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Beginning in the late 1920s, Julio González, working in collaboration with Pablo Picasso, radically broke from the established traditions of sculpture. Rejecting the carving or modeling used for centuries, the artists worked directly with their medium, welding iron together to form assemblage sculptures. Though working side-by-side with Picasso during this period, it was González, born in Spain to a family of metalsmiths, who had the unique and necessary combination of technical skill and innate artistic understanding of the possibility offered by welded sculpture. Through this revolutionary technique, González was able to accomplish a feat not previously achieved in art, described in his own words as “drawing in space.”
Personnage allongé II, first conceived in iron circa 1936, was created during an intense period of production and invention within González’s oeuvre; the present work is a bronze cast after the original iron in 1939. It was in the early 1930s when González, by then working independently from Picasso, radically evolved his art from a planar approach to more starkly linear compositions. González not only changed his approach but also his subject matter during this period, shifting from his earlier focus on masks and heads to incorporate other classical subject matter rendered using his distinctive visual idiom.
In Personnage allongé II, the traditional reclining figure is transformed through abstraction and imbued with a modern energy. González’s style was rooted in Cubism at its core, and that fundamental quality is clear in the present work where the human body has been reduced to its most fundamental and essential components through an economy of line. The unadorned angularity of the form creates a dynamism within the figure: there is a sense of vitality and movement even when one is acutely aware of the innate permanence of the work’s medium. Beyond only tangible physical materials, González conceived of utilizing space itself as a vital and intrinsic element within his sculpture. “In order to give his work the maximum power and beauty, the sculptor is obliged to conserve a certain mass and to maintain the exterior contour,” the artist elucidated. “So it is on this mass that he has to focus his attention, his imagination, his technical skill, his way of conserving all its power... In traditional sculpture a leg is formed from a single block; but in sculpture that uses SPACE as a MATERIAL, that same leg may be HOLLOW, made at a STROKE within an assembly that thus forms one block. Traditional sculpture has a horror of hollows and empty spaces. This new kind of sculpture makes the maximum use of their potential and now thinks of them as an INDISPENSABLE material.”1
"Brancusi through direct carving in wood or stone, González through direct forging in metal — that the new vision of sculpture as we know it today was born."
—Margit Rowell, art historian and curatorThere were at least four preparatory drawings for the work, including Reclining Figure with a Large Hand, 1936, now in the collection of The Tate Modern, London. The original iron version is housed at the Museo Nacional Centro de Arte Reina Sofía, Madrid; while a further bronze cast is in the collection of the Centre Pompidou, Paris.
1 Julio González, quoted in Picasso and the Age of Iron, exh. cat, Solomon. R. Guggenheim Museum, New York, 1993, p. 283Provenance
The Pace Gallery, New York
Private Collection, New York
Acquired from the above by the present ownerExhibited
Paris, Musée National d'Art Moderne, Julio González, 1952, no. 98 (another cast exhibited)
Amsterdam, Stedelijk Museum; Brussels, Palais des Beaux-Arts, Julio González, 1955, no. 87, n.p. (another cast exhibited)
New York, Museum of Modern Art, Julio González, 1956, no. 39 (another cast exhibited)
London, Tate Gallery, Julio González 1876–1942, les matériaux de son expression, 1970, no. 69 (another cast exhibited)
New York, The Solomon R. Guggenheim Museum, Julio González: A Retrospective, 1983, no. 184, p. 155 (another cast exhibited)
Frankfurt am Main, Städtische Galerie im Städelschen Kunstinstitut; Berlin, Akademie der Künste, Julio González 1876–1942: Plastiken, Zeichnungen, Kunstgewerbe, March 11–October 23, 1983, no. 97, p. 153 (another cast exhibited and illustrated)
Glasgow Art Gallery & Museum; London, Whitechapel Art Gallery; Sheffield, Graves Art Gallery, Julio González, Sculptures and Drawings, April 21–September 16, 1990, no. 32, p. 75 (another cast exhibited and illustrated)
New York, Dickinson Roundell, Julio González, A Retrospective Exhibition, May 6–June 28, 2002, no. 31, pp. 88–89, 168 (another cast exhibited and illustrated, p. 89)Literature
Vicente Aguilera Cerni, Julio González, Rome, 1962, pl. LVI, p. 107 (another cast illustrated, n.p.)
