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Property from an Important Private Japanese Collection
Phillips is delighted to offer Property from an Important Private Japanese Collection, comprising six sculptures by Auguste Rodin, Aristide Maillol, and Henry Moore. Acquired from the Contemporary Sculpture Center, Japan, the present works have resided in the same private collection for several decades.
Rodin redefined monumental sculpture towards the end of the 19th century, establishing a new sculptural idiom which inspired not only his contemporaries and students but future generations alike. The forefather of modern sculpture, Rodin was interested in exploring and capturing individual and very human characteristics in his mythological, allegorical, and veridical subject matters—such is the case in the literary reference to Dante he employed in Les Trois Ombres as well as in Balzac, deuxième étude pour le Nu F and Balzac, étude drapée avec capuchon et un jabot de dentelle, both being in honor of the great French writer of the Comédie humanie, Honoré de Balzac. In both cases, Rodin, a voracious reader, intensely studied the Divine Comedy and Balzac’s literature in preparation for the respective bronzes. Whether real or imaginary, Rodin was attempting, through the works’ physicality, to capture the essence of the work’s source, ultimately to achieve a symbolic representation. The contorted bodies of Les Trois Ombres and staunch forms of the Balzac poignantly capture the human experience and psychologic states of the figures, as is characteristic of Rodin’s approach.
"Maillol is the equal of the greatest sculptors. What is admirable in Maillol, what is, so to speak eternal, is the purity, the clarity, the limpidity of his workmanship and thought." —Auguste Rodin
The works of Aristide Maillol reflect Rodin’s deeply rooted influence on modern sculpture. Practicing during a time which celebrated Rodin’s realist approach, Maillol shifted away from the despaired subjects and contorted figures of Rodin, gradually moving toward a more archetypical form of sculpture, epitomized in Torse de l’Eté and Petite Flore nue. Maillol preferred to preserve and purify the classical sculptural tradition of the body, while Rodin emphasized the emotional or psychological undertones. Although Maillol only began creating sculptures around 1895—and they mostly included small clay statuettes—they quickly gained popularity among collectors, one of which was Rodin. Rodin even attended Maillol’s first solo exhibition and reportedly expressed, “Maillol is the equal of the greatest sculptors. What is admirable in Maillol, what is, so to speak eternal, is the purity, the clarity, the limpidity of his workmanship and thought.”
Henry Moore, Square Head Relief, 1960/1962–1963. 
Auguste Rodin, Balzac, deuxième étude pour le Nu F, 1896/1971. 
Aristide Maillol, Torse de l'Eté, 1911/1972–1975. 
Auguste Rodin, Balzac, étude drapée avec capuchon et un jabot de dentelle, 1897/1983 
Aristide Maillol, Petite Flore nue, 1911/1951. 
Auguste Rodin, Les Trois Ombres, 1886/1981. -
Henry Moore, Square Head Relief, 1960/1962–1963. -
Auguste Rodin, Balzac, deuxième étude pour le Nu F, 1896/1971.
Moore’s Square Head Relief echoes the work of both Rodin and Maillol: while the British sculptor’s exploration of the emotional interiority of humanity and his interest in culling from literature shares an affinity with Rodin’s central concerns, Moore’s work formally coincides with Maillol’s penchant for softened edges and placid presence. Square Head Relief is dynamic, open-aired, and perplexing. His distinctive reduction of the human figure to its most essential elements, which he then abstracted, express deeply profound interpretations of the human state, a characteristic so focal to Rodin’s oeuvre.
"[I realize] that a lot of things one might be using and being influenced by are, compared with Rodin, altogether too easy. So that as time has gone on, my admiration for Rodin has grown and grown."
