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"... by virtue of their titles, the Dryads invite us to see the pillar’s volume... as a concentration or intensification of Nature... They are a tree. The simplicity of the upright cedes to the changing seasons of the imagined forest, and an all-too-human romance with the ‘magic of nature’ stands waiting in the wings." —Anne WagnerAnne Truitt “walked up and down the dark corridors between [her sculptures’] massive forms” on a spring evening in 1974 before the opening of her mid-career retrospective at Washington, D.C.’s Corcoran Gallery. Her pillar-like sculptures, including Summer Dryad of 1971, National Museum of Women in the Arts, Washington, D. C., “stood in their own space, in their own time, and [she] was glad in their presence.” But Anne Truitt’s work was not complete; this retrospective occurred at a juncture point in her career, just after she had produced the first of four Dryad sculptures. There would be one for each season, with the present work, Spring Dryad, concluding the series in 1975. Two Dryads now stand in museum collections: Summer Dryad at the National Museum of Women in the Arts and Winter Dryad at the Boca Raton Museum of Art. A radiant pink pillar topped by a thin band of green, Spring Dryad embodies the raw, gentle beauty of its associated season and represents the culmination of a series that magnificently illustrates Anne Truitt’s sculptural practice.
Pillars of Color
By the 1970s, Spring Dryad’s pillar-like shape had become a hallmark of Anne Truitt’s work. Departing from her Minimalist peers such as Donald Judd and Carl Andre who favored industrial materials and methods, Truitt remained a studio artist, sticking instead to wood and paint, plane and brush. She painstakingly painted, sanded, and repainted layers of acrylic onto the surfaces of her wooden pillars to achieve a uniform sheen and precise hue. Writing as she worked, Truitt parsed through her role as an artist, mother, and humanist in a series of memoirs published throughout her career. It is this interplay between form and feeling—between the apparently Minimalist abstraction of Truitt’s sculptures and their decidedly un-Minimalist materials and explorations of interiority—that sets her apart from her milieu.
"Hearing a white saint rave
About a quintessential beauty
Visible only to the paragon heart,
I tried my sight on an apple-tree
That for eccentric knob and wart
Had all my love."
—Sylvia Plath, “On the Plethora of Dryads,” 1957Mythological Minimalism
The word dryad refers to a female figure in Greek mythology who inhabits a concentrated form of nature, typically a tree. Dryads, like Truitt’s sculpture, evade categorization, appearing in art and literature as a type of semi-human allegory or spirit that is (quite literally) difficult to grasp. Like a tree, the pillar form of Truitt’s Dryads stand alone. Spring Dryad’s abstract verticality does not wholly suggest a body; rather, pastel pink and leafy green are its main referents—votive offerings to spring, floating off the ground. As the viewer moves around Spring Dryad, its colors segue between shades, shimmering gently atop its monolith surface and “transform[ing] the constancy of structure so very strikingly that it seems to offer a primer on what hue can do,” in the words of art historian Anne Wagner. One need not look further than the other Dryads to note the sculptures’ vast differences articulated completely through color. Rather than undo the abstraction of Spring Dryad, color enlivens it, activating the poetry of its title.
Anne Truitt’s four Dryads exhibited at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. in 2009–2010. In 2009-2010, all four Dryads were brought together and exhibited prominently in the renowned exhibition Anne Truitt: Perception and Reflection organized by the Hirshhorn Museum and Sculpture Garden, Washington, D.C. Finally flanked by its sister sculptures, Spring Dryad demonstrated with colorful intensity the longevity of Truitt’s work and bookended her two landmark retrospectives. Truitt’s early critics did not seem to understand her simultaneous use of Minimalist forms and daring color, claiming that her work existed in two separate systems. Ironically, it is just those two “systems” that sustain museum and collector interest today.
Provenance
Acquired directly from the artist by the present owner in 1991
Exhibited
New York, André Emmerich Gallery, Anne Truitt—Sculpture, 1975
New York, André Emmerich Gallery, Anne Truitt: Sculpture 1971–1983, November 12–December 6, 1986, no. 4
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Anne Truitt: Perception and Reflection, October 8, 2009–January 3, 2010, pl. 26, pp. 90–91, 168 (illustrated, p. 90)Literature
Anne M. Wagner, "Disarming Time: The Art of Anne Truitt," Artforum, January 2010, pp. 152–153, 155 (illustrated, p. 153)
Property from the Private Collection of Jean Efron
115
Spring Dryad
signed, titled and dated "Truitt "SPRING DRYAD" Feb. '75" on the underside
acrylic on wood
76 1/2 x 13 x 8 in. (194.3 x 33 x 20.3 cm)
Executed in February 1975.