Pierre Descargues, Julio González, Paris, 1971, no. 26, n.p. (another cast illustrated)
Vicente Aguilera Cerni, Julio, Joan, Roberta Gonzalez—Itinerario De Una Dinastia, Barcelona, 1973, no. 243, p. 281 (another cast illustrated)
Josephine Withers, Julio Gonzalez, Sculpture in Iron, New York, 1978, no. 109, fig. 96, pp. 82, 166 (iron cast illustrated, p. 82)
Jörn Merkert, Julio González, Catalogue raisonné des sculptures, Milan, 1987, no. 208, p. 226 (iron cast illustrated)Artist Biography
Julio González
Widely regarded as the “father of all iron sculpture,” Julio González is best known for his expressive use of iron as a sculptural medium and his close collaboration with the leading artists of his day, including Pablo Picasso and Constantin Brancusi.
González was born in Barcelona in 1876 to a family of metalworkers. After their father died, González and his brother Joan assumed ownership of the family workshop and focused their attention to furthering their artistic aspirations. The brothers immersed themselves in Barcelona’s vibrant cultural scene, frequenting the Els Quatre Gats café, where they developed friendships with artists such as Pablo Picasso and Joan Miró. González later moved to Paris and undertook training in welding, the technique that would undergird his later artistic successes. While González worked with many of his contemporaries in Paris, his collaboration with Picasso was especially impactful as it provided González with an intellectual framework for creating linear, cubistic sculptures made of iron. González’s work from this time popularized the use of forged and welded iron in artmaking and is unique in that the artist participated directly in the creation of his work, in comparison to many of his contemporaries who sent their work to be executed at foundries.
Gonzales’s work has been celebrated during and after his lifetime. He exhibited at the Spanish Pavilion of the 1937’s World Fair in Paris alongside Picasso’s Guernica and his work is represented in the collections of leading cultural institutions such as the Art Institute of Chicago, the Museum of Modern Art, New York, the Museo Nacional Centro de Arte Reina Sofía, Madrid, and the Peggy Guggenheim Collection, Venice. González died in Arceuil, France in 1942.
122
Personnage allongé II
stamped with the artist's signature and number "J. GONZALEZ ©" lower center of reverse; incised with the foundry mark and number "E. Godard Fondr 1/8" interior of left curved form
bronze
sculpture 10 3/8 x 14 5/8 x 6 3/4 in. (26.4 x 37.1 x 17.1 cm)
base 1 x 13 7/8 x 5 5/8 in. (2.5 x 35.2 x 14.3 cm)
overall 11 3/8 x 14 5/8 x 6 3/4 in. (28.9 x 37.1 x 17.1 cm)
Conceived in iron circa 1936 and cast in bronze on June 13, 1979, this work is number 1 from an edition of 8 plus 2 zero casts, 1 artist's proof, 1 hors commerce cast and 1 for the donation González.
Another cast from this edition is housed in the permanent collection of the Centre Pompidou—Musée national d'art moderne, Paris (donation González cast).
Estimate
$120,000 - 180,000
Sold for $201,600
John McCord
Head of Day Sale, Morning Session, New York
+1 212 940 1261
jmccord@phillips.com
20th Century & Contemporary Art Day Sale - Morning Session
New York Auction 18 November 2021
101
Max Ernst
Delicate Arch (Zion National Park)
Estimate $70,000 - 90,000
Sold for $604,800
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102
Max Ernst
Paysage extraordinaire
Estimate $18,000 - 25,000
Sold for $22,680
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103
Max Ernst
Déchets d'oeuvres
Estimate $18,000 - 25,000
Sold for $17,640
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104
Max Ernst
Ohne Titel (Fantôme angélique)
Estimate $35,000 - 45,000
Sold for $40,320
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105
Max Ernst
Strange Hallucination!
