Cabinet Gallery, London Acquired from the above by the present owner in 2000
Literature
Triumph of Painting, Saatchi Gallery, published by Jonathan Cape, 2005, p 322-333
Catalogue Essay
In Depeche Mode Night, Lucy McKenzie paints a concert poster over an 'anonymous’ abstract painting. It’s a haunting reflection of glory days, when culture was a political tool: when painting was Marxist dogma, and songs by a synth-pop band became the anthems for an entire generation caught between anarchy and Thatcherism.