Estimate
$300,000 - 400,000
Sold for $567,000
John McCord
Head of Day Sale, Morning Session, New York
+1 212 940 1261
jmccord@phillips.com
20th Century & Contemporary Art Day Sale - Morning Session
New York Auction 18 November 2021
101
Max Ernst
Delicate Arch (Zion National Park)
Estimate $70,000 - 90,000
Sold for $604,800
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102
Max Ernst
Paysage extraordinaire
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103
Max Ernst
Déchets d'oeuvres
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104
Max Ernst
Ohne Titel (Fantôme angélique)
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105
Max Ernst
Strange Hallucination!
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106
Max Ernst
Forêt
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107
Leonor Fini
Girl with Shells
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108
Leonor Fini
Untitled
Estimate $5,000 - 7,000
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109
Max Ernst
Ohne Titel
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110
Max Ernst
Hawaï
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111
Milton Avery
Green Sea
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112
Milton Avery
Sea and Stars
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113
Alex Katz
Black Ada and Island
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114
Jo Baer
Untitled
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115
Anne Truitt
Spring Dryad
Estimate $300,000 - 400,000
Sold for $567,000
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116
Louise Bourgeois
Eye
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117
Louise Nevelson
Dawn's Landscape I
Estimate $250,000 - 350,000
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118
Sturtevant
Johns White Target (First Study)
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119
Jamie Wyeth
Excursion Boats, Monhegan
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120
Milton Avery
Big Bouquet
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121
Alex Katz
Ada in Front of Black Brook
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122
Julio González
Personnage allongé II
Estimate $120,000 - 180,000
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123
Joan Miró
Figure
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124
This lot is no longer available.
125
Auguste Rodin
Balzac, étude de nu type F dite aussi 'étude en athlète'
Estimate $80,000 - 120,000
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126
Auguste Rodin
Balzac, étude drapée avec capuchon et un jabot de dentelle
Estimate $250,000 - 350,000
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127
Auguste Rodin
Trois ombres, Taille de la Porte dite aussi 'Moyen Modèle'—variante
Estimate $600,000 - 800,000
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128
Aristide Maillol
Torse de l'Eté
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129
Aristide Maillol
Petite Flore nue
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130
Henry Moore
Square Head Relief
Estimate $20,000 - 30,000
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131
Bruce Nauman
Untitled (DRAIN 1/DRAIN 2)
Estimate $80,000 - 120,000
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132
Frank Stella
Jarmolince III
Estimate $600,000 - 800,000
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133
Robert Mangold
Four Triangles Within a Square
Estimate $250,000 - 350,000
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134
Bernar Venet
221.5° Arc x 15
Estimate $400,000 - 600,000
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135
Sir Anthony Caro, O.M, R.A.
Sea Shanty
Estimate $200,000 - 300,000
Sold for $252,000
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136
Sir Anthony Caro, O.M, R.A.
Ballade
Estimate $40,000 - 60,000
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137
Claes Oldenburg
Typewriter Eraser
Estimate $300,000 - 500,000
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138
This lot is no longer available.