Estimate $7,000 - 9,000
Sold for $6,930
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106
Max Ernst
Forêt
Estimate $7,000 - 9,000
Sold for $9,450
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107
Leonor Fini
Girl with Shells
Estimate $12,000 - 18,000
Sold for $63,000
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108
Leonor Fini
Untitled
Estimate $5,000 - 7,000
Sold for $16,380
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109
Max Ernst
Ohne Titel
Estimate $15,000 - 20,000
Sold for $15,120
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110
Max Ernst
Hawaï
Estimate $7,000 - 9,000
Sold for $11,340
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111
Milton Avery
Green Sea
Estimate $50,000 - 70,000
Sold for $81,900
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112
Milton Avery
Sea and Stars
Estimate $200,000 - 400,000
Sold for $352,800
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113
Alex Katz
Black Ada and Island
Estimate $150,000 - 200,000
Sold for $365,400
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114
Jo Baer
Untitled
Estimate $150,000 - 200,000
Sold for $189,000
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115
Anne Truitt
Spring Dryad
Estimate $300,000 - 400,000
Sold for $567,000
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116
Louise Bourgeois
Eye
Estimate $200,000 - 300,000
Sold for $529,200
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117
Louise Nevelson
Dawn's Landscape I
Estimate $250,000 - 350,000
Sold for $277,200
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118
Sturtevant
Johns White Target (First Study)
Estimate $200,000 - 300,000
Sold for $655,200
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119
Jamie Wyeth
Excursion Boats, Monhegan
Estimate $250,000 - 450,000
Sold for $277,200
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120
Milton Avery
Big Bouquet
Estimate $30,000 - 50,000
Sold for $30,240
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121
Alex Katz
Ada in Front of Black Brook
Estimate $180,000 - 250,000
Sold for $378,000
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122
Julio González
Personnage allongé II
Estimate $120,000 - 180,000
Sold for $201,600
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123
Joan Miró
Figure
Estimate $150,000 - 250,000
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124
This lot is no longer available.
125
Auguste Rodin
Balzac, étude de nu type F dite aussi 'étude en athlète'
Estimate $80,000 - 120,000
Sold for $75,600
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126
Auguste Rodin
Balzac, étude drapée avec capuchon et un jabot de dentelle
Estimate $250,000 - 350,000
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127
Auguste Rodin
Trois ombres, Taille de la Porte dite aussi 'Moyen Modèle'—variante
Estimate $600,000 - 800,000
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128
Aristide Maillol
Torse de l'Eté
Estimate $300,000 - 500,000
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129
Aristide Maillol
Petite Flore nue
Estimate $100,000 - 150,000
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130
Henry Moore
Square Head Relief
Estimate $20,000 - 30,000
Sold for $81,900
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131
Bruce Nauman
Untitled (DRAIN 1/DRAIN 2)
Estimate $80,000 - 120,000
Sold for $100,800
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132
Frank Stella
Jarmolince III
Estimate $600,000 - 800,000
Sold for $828,600
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133
Robert Mangold
Four Triangles Within a Square
Estimate $250,000 - 350,000
Sold for $327,600
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134
Bernar Venet
221.5° Arc x 15
Estimate $400,000 - 600,000
Sold for $877,000
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135
Sir Anthony Caro, O.M, R.A.
Sea Shanty
Estimate $200,000 - 300,000
Sold for $252,000
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136
Sir Anthony Caro, O.M, R.A.
Ballade
Estimate $40,000 - 60,000
Sold for $75,600
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137
Claes Oldenburg
Typewriter Eraser
Estimate $300,000 - 500,000
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138
This lot is no longer available.