—Henry MooreThese artists’ influence on both post-war art as well as the work of contemporary artists working today is undeniable. The raw physicality and psychological undertone of bronzes by other artists included in our Morning and Afternoon Sales—whether by explicit engagement or chance—are indebted to Rodin’s approach. Francisco Zúñiga is a prime example of a figure embodying the depth of emotion Rodin’s figures do, rendering a woman in a woeful position, capturing the lonely and solemn emotions that accompany human existence. Lynn Chadwick’s idiosyncratic subjects, such as Sitting Figure I and II, are sensual and expressive even while rendered in rough edges or lines. Augustín Cárdenas’ flowing, efficient, and whimsical hand, evident in Totem, places him as natural successor of Henry Moore. On the other hand, Tony Cragg’s Two Moods embodies the psychological tone imbued in Rodin’s works. Even Yayoi Kusama’s Bronze Shoes takes on an allegorical quality like that of Rodin’s, hers harkening back to the tale of Cinderella and her storied glass slippers, perhaps intentionally rendered in the physically and historically weighty medium of bronze. From Zúñiga to Cragg, 20th and 21st century artists have looked to Rodin, Maillol, and Moore for both subject matter and manner of approach. Whether they were reinforcing his influence or responding to it, in their own way, each of these artists continued the legacy of Rodin in redefining the modern language for sculpture.
Lost Wax Bronze Casting
Conceived and executed between 1886 and 1981, the Rodins and Maillols in this superb grouping celebrate the technique and merit of bronze lost wax casting, successfully reexamining the importance of posthumous casting and the preservation of the artists’ legacy.
The view some may associate with posthumous casts is conditioned by a specific historical ideology that dates to the 19th and 20th centuries that prioritized notions of “originality” and “authenticity.” This is based on a misunderstanding of the process of creating a bronze sculpture, which entails the creation of a model that needs to be copied and cast, a process which the artist did not always oversee as closely as many imagine. Rodin was one of the first who took a forward-thinking approach to the “original” and the value of multiples that would go on to inform many outstanding artists of the 20th century. These later casts should be viewed together with sculpture that was being made during the last 70 years to illustrate the enduring influence and relevance of Rodin’s approach not only to the human form but to the way we perceive art today. As attitudes change, some artists have recently seen an increase in prices for posthumous works, because as these artists remind us: what really counts is the mind, not the hand.
Provenance
Musée Rodin, Paris
Contemporary Sculpture Center, Tokyo (acquired from the above in April 1975)
Acquired from the above by the present ownerExhibited
London, Hayward Gallery, Rodin, January 24–April 5, 1970, no. 56, p. 63 (another cast exhibited and illustrated)
Tokyo, Seibu Museum of Art; Kumamoto, Prefectoral Museum of Art; Hiroshima, Prefectoral Museum of Art; Kitakyushu, Municipal Museum; Morioka, Prefectoral Culture Center and Kobe, Hyogo Prefectoral Museum of Art, Rodin au Japon, July 24, 1976–January 30, 1977
Marcq-en-Baroeuil, Fondation Anne et Albert Prouvost, Auguste Rodin (1840–1917): Sculptures et Dessins, 1977, n.p. (another cast exhibited)
Takaoka City Museum; Fukui Prefectural Museum; Tokyo, Setbu Museum; Yamanashi Prefectural Museum, Asahikawa City Cultural Center; Iwaki City Cultural Center; Nagasaki, Juhachi Bank Special Museum, Rodin au Japon, April 27–November 11, 1979
Washington, D.C., National Gallery of Art, Rodin Rediscovered, June 28, 1981–May 2, 1982, fig. 5.19, no. 144, pp. 144, 324 (another cast exhibited and illustrated, p. 114)
New York, The Metropolitan Museum of Art, Rodin: The B. Gerald Cantor Collection, April 19–June 15, 1986, no. 37, pp. 84–85, 166 (another cast exhibited and illustrated p. 85)
Palais des Beaux-Arts de Charleroi, Rodin: et la Belgique, September 7–December 14, 1997, no. VII.2, pp. 181, 298 (another cast exhibited and illustrated, p. 181)
Tokyo, Takashimaya Art Gallery; Kumamoto Prefectural Museum of Art; Nagoya, Matsuzakaya Art Museum; Daimaru Museum, Umeda-Osaka, Auguste Rodin from the Cantor Collection of the Brooklyn Museum of Art, September 4, 2002–April 6, 2003Literature
John L. Tancock, The Sculpture of Auguste Rodin, Philadelphia, 1976, no. 72–76–7, pp. 436–437 (another cast illustrated, p. 437)
1898: le Balzac de Rodin, exh. cat., Musée Rodin, Paris, 1998, fig. 141, p. 342 (another cast illustrated)