139
Robert Indiana
LOVE (Blue Faces Red Sides)
Estimate $400,000 - 600,000
Sold for $567,000
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140
Hans Hofmann
Red Flight
Estimate $400,000 - 600,000
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141
Jean Dubuffet
Site Avec 3 Personnages
Estimate $150,000 - 250,000
Sold for $201,600
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142
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143
Joel Shapiro
Untitled
Estimate $120,000 - 180,000
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144
Joel Shapiro
Untitled
Estimate $60,000 - 80,000
Sold for $47,880
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145
Carl Andre
Fault
Estimate $20,000 - 30,000
Sold for $63,000
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146
Brice Marden
Letter of Gratitude #8
Estimate $100,000 - 150,000
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147
Brice Marden
Study for Cold Mountain 3
Estimate $20,000 - 30,000
Sold for $15,120
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148
David Smith
Untitled
Estimate $15,000 - 20,000
Sold for $17,640
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149
Robert Rauschenberg
The Red Virgin
Estimate $100,000 - 150,000
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150
Cy Twombly
Untitled
Estimate $400,000 - 600,000
Sold for $529,200
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151
Willem de Kooning
Three Women
Estimate $80,000 - 120,000
Sold for $63,000
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152
Richard Pettibone
Andy Warhol 'Two Elvis' 1964
Estimate $60,000 - 80,000
Sold for $107,100
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153
Richard Pettibone
Andy Warhol 'Marilyn Monroe' 1964
Estimate $40,000 - 60,000
Sold for $138,600
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154
Richard Pettibone
Andy Warhol 'Two Flowers' 1964
Estimate $30,000 - 40,000
Sold for $47,880
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155
Andy Warhol
Carlo de Benedetti (Positive)
Estimate $100,000 - 150,000
Sold for $100,000
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156
Andy Warhol
Mr. Demos
Estimate $100,000 - 150,000
Sold for $100,000
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157
Ed Paschke
Icon-Ero
Estimate $70,000 - 90,000
Sold for $81,900
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158
Roger Brown
Flying in Formation
Estimate $60,000 - 80,000
Sold for $69,300
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159
Martin Wong
WACO Studio Loft
Estimate $30,000 - 40,000
Sold for $63,000
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160
Richard Artschwager
Building Wrecks
Estimate $40,000 - 60,000
Sold for $81,900
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161
Gerhard Richter
Abstraktes Bild (872-6)
Estimate $350,000 - 450,000
Sold for $327,600
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162
Joe Goode
Untitled (Torn Cloud Triptych)
Estimate $30,000 - 50,000
Sold for $138,600
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163
Malcolm Morley
Approaching Valhalla
Estimate $80,000 - 120,000
Sold for $94,500
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164
Lawrence Weiner
Preparatory Drawings For Gyroscopically Speaking
Estimate $40,000 - 60,000
Sold for $81,900
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165
Lee Lozano
Two works: (i–ii) No title
Estimate $15,000 - 20,000
Sold for $20,160
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166
Lee Lozano
No title
Estimate $12,000 - 18,000
Sold for $20,160
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167
Susan Rothenberg
Olive
Estimate $40,000 - 60,000
Sold for $107,100
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168
Susan Rothenberg
Untitled
Estimate $30,000 - 40,000
Sold for $50,400
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169
Susan Rothenberg
Untitled
Estimate $40,000 - 60,000
Sold for $88,200
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170
Christo
The Umbrella Project for Japan and Western U.S.A.
Estimate $50,000 - 70,000
Sold for $138,600
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171
Christo
Wrapped Reichstag (Project for Berlin)
Estimate $70,000 - 100,000
Sold for $157,500
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172
Lawrence Carroll
Untitled (Grey Sleeping Painting)
Estimate $15,000 - 20,000
Sold for $32,760
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173
Louise Nevelson
Landscape
Estimate $20,000 - 30,000
Sold for $35,280
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174
Richard Tuttle
Lonesome Cowboy Styrofoam #2
Estimate $10,000 - 15,000
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175
Robert Mangold
Yellow/White Zone
Estimate $15,000 - 20,000
Sold for $18,900
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176
Sam Francis
Untitled Mandalas
Estimate $40,000 - 60,000
Sold for $37,800
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177
Robert Rauschenberg
Crane
Estimate $120,000 - 180,000
Sold for $138,600
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178
Sam Francis
Untitled
Estimate $40,000 - 60,000
Sold for $37,800
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179
Karel Appel
Tête volante
Estimate $40,000 - 50,000
Sold for $63,000
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180
Kazuo Shiraga
Jikkai-zu Gaki Chikushokai
Estimate $100,000 - 150,000
Sold for $126,000
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181
Louise Fishman
Angle of Repose
Estimate $8,000 - 12,000
Sold for $28,980
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182
Al Held
Padua I
Estimate $30,000 - 50,000
Sold for $40,320
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183
Ron Gorchov
Comedy
Estimate $40,000 - 60,000
Sold for $189,000
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184
Frank Stella
The Prop of the Nation
Estimate $50,000 - 70,000
Sold for $75,600
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185
Pablo Atchugarry
Armonía Vitale
Estimate $30,000 - 40,000
Sold for $56,700
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186
Agustín Cárdenas
Totem
Estimate $70,000 - 100,000
Sold for $138,600
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187
Alicia Penalba
Oiseau lunaire
Estimate $30,000 - 40,000
Sold for $73,080
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188
Sergio Camargo
Sin título
Estimate $70,000 - 90,000
Sold for $138,600
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189
Paolo Scheggi
Inter-Ena-Cubo
Estimate $50,000 - 70,000
Sold for $63,000
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190
Yayoi Kusama
Bronze Shoes
Estimate $15,000 - 20,000
Sold for $107,100
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191
Nam June Paik
Enlightenment Compressed
Estimate $40,000 - 60,000
Sold for $107,100
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192
Kim Tschang-Yeul
Bacchus
Estimate $40,000 - 60,000
Sold for $52,920
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193
Frank Gehry
Fish Lamp
Estimate $100,000 - 150,000
Sold for $239,400
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194
Arnaldo Pomodoro
Pillars for Amaliehaven IV
Estimate $20,000 - 30,000
Sold for $63,000
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195
Lynn Chadwick, R.A.