139
Robert Indiana
LOVE (Blue Faces Red Sides)
Estimate $400,000 - 600,000
Sold for $567,000
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140
Hans Hofmann
Red Flight
Estimate $400,000 - 600,000
Sold for $352,800
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141
Jean Dubuffet
Site Avec 3 Personnages
Estimate $150,000 - 250,000
Sold for $201,600
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142
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143
Joel Shapiro
Untitled
Estimate $120,000 - 180,000
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144
Joel Shapiro
Untitled
Estimate $60,000 - 80,000
Sold for $47,880
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145
Carl Andre
Fault
Estimate $20,000 - 30,000
Sold for $63,000
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146
Brice Marden
Letter of Gratitude #8
Estimate $100,000 - 150,000
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147
Brice Marden
Study for Cold Mountain 3
Estimate $20,000 - 30,000
Sold for $15,120
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148
David Smith
Untitled
Estimate $15,000 - 20,000
Sold for $17,640
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149
Robert Rauschenberg
The Red Virgin
Estimate $100,000 - 150,000
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150
Cy Twombly
Untitled
Estimate $400,000 - 600,000
Sold for $529,200
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151
Willem de Kooning
Three Women
Estimate $80,000 - 120,000
Sold for $63,000
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152
Richard Pettibone
Andy Warhol 'Two Elvis' 1964
Estimate $60,000 - 80,000
Sold for $107,100
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153
Richard Pettibone
Andy Warhol 'Marilyn Monroe' 1964
Estimate $40,000 - 60,000
Sold for $138,600
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154
Richard Pettibone
Andy Warhol 'Two Flowers' 1964
Estimate $30,000 - 40,000
Sold for $47,880
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155
Andy Warhol
Carlo de Benedetti (Positive)
Estimate $100,000 - 150,000
Sold for $100,000
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156
Andy Warhol
Mr. Demos
Estimate $100,000 - 150,000
Sold for $100,000
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157
Ed Paschke
Icon-Ero
Estimate $70,000 - 90,000
Sold for $81,900
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158
Roger Brown
Flying in Formation
Estimate $60,000 - 80,000
Sold for $69,300
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159
Martin Wong
WACO Studio Loft
Estimate $30,000 - 40,000
Sold for $63,000
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160
Richard Artschwager
Building Wrecks
Estimate $40,000 - 60,000
Sold for $81,900
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161
Gerhard Richter
Abstraktes Bild (872-6)
Estimate $350,000 - 450,000
Sold for $327,600
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162
Joe Goode
Untitled (Torn Cloud Triptych)
Estimate $30,000 - 50,000
Sold for $138,600
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163
Malcolm Morley
Approaching Valhalla
Estimate $80,000 - 120,000
Sold for $94,500
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164
Lawrence Weiner
Preparatory Drawings For Gyroscopically Speaking
Estimate $40,000 - 60,000
Sold for $81,900
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165
Lee Lozano
Two works: (i–ii) No title
Estimate $15,000 - 20,000
Sold for $20,160
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166
Lee Lozano
No title
Estimate $12,000 - 18,000
Sold for $20,160
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167
Susan Rothenberg
Olive
Estimate $40,000 - 60,000
Sold for $107,100
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168
Susan Rothenberg
Untitled
Estimate $30,000 - 40,000
Sold for $50,400
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169
Susan Rothenberg
Untitled
Estimate $40,000 - 60,000
Sold for $88,200
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170
Christo
The Umbrella Project for Japan and Western U.S.A.
Estimate $50,000 - 70,000
Sold for $138,600
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171
Christo
Wrapped Reichstag (Project for Berlin)
Estimate $70,000 - 100,000
Sold for $157,500
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172
Lawrence Carroll
Untitled (Grey Sleeping Painting)
Estimate $15,000 - 20,000
Sold for $32,760
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173
Louise Nevelson
Landscape
Estimate $20,000 - 30,000
Sold for $35,280
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174
Richard Tuttle
Lonesome Cowboy Styrofoam #2
Estimate $10,000 - 15,000
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175
Robert Mangold
Yellow/White Zone
Estimate $15,000 - 20,000
Sold for $18,900
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176
Sam Francis
Untitled Mandalas
Estimate $40,000 - 60,000
Sold for $37,800
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177
Robert Rauschenberg
Crane
Estimate $120,000 - 180,000
Sold for $138,600
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178
Sam Francis
Untitled
Estimate $40,000 - 60,000
Sold for $37,800
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179
Karel Appel
Tête volante
Estimate $40,000 - 50,000
Sold for $63,000
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180
Kazuo Shiraga
Jikkai-zu Gaki Chikushokai
Estimate $100,000 - 150,000
Sold for $126,000
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181
Louise Fishman
Angle of Repose
Estimate $8,000 - 12,000
Sold for $28,980
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182
Al Held
Padua I
Estimate $30,000 - 50,000
Sold for $40,320
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183
Ron Gorchov
Comedy
Estimate $40,000 - 60,000
Sold for $189,000
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184
Frank Stella
The Prop of the Nation
Estimate $50,000 - 70,000
Sold for $75,600
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185
Pablo Atchugarry
Armonía Vitale
Estimate $30,000 - 40,000
Sold for $56,700
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186
Agustín Cárdenas
Totem
Estimate $70,000 - 100,000
Sold for $138,600
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187
Alicia Penalba
Oiseau lunaire
Estimate $30,000 - 40,000
Sold for $73,080
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188
Sergio Camargo
Sin título
Estimate $70,000 - 90,000
Sold for $138,600
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189
Paolo Scheggi
Inter-Ena-Cubo
Estimate $50,000 - 70,000
Sold for $63,000
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190
Yayoi Kusama
Bronze Shoes
Estimate $15,000 - 20,000
Sold for $107,100
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191
Nam June Paik
Enlightenment Compressed
Estimate $40,000 - 60,000
Sold for $107,100
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192
Kim Tschang-Yeul
Bacchus
Estimate $40,000 - 60,000
Sold for $52,920
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193
Frank Gehry
Fish Lamp
Estimate $100,000 - 150,000
Sold for $239,400
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194
Arnaldo Pomodoro
Pillars for Amaliehaven IV
Estimate $20,000 - 30,000
Sold for $63,000
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195
Lynn Chadwick, R.A.