Albert E. Elsen and Rosalyn Frankel Jamison, Rodin’s Art: The Rodin Collection of the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, New York, 2003, fig. 344, no. 110, p. 405–406 (another cast illustrated)
Antoinette Le Norman-Romain, The Bronzes of Rodin: Catalogue of Works in the Musée Rodin, vol. I, Paris, 2007, no. S.1080, pp. 176 (another example illustrated)
Property from an Important Japanese Private Collection
Ο125
Balzac, étude de nu type F dite aussi 'étude en athlète'
incised with the artist's signature and number "A Rodin N° 4" left of figure's proper left foot; incised with the artist's signature "A. Rodin" on the underside; stamped with the foundry mark ".Georges Rudier. / .Fondeur.Paris." back right of base; incised with the inscription and date "© by.musée Rodin.1971" lower right of right side of base
bronze
36 7/8 x 16 x 14 3/8 in. (93.7 x 40.6 x 36.5 cm)
Conceived in 1896 and cast in bronze in April 1971, this work is number 4 from an edition of approximately 12 made for the Musée Rodin, Paris, between 1967 and 1995, and one of 10 that was cast by Georges Rudier Fondeur, Paris, between 1967 and 1982. This work will be included in the forthcoming Auguste Rodin catalogue critique de l'oeuvre sculpté currently being prepared by the Comité Auguste Rodin at Galerie Brame et Lorenceau under the direction of Jérôme Le Blay under the archive no. 2021-6487B.
Other casts from this edition are held in the permanent collections of the Stanford University, Cantor Arts Center, Palo Alto (1/8); The Museum of Modern Art, New York (2/8); Brooklyn Museum of Art, New York (7/8); Region Art Gallery, Newcastle (8/8); and Musée Rodin, Paris (0/8).
Estimate
$80,000 - 120,000
Sold for $75,600
John McCord
Head of Day Sale, Morning Session, New York
+1 212 940 1261
jmccord@phillips.com
20th Century & Contemporary Art Day Sale - Morning Session
New York Auction 18 November 2021
101
Max Ernst
Delicate Arch (Zion National Park)
Estimate $70,000 - 90,000
Sold for $604,800
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102
Max Ernst
Paysage extraordinaire
Estimate $18,000 - 25,000
Sold for $22,680
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103
Max Ernst
Déchets d'oeuvres
Estimate $18,000 - 25,000
Sold for $17,640
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104
Max Ernst
Ohne Titel (Fantôme angélique)
Estimate $35,000 - 45,000
Sold for $40,320
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105
Max Ernst
Strange Hallucination!
Estimate $7,000 - 9,000
Sold for $6,930
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106
Max Ernst
Forêt
Estimate $7,000 - 9,000
Sold for $9,450
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107
Leonor Fini
Girl with Shells
Estimate $12,000 - 18,000
Sold for $63,000
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108
Leonor Fini
Untitled
Estimate $5,000 - 7,000
Sold for $16,380
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109
Max Ernst
Ohne Titel
Estimate $15,000 - 20,000
Sold for $15,120
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110
Max Ernst
Hawaï
Estimate $7,000 - 9,000
Sold for $11,340
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111
Milton Avery
Green Sea
Estimate $50,000 - 70,000
Sold for $81,900
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112
Milton Avery
Sea and Stars
Estimate $200,000 - 400,000
Sold for $352,800
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113
Alex Katz
Black Ada and Island
Estimate $150,000 - 200,000
Sold for $365,400
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114
Jo Baer
Untitled
Estimate $150,000 - 200,000
Sold for $189,000
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115
Anne Truitt
Spring Dryad
Estimate $300,000 - 400,000
Sold for $567,000
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116
Louise Bourgeois
Eye
Estimate $200,000 - 300,000
Sold for $529,200
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117
Louise Nevelson
Dawn's Landscape I
Estimate $250,000 - 350,000
Sold for $277,200
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118
Sturtevant
Johns White Target (First Study)
Estimate $200,000 - 300,000
Sold for $655,200
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119
Jamie Wyeth
Excursion Boats, Monhegan
Estimate $250,000 - 450,000
Sold for $277,200
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120
Milton Avery
Big Bouquet
Estimate $30,000 - 50,000
Sold for $30,240
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121
Alex Katz
Ada in Front of Black Brook
Estimate $180,000 - 250,000
Sold for $378,000
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122
Julio González
Personnage allongé II
Estimate $120,000 - 180,000
Sold for $201,600
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123
Joan Miró
Figure
Estimate $150,000 - 250,000
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124
This lot is no longer available.
