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Online Auction

\n\n

17 - 24 June 2020

\n\n

30 Berkeley Square, London (map)

\n\n

Online Bidding Guide >

\n\n

A collection of works from Albion Barn

\n\n

The majority of lots in this sale will be sold with no reserve.

\n\n

The countdown timer above indicates when the first lot in the sale will close. Each subsequent lot will close one minute after the preceding lot. If a bid is placed in the final three minutes of bidding time on a lot, there will be a bidding extension of 3 minutes, so that there will always a be 3-minute period between the last bid placed and the closing time of that lot. These extensions will continue indefinitely until there is no more bidding activity on the lot for a period of 3 minutes. The extension of one lot's closing time does not affect the closing times of other lots in the Online Only sale, so it is possible that lots will close out of numerical order.

\n\n

Registrations will close at 2pm BST on 24 June.

\n\n

COVID 19 pandemic revised arrangements

\n\n

As Phillips’ offices and warehouses are temporarily closed in response to the COVID 19 pandemic and UK government restrictions, we have the following revised arrangements in place.

\n\n

Payment

\n\n

We have temporarily increased our normal credit card limit to GBP75,000 to make it easier for you to pay using this method.

\n\n

Storage, Collection & Shipping

\n\n

All lots bought in the auction which have been paid for in full will be held in our storage facilities free of charge until Phillips’ operations resume and for a thirty (30) day period after we notify you lots are available for collection or delivery. Storage charges will apply after this 30-day period for any lots which have not been collected.

\n","auctionDetailsSmall","Online Auction 17 - 24 June 2020 ","extraInfo","

Charlotte Gibbs

\n\n

Head of Sale, London

\n\n

+44 20 7901 7993

\n\n

cgibbs@phillips.com

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Albion Barn, Oxfordshire, England.

\n\n

Tony Bevan

\n\n

\n\n

Lot 10: Tony Bevan Wall (PC982), 1998. Estimate: £30,000 - 50,000.

\n\n

“This series of works are all loosely based on self-portraits - we showed them to great acclaim and published three books for Tony - who remains a friend to this day.”

\n\n

Sir David Adjaye

\n\n

\n\n

Lot 18: Sir David Adjaye Type I - Giza (from the Monoform series), 2007. Estimate: £12,000 - 18,000.

\n\n

“I commissioned David to make a pavilion - entitled Horizon and a group of granite furniture sculptures. His source material was ancient historic sites - Giza, Galilee, Petra. We showed these together in London - but also in Rome, Kubich, Moscow and Chicago. We are currently building a small house in London with David’s practice.”

\n\n

Grayson Perry

\n\n

\n\n

Lot 2: Grayson Perry Selfie with Political Causes, 2018. Estimate: £6,000 - 8,000.

\n\n

“Grayson cannot be ignored. Funny and with a uniquely British sense of humor: he never ducks the issue or lets you off the hook. We have a number of his works that always draw a wry smile.”

\n\n

Jaume Plensa

\n\n

\n\n

Lot 4: Jaume Plensa Sun-Moon, 2001. Estimate: £12,000 - 18,000.

\n\n

“Jaume and I started working with each other 30 years ago and we hung his first shows together. I am not very good with a power drill. His work incorporates his fascination with language, transparency and materials.”

\n\n

Ian McKeever

\n\n

\n\n

Lot 5: Ian McKeever Assumption (appearance), 1997-1998. Estimate: £12,000 - 18,000.

\n\n

“lan is one of the finest abstract painters in Britain. His work comes from his love of landscape and of the poets Blake, Donne and Milton.”

\n\n

Douglas Gordon

\n\n

\n\n

Lot 12: Douglas Gordon Monster Reborn, 1996-2002. Estimate: £10,000 - 15,000.

\n\n

“Douglas is a friend and an artist I greatly admire. Duality is a fundamental part of his practice; good and bad, left and right, Jekyll and Hyde. Transformation is central to his thinking.”

\n\n

Edmund de Waal

\n\n

\n\n

Lot 13: Edmund de Waal Two works: (i) Porcelain Pot; (ii) Porcelain Pot. Estimate: £4,000 - 6,000.

\n\n

“Ed and I were at Cambridge together and his fascination with Japanese culture runs deep. His ceramics and his writing have now found a massive audience.”

\n\n

Richard Long

\n\n

\n\n

Lot 8: Richard Long Rock Drawings: An Eight Day Walk in the Rimrock Area of the Mojave Desert Southern California, 1994. Estimate: £2,000 - 3,000.

\n\n

“As a group of images, I always admired these works, and Paragon Press is simply the best print publisher in the UK.”

\n\n

Susan Derges

\n\n

\n\n

Lot 20: Susan Derges Twelve Works, 2000. Estimate: £2,000 - 3,000.

\n\n

“Susan to me is