Property of an Important American Collector
9
Keith Haring
Untitled
- Estimate
- HK$1,000,000 - 1,500,000€120,000 - 181,000$128,000 - 192,000
HK$1,625,000
Lot Details
Sumi ink on paper
signed and dated "K. Haring SEPT 25-81" on the reverse
56.5 x 76.5 cm (22 1/4 x 30 1/8 in.)
Executed on 25 September 1981.
Specialist
Full-Cataloguing
Catalogue Essay
“I was learning, watching people’s reactions and interactions with the drawings and with me and looking at it as a phenomenon. Having this incredible feedback from people, which is one of the main things that kept me going so long, was the participation of the people that were watching me and the kinds of comments and questions and observations that were coming from every range of person you could imagine, from little kids to old ladies to art historians.” - Keith Haring
Provenance
Exhibited
Keith Haring
American | B. 1958 D. 1990Haring's art and life typified youthful exuberance and fearlessness. While seemingly playful and transparent, Haring dealt with weighty subjects such as death, sex and war, enabling subtle and multiple interpretations.
Throughout his tragically brief career, Haring refined a visual language of symbols, which he called icons, the origins of which began with his trademark linear style scrawled in white chalk on the black unused advertising spaces in subway stations. Haring developed and disseminated these icons far and wide, in his vibrant and dynamic style, from public murals and paintings to t-shirts and Swatch watches. His art bridged high and low, erasing the distinctions between rarefied art, political activism and popular culture.
Browse ArtistThroughout his tragically brief career, Haring refined a visual language of symbols, which he called icons, the origins of which began with his trademark linear style scrawled in white chalk on the black unused advertising spaces in subway stations. Haring developed and disseminated these icons far and wide, in his vibrant and dynamic style, from public murals and paintings to t-shirts and Swatch watches. His art bridged high and low, erasing the distinctions between rarefied art, political activism and popular culture.