125
Auguste Rodin
Balzac, étude de nu type F dite aussi 'étude en athlète'
Estimate $80,000 - 120,000
Sold for $75,600
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126
Auguste Rodin
Balzac, étude drapée avec capuchon et un jabot de dentelle
Estimate $250,000 - 350,000
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127
Auguste Rodin
Trois ombres, Taille de la Porte dite aussi 'Moyen Modèle'—variante
Estimate $600,000 - 800,000
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128
Aristide Maillol
Torse de l'Eté
Estimate $300,000 - 500,000
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129
Aristide Maillol
Petite Flore nue
Estimate $100,000 - 150,000
Sold for $75,600
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130
Henry Moore
Square Head Relief
Estimate $20,000 - 30,000
Sold for $81,900
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131
Bruce Nauman
Untitled (DRAIN 1/DRAIN 2)
Estimate $80,000 - 120,000
Sold for $100,800
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132
Frank Stella
Jarmolince III
Estimate $600,000 - 800,000
Sold for $828,600
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133
Robert Mangold
Four Triangles Within a Square
Estimate $250,000 - 350,000
Sold for $327,600
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134
Bernar Venet
221.5° Arc x 15
Estimate $400,000 - 600,000
Sold for $877,000
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135
Sir Anthony Caro, O.M, R.A.
Sea Shanty
Estimate $200,000 - 300,000
Sold for $252,000
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136
Sir Anthony Caro, O.M, R.A.
Ballade
Estimate $40,000 - 60,000
Sold for $75,600
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137
Claes Oldenburg
Typewriter Eraser
Estimate $300,000 - 500,000
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138
This lot is no longer available.
139
Robert Indiana
LOVE (Blue Faces Red Sides)
Estimate $400,000 - 600,000
Sold for $567,000
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140
Hans Hofmann
Red Flight
Estimate $400,000 - 600,000
Sold for $352,800
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141
Jean Dubuffet
Site Avec 3 Personnages
Estimate $150,000 - 250,000
Sold for $201,600
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142
This lot is no longer available.
