Landscape

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  • In Short

    "I’m really attracted to subjects that appear in history as constant markers, essential ingredients that always need to be used. Trees are one of those markers—sometimes as the main component of an image or sometimes in the background, but always there, looking at us, looking after us. Trees have a beautiful symbolic connection to time and memory, one of many reasons why they are such a fertile subject in painting…when I paint landscapes, I wander in that forest. Throughout history, trees have been present in so many stories, legends and religions. They are one of the most important elements in human culture. Today, they are also one of the primary reminders of our fears and anxieties for the future. How many trees are being painted today?"


    Nicolas Party



     

    Another example of the present lot photographed in process. Photographed by Jonathan Cleaver. Artwork © Nicolas Party

     

     
    • Provenance

      The Modern Institute, Glasgow
      Acquired from the above by the present owner

    • Exhibited

      Edinburgh, Dovecot Studios, Carpets of Distinction, November 7, 2012 - January 12, 2013, n.p. (another example exhibited and illustrated in production)
      New York, The Hole, Second Smile, April 23 - May 24, 2020 (another example exhibited)

208

Landscape

wool pile rug
68 x 100 in. (172.7 x 254 cm)
Executed in 2012, this work is number 3 from an edition of 8 plus 1 artist's proof, produced by Dovecot Studios.

Estimate
$20,000 - 30,000 

sold for $32,500

Contact Specialist

Rebekah Bowling
Head of Day Sale, Afternoon Session
New York

1 212 940 1250

20th Century & Contemporary Art Day Sale, Afternoon Session

New York Auction 2 July 2020