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THIS LOT IS SOLD WITH NO RESERVE

168

R.B. Kitaj

Mahler Becomes Politics, Beisbol: 8 plates

1964-67
Eight screenprints and photoscreenprints in colours, one with collaged letterpress, from the set of 15 on various papers, the full sheets or with full margins,
all S. various sizes, largest 84.6 x 58.4 cm (33 1/4 x 22 7/8 in.)
all signed in pencil or white crayon respectively, all numbered 4/70 in pencil (there were also 5-7 artist's proofs for each), published by Marlborough Fine Art ltd., London, all unframed.
Including: Hellebore: for Georg Trakl, 1965; Let Us Call It Arden/& Live in It!, 1966; Heart, 1966; What Is a Comparison?, 1964; The Flood of Laymen, 1964; 'I've Balled Every Waitress in This Club', 1967; Go and Get Killed Comrade, We Need a Byron in the Movement, 1966; and Glue-Words, 1967

R.B. Kitaj

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