Online Auction 15 - 23 February 2022

Opening 12:00 EST 15 February 2022

Closing 12:00 EST 23 February 2022.

View Conditions of Sale Here >

Phillips is proud to announce an online-only auction in partnership with the nonprofit NOISE FOR NOW, which will raise funds and awareness for reproductive rights in the US. Open for bidding from 15-23 February, the eponymous sale will feature works personally donated by contemporary artists such as Lesley Vance, Erin Shirreff, Mariah Robertson, David Mramor, and Sheree Hovsepian. Proceeds will benefit two important 501(c)(3) charitable organizations — The National Network of Abortion Funds, which helps move financial and logistical barriers to abortion access, and The Abortion Care Network, which aims to create a network for independent providers across the country.

The sale will start to close at 12:00 EST. Each subsequent lot will close [one minute] after the preceding lot. If a bid is placed in the final three minutes of bidding time on a lot, there will be a bidding extension of 3 minutes, so that there will always a be 3-minute period between the last bid placed and the closing time of that lot. These extensions will continue indefinitely until there is no more bidding activity on the lot for a period of 3 minutes. The extension of one lot's closing time does not affect the closing times of other lots in the Online Only sale, so it is possible that lots will close out of numerical order.
- John McCord
  International Specialist
  +1 212 940 1261
  jmccord@phillips.com
  
  Patrizia Koenig
  Specialist, Head of Day Sale (Afternoon Session)
  +1 212 940 1279
  pkoenig@phillips.com

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We are inviting consignment submissions for our upcoming sale.

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NOISE FOR NOW Benefit Auction

Online Auction 15-23 February 2022

LESLEY VANCE Untitled, 2021
CALEDONIA CURRY/SWOON Red Riding Hood (Blue Background), 2018
MARIAH ROBERSTON 336, 2016
DAVID MRAMOR Lake Bled W, 2021

NOISE FOR NOW Benefit Auction

Online Auction 15-23 February 2022

NOISE FOR NOW Benefit Auction

NOISE FOR NOW: In Conversation with Mariah Robertson and Amelia Bauer