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KAWS

NO REPLY: three plates

$10,000–15,000
Priority BiddingAvailable through 22 October 11am ET 2026. Learn more
2015
Three screenprints in colors, on Saunders Waterford High White paper, the full sheets.
all S. 35 x 23 in. (88.9 x 58.4 cm)
All signed, dated and numbered 34/100, 35/100 and 35/100 in pencil respectively (there were also 20 artist's proofs), published by Pace Editions, Inc., New York, printed in the United States, all framed.

KAWS

American | 1974

To understand the work of KAWS is to understand his roots in the skateboard and graffiti crews of New York City. Brian Donnelly chose KAWS as his moniker to tag city streets beginning in the 1990s, and quickly became a celebrated standout in the scene. Having swapped spray paint for explorations in fine art spanning sculpture, painting and collage, KAWS has maintained a fascination with classic cartoons, including Garfield, SpongeBob SquarePants and The Simpsons, and reconfigured familiar subjects into a world of fantasy. 

Perhaps he is most known for his larger-than-life fiberglass sculptures that supplant the body of Mickey Mouse onto KAWS' own imagined creatures, often with 'x'-ed out eyes or ultra-animated features. However, KAWS also works frequently in neon and vivid paint, adding animation and depth to contemporary paintings filled with approachable imagination. There is mass appeal to KAWS, who exhibits globally and most frequently in Asia, Europe and the United States.  

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