Sitting Figure I
Estimate $15,000 - 20,000
Sold for $37,800
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196
Lynn Chadwick, R.A.
Sitting Figure II
Estimate $15,000 - 20,000
Sold for $52,920
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197
Marino Marini
Pomona III
Estimate $30,000 - 50,000
Sold for $32,760
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198
Francisco Zúñiga
Soledad Sentada
Estimate $150,000 - 200,000
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199
Richmond Barthé
Stevedore
Estimate $60,000 - 80,000
Sold for $69,300
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200
Pavel Tchelitchew
Study for a cover of the theater program for the Ballet Russes
Estimate $10,000 - 15,000
Sold for $31,500
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201
Gustav Klimt
Porträt einer Frau
Estimate $100,000 - 150,000
Sold for $113,400
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202
Jean-Baptiste-Camille Corot
Vallée solitaire
Estimate $40,000 - 60,000
Sold for $63,000
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203
Cândido Portinari
Retrato de Magu Leão
Estimate $20,000 - 30,000
Sold for $30,240
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204
Fernando Botero
Naranjas
Estimate $180,000 - 250,000
Sold for $283,500
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205
Fernando Botero
Nature Morte
Estimate $30,000 - 40,000
Sold for $40,320
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206
Fernando Botero
Dancers
Estimate $30,000 - 40,000
Sold for $52,920
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207
Tom Wesselmann
Study for Bedroom Painting #1
Estimate $50,000 - 70,000
Sold for $75,600
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208
Roy Lichtenstein
Drawing for Inaugural Print
Estimate $30,000 - 50,000
Sold for $35,280
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209
Robert Motherwell
Untitled (Wine Label Collage)
Estimate $25,000 - 35,000
Sold for $31,500
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210
Franz West
Untitled (Dancing Elephants)
Estimate $10,000 - 15,000
Sold for $30,240
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211
Anselm Kiefer
Das Goldene Kalb
Estimate $60,000 - 80,000
Sold for $69,300
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212
John Kacere
Adrian
Estimate $15,000 - 25,000
Sold for $18,900
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213
Bob Stanley
Trees #5
Estimate $6,000 - 9,000
Sold for $3,780
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214
Tom of Finland
Eleven works: (i-xi) Untitled (Motorcycle Series)
Estimate $180,000 - 250,000
Sold for $189,000
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215
Kazuya Sakai
Pintura No. 26
Estimate $10,000 - 15,000
Sold for $16,380
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216
Fernando de Szyszlo
Punchao
Estimate $30,000 - 40,000
Sold for $30,240
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217
Francisco Toledo
Sapo y Chapulin
Estimate $80,000 - 120,000
Sold for $81,900
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218
This lot is no longer available.
219
Carmelo Arden Quin
Roi III
Estimate $20,000 - 30,000
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220
Alexander Calder
Soleil Noir
Estimate $50,000 - 70,000
Sold for $189,000
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221
Alexander Calder
Les Masques
Estimate $30,000 - 50,000
Sold for $302,400
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222
Kenny Scharf
Staticontrol
Estimate $70,000 - 100,000
Sold for $277,200
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223
Kenny Scharf
Box Life
Estimate $25,000 - 35,000
Sold for $126,000
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