143
Joel Shapiro
Untitled
Estimate $120,000 - 180,000
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144
Joel Shapiro
Untitled
Estimate $60,000 - 80,000
Sold for $47,880
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145
Carl Andre
Fault
Estimate $20,000 - 30,000
Sold for $63,000
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146
Brice Marden
Letter of Gratitude #8
Estimate $100,000 - 150,000
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147
Brice Marden
Study for Cold Mountain 3
Estimate $20,000 - 30,000
Sold for $15,120
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148
David Smith
Untitled
Estimate $15,000 - 20,000
Sold for $17,640
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149
Robert Rauschenberg
The Red Virgin
Estimate $100,000 - 150,000
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150
Cy Twombly
Untitled
Estimate $400,000 - 600,000
Sold for $529,200
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151
Willem de Kooning
Three Women
Estimate $80,000 - 120,000
Sold for $63,000
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152
Richard Pettibone
Andy Warhol 'Two Elvis' 1964
Estimate $60,000 - 80,000
Sold for $107,100
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153
Richard Pettibone
Andy Warhol 'Marilyn Monroe' 1964
Estimate $40,000 - 60,000
Sold for $138,600
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154
Richard Pettibone
Andy Warhol 'Two Flowers' 1964
Estimate $30,000 - 40,000
Sold for $47,880
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155
Andy Warhol
Carlo de Benedetti (Positive)
Estimate $100,000 - 150,000
Sold for $100,000
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156
Andy Warhol
Mr. Demos
Estimate $100,000 - 150,000
Sold for $100,000
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157
Ed Paschke
Icon-Ero
Estimate $70,000 - 90,000
Sold for $81,900
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158
Roger Brown
Flying in Formation
Estimate $60,000 - 80,000
Sold for $69,300
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159
Martin Wong
WACO Studio Loft
Estimate $30,000 - 40,000
Sold for $63,000
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160
Richard Artschwager
Building Wrecks
Estimate $40,000 - 60,000
Sold for $81,900
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161
Gerhard Richter
Abstraktes Bild (872-6)
Estimate $350,000 - 450,000
Sold for $327,600
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162
Joe Goode
Untitled (Torn Cloud Triptych)
Estimate $30,000 - 50,000
Sold for $138,600
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163
Malcolm Morley
Approaching Valhalla
Estimate $80,000 - 120,000
Sold for $94,500
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164
Lawrence Weiner
Preparatory Drawings For Gyroscopically Speaking
Estimate $40,000 - 60,000
Sold for $81,900
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165
Lee Lozano
Two works: (i–ii) No title
Estimate $15,000 - 20,000
Sold for $20,160
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166
Lee Lozano
No title
Estimate $12,000 - 18,000
Sold for $20,160
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167
Susan Rothenberg
Olive
Estimate $40,000 - 60,000
Sold for $107,100
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168
Susan Rothenberg
Untitled
Estimate $30,000 - 40,000
Sold for $50,400
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169
Susan Rothenberg
Untitled
Estimate $40,000 - 60,000
Sold for $88,200
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170
Christo
The Umbrella Project for Japan and Western U.S.A.
Estimate $50,000 - 70,000
Sold for $138,600
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171
Christo
Wrapped Reichstag (Project for Berlin)
Estimate $70,000 - 100,000
Sold for $157,500
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172
Lawrence Carroll
Untitled (Grey Sleeping Painting)
Estimate $15,000 - 20,000
Sold for $32,760
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173
Louise Nevelson
Landscape
Estimate $20,000 - 30,000
Sold for $35,280
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174
Richard Tuttle
Lonesome Cowboy Styrofoam #2
Estimate $10,000 - 15,000
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175
Robert Mangold
Yellow/White Zone
Estimate $15,000 - 20,000
Sold for $18,900
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176
Sam Francis
Untitled Mandalas
Estimate $40,000 - 60,000
Sold for $37,800
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177
Robert Rauschenberg
Crane
Estimate $120,000 - 180,000
Sold for $138,600
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178
Sam Francis
Untitled
Estimate $40,000 - 60,000
Sold for $37,800
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179
Karel Appel
Tête volante
Estimate $40,000 - 50,000
Sold for $63,000
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180
Kazuo Shiraga
Jikkai-zu Gaki Chikushokai
Estimate $100,000 - 150,000
Sold for $126,000
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181
Louise Fishman
Angle of Repose
Estimate $8,000 - 12,000
Sold for $28,980
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182
Al Held
Padua I
Estimate $30,000 - 50,000
Sold for $40,320
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183
Ron Gorchov
Comedy
Estimate $40,000 - 60,000
Sold for $189,000
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184
Frank Stella
The Prop of the Nation
Estimate $50,000 - 70,000
Sold for $75,600
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185
Pablo Atchugarry
Armonía Vitale
Estimate $30,000 - 40,000
Sold for $56,700
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186
Agustín Cárdenas
Totem
Estimate $70,000 - 100,000
Sold for $138,600
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187
Alicia Penalba
Oiseau lunaire
Estimate $30,000 - 40,000
Sold for $73,080
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188
Sergio Camargo
Sin título
Estimate $70,000 - 90,000
Sold for $138,600
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189
Paolo Scheggi
Inter-Ena-Cubo
Estimate $50,000 - 70,000
Sold for $63,000
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190
Yayoi Kusama
Bronze Shoes
Estimate $15,000 - 20,000
Sold for $107,100
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191
Nam June Paik
Enlightenment Compressed
Estimate $40,000 - 60,000
Sold for $107,100
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192
Kim Tschang-Yeul
Bacchus
Estimate $40,000 - 60,000
Sold for $52,920
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193
Frank Gehry
Fish Lamp
Estimate $100,000 - 150,000
Sold for $239,400
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194
Arnaldo Pomodoro
Pillars for Amaliehaven IV
Estimate $20,000 - 30,000
Sold for $63,000
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195
Lynn Chadwick, R.A.