Sitting Figure I
Estimate $15,000 - 20,000
Sold for $37,800
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196
Lynn Chadwick, R.A.
Sitting Figure II
Estimate $15,000 - 20,000
Sold for $52,920
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197
Marino Marini
Pomona III
Estimate $30,000 - 50,000
Sold for $32,760
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198
Francisco Zúñiga
Soledad Sentada
Estimate $150,000 - 200,000
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199
Richmond Barthé
Stevedore
Estimate $60,000 - 80,000
Sold for $69,300
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200
Pavel Tchelitchew
Study for a cover of the theater program for the Ballet Russes
Estimate $10,000 - 15,000
Sold for $31,500
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201
Gustav Klimt
Porträt einer Frau
Estimate $100,000 - 150,000
Sold for $113,400
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202
Jean-Baptiste-Camille Corot
Vallée solitaire
Estimate $40,000 - 60,000
Sold for $63,000
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203
Cândido Portinari
Retrato de Magu Leão
Estimate $20,000 - 30,000
Sold for $30,240
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204
Fernando Botero
Naranjas
Estimate $180,000 - 250,000
Sold for $283,500
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205
Fernando Botero
Nature Morte
Estimate $30,000 - 40,000
Sold for $40,320
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206
Fernando Botero
Dancers
Estimate $30,000 - 40,000
Sold for $52,920
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207
Tom Wesselmann
Study for Bedroom Painting #1
Estimate $50,000 - 70,000
Sold for $75,600
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208
Roy Lichtenstein
Drawing for Inaugural Print
Estimate $30,000 - 50,000
Sold for $35,280
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209
Robert Motherwell
Untitled (Wine Label Collage)
Estimate $25,000 - 35,000
Sold for $31,500
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210
Franz West
Untitled (Dancing Elephants)
Estimate $10,000 - 15,000
Sold for $30,240
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211
Anselm Kiefer
Das Goldene Kalb
Estimate $60,000 - 80,000
Sold for $69,300
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212
John Kacere
Adrian
Estimate $15,000 - 25,000
Sold for $18,900
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213
Bob Stanley
Trees #5
Estimate $6,000 - 9,000
Sold for $3,780
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214
Tom of Finland
Eleven works: (i-xi) Untitled (Motorcycle Series)
Estimate $180,000 - 250,000
Sold for $189,000
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215
Kazuya Sakai
Pintura No. 26
Estimate $10,000 - 15,000
Sold for $16,380
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216
Fernando de Szyszlo
Punchao
Estimate $30,000 - 40,000
Sold for $30,240
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217
Francisco Toledo
Sapo y Chapulin
Estimate $80,000 - 120,000
Sold for $81,900
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218
This lot is no longer available.
219
Carmelo Arden Quin
Roi III
Estimate $20,000 - 30,000
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220
Alexander Calder
Soleil Noir
Estimate $50,000 - 70,000
Sold for $189,000
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221
Alexander Calder
Les Masques
Estimate $30,000 - 50,000
Sold for $302,400
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222
Kenny Scharf
Staticontrol
Estimate $70,000 - 100,000
Sold for $277,200
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223
Kenny Scharf
Box Life
Estimate $25,000 - 35,000
Sold for $126,000
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