166
Joseph Cornell
J. Eagels Autumnal - Spring
Estimate $40,000 - 60,000
Sold for $47,880
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167
Joseph Cornell
Isle of Children
Estimate $30,000 - 40,000
Sold for $63,000
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168
Joseph Cornell
Dovecote
Estimate $50,000 - 70,000
Sold for $63,000
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169
Joseph Cornell
Untitled
Estimate $5,000 - 7,000
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170
Joseph Cornell
The Garden Party
Estimate $7,000 - 10,000
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171
Alexander Calder
18 works: (i-xviii) Untitled
Estimate $25,000 - 35,000
Sold for $56,700
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172
Jamie Wyeth
Duck, Fence, and Stump
Estimate $50,000 - 70,000
Sold for $44,100
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173
Giorgio Morandi
Natura morta
Estimate $20,000 - 30,000
Sold for $25,200
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174
Fernand Léger
Femme à l'écharpe (Mrs. Chester Dale)
Estimate $35,000 - 45,000
Sold for $50,400
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175
Pablo Picasso
Two works: (i-ii) Maternité
Estimate $70,000 - 100,000
Sold for $107,100
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176
Francisco Zúñiga
Desnudo de anciana
Estimate $80,000 - 120,000
Sold for $59,850
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177
Fernando Botero
Woman with Serpent
Estimate $120,000 - 180,000
Sold for $176,400
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178
Salvador Dalí
Head of Dante
Estimate $30,000 - 50,000
Sold for $100,800
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179
Édouard Vuillard
La pipe
Estimate $20,000 - 30,000
Sold for $35,280
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180
Armand Guillaumin
Vue de la pointe d’Ivry
Estimate $80,000 - 120,000
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181
This lot is no longer available.
182
Fernand Léger
Untitled
Estimate $3,000 - 5,000
Sold for $44,100
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183
Georges Valmier
Untitled
Estimate $7,000 - 10,000
Sold for $11,970
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184
Georges Valmier
Untitled
Estimate $7,000 - 10,000
Sold for $6,930
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185
José Mijares
Lo concreto en rojo
Estimate $30,000 - 50,000
Sold for $50,400
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186
George Rickey
Inverted Column
Estimate $18,000 - 25,000
Sold for $40,320
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187
Larry Bell
9/11
Estimate $12,000 - 18,000
Sold for $11,970
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188
Suzan Frecon
Light & Earth
Estimate $70,000 - 100,000
Sold for $75,600
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189
Sam Gilliam
Untitled
Estimate $15,000 - 20,000
Sold for $88,200
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190
Louise Fishman
Door to the Studio
Estimate $6,000 - 8,000
Sold for $13,860
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191
Louise Fishman
Moment of Change
Estimate $12,000 - 18,000
Sold for $57,960
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192
Hermann Nitsch
Untitled
Estimate $15,000 - 20,000
Sold for $52,920
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193
Jules Olitski
Empress Love - 2
Estimate $10,000 - 15,000
Sold for $52,920
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194
Larry Poons
Untitled
Estimate $50,000 - 70,000
Sold for $157,500
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195
Ross Bleckner
Untitled
Estimate $40,000 - 60,000
Sold for $81,900
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196
Francesco Clemente
Ativiam
Estimate $12,000 - 18,000
Sold for $30,240
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197
George Condo
Etruscan Study
Estimate $80,000 - 120,000
Sold for $151,200
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198
John Wesley
Bonnets
Estimate $20,000 - 30,000
Sold for $37,800
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199
Ed Ruscha
So
Estimate $30,000 - 40,000
Sold for $119,700
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200
Andy Warhol
Two works: (i) Cabbage Patch Doll (Girl); (ii) Cabbage Patch Doll (Boy)
Estimate $30,000 - 40,000
Sold for $27,720
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201
Andy Warhol
Heinz Kosher Dill Pickles Jar with Alarm
Estimate $6,000 - 8,000
Sold for $18,900
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202
Andy Warhol
Three works (i-iii): Self-Portrait
Estimate $40,000 - 60,000
Sold for $50,400
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203
Gerhard Richter
Guildenstern
Estimate $20,000 - 30,000
Sold for $16,380
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204
Franz West
Untitled (Rasenmacher No. 80)
Estimate $25,000 - 35,000
Sold for $47,880
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205
James Lee Byars
Compositie
Estimate $6,000 - 9,000
Sold for $8,190
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206
Richard Artschwager
Untitled
Estimate $30,000 - 50,000
Sold for $37,800
Create your first list.
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207
Wolf Kahn
Adams Barn
Estimate $30,000 - 50,000
Sold for $88,200
Create your first list.
Select an existing list or create a new list to share and manage lots you follow.