Sitting Figure I
Estimate $15,000 - 20,000
Sold for $37,800
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196
Lynn Chadwick, R.A.
Sitting Figure II
Estimate $15,000 - 20,000
Sold for $52,920
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197
Marino Marini
Pomona III
Estimate $30,000 - 50,000
Sold for $32,760
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198
Francisco Zúñiga
Soledad Sentada
Estimate $150,000 - 200,000
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199
Richmond Barthé
Stevedore
Estimate $60,000 - 80,000
Sold for $69,300
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200
Pavel Tchelitchew
Study for a cover of the theater program for the Ballet Russes
Estimate $10,000 - 15,000
Sold for $31,500
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201
Gustav Klimt
Porträt einer Frau
Estimate $100,000 - 150,000
Sold for $113,400
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202
Jean-Baptiste-Camille Corot
Vallée solitaire
Estimate $40,000 - 60,000
Sold for $63,000
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203
Cândido Portinari
Retrato de Magu Leão
Estimate $20,000 - 30,000
Sold for $30,240
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204
Fernando Botero
Naranjas
Estimate $180,000 - 250,000
Sold for $283,500
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205
Fernando Botero
Nature Morte
Estimate $30,000 - 40,000
Sold for $40,320
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206
Fernando Botero
Dancers
Estimate $30,000 - 40,000
Sold for $52,920
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207
Tom Wesselmann
Study for Bedroom Painting #1
Estimate $50,000 - 70,000
Sold for $75,600
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208
Roy Lichtenstein
Drawing for Inaugural Print
Estimate $30,000 - 50,000
Sold for $35,280
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209
Robert Motherwell
Untitled (Wine Label Collage)
Estimate $25,000 - 35,000
Sold for $31,500
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210
Franz West
Untitled (Dancing Elephants)
Estimate $10,000 - 15,000
Sold for $30,240
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211
Anselm Kiefer
Das Goldene Kalb
Estimate $60,000 - 80,000
Sold for $69,300
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212
John Kacere
Adrian
Estimate $15,000 - 25,000
Sold for $18,900
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213
Bob Stanley
Trees #5
Estimate $6,000 - 9,000
Sold for $3,780
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214
Tom of Finland
Eleven works: (i-xi) Untitled (Motorcycle Series)
Estimate $180,000 - 250,000
Sold for $189,000
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215
Kazuya Sakai
Pintura No. 26
Estimate $10,000 - 15,000
Sold for $16,380
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216
Fernando de Szyszlo
Punchao
Estimate $30,000 - 40,000
Sold for $30,240
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217
Francisco Toledo
Sapo y Chapulin
Estimate $80,000 - 120,000
Sold for $81,900
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218
This lot is no longer available.
219
Carmelo Arden Quin
Roi III
Estimate $20,000 - 30,000
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220
Alexander Calder
Soleil Noir
Estimate $50,000 - 70,000
Sold for $189,000
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221
Alexander Calder
Les Masques
Estimate $30,000 - 50,000
Sold for $302,400
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222
Kenny Scharf
Staticontrol
Estimate $70,000 - 100,000
Sold for $277,200
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223
Kenny Scharf
Box Life
Estimate $25,000 - 35,000
Sold for $126,000
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