Richard Avedon - Photographs London Thursday, November 5, 2015 | Phillips
  • Provenance

    Private Collection, Europe

  • Literature

    Harper’s Bazaar, September 1955, p. 215
    Richard Avedon, Photographs, 1947-1977, Farrar, Straus and Giroux, 1978, back cover and pl. 159
    N. Hall-Duncan, The History of Fashion Photography, Alpine, 1979, p. 137
    D. Bailey, M. Harrison, Shots of Style: Great Fashion Photographs, Victoria and Albert Museum, 1985, cat. no. 7
    M. Harrison, Appearances: Fashion Photography Since 1945, Rizzoli, 1991, p. 73
    Richard Avedon: Evidence, 1944-1994, Whitney Museum of American Art/ Random House, 1994, p. 53
    Richard Avedon: Made in France, Fraenkel Gallery, 2001, n.p.
    Richard Avedon: Woman in the Mirror, Abrams, 2005, p. 37
    Richard Avedon Photographs 1946-2004, Louisiana Museum of Modern Art, 2007, n.p.
    Avedon Fashion: 1944-2000, ICP/ Abrams, 2009, p. 137

  • Artist Biography

    Richard Avedon

    American • 1923 - 2004

    From the inception of Richard Avedon's career, first at Harper's Bazaar and later at Vogue, Avedon challenged the norms for editorial photography. His fashion work gained recognition for its seemingly effortless and bursting energy, while his portraits were celebrated for their succinct eloquence. "I am always stimulated by people," Avedon has said, "almost never by ideas." 

    Indeed, as seen in his portraits — whether of famed movie stars or everyday people — the challenge for Avedon was conveying the essence of his subjects. His iconic images were usually taken on an 8 x 10 inch camera in his studio with a plain white background and strobe lighting, creating his signature minimalist style. Avedon viewed the making and production of photographs as a performance similar to literature and drama, creating portraits that are simultaneously intensely clear, yet deeply mysterious.

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Dovima with Elephants, Evening Dress by Dior, Cirque d’Hiver, Paris, August

Gelatin silver print, printed later.
25.6 x 20.1 cm (10 1/8 x 7 7/8 in.)
Signed, numbered 77/100 in pencil, copyright credit reproduction limitation, title, date and edition stamps on the verso.

£30,000 - 40,000 

Contact Specialist
Lou Proud
Head of Photographs
+ 44 207 318 4018


London Auction 6 November 2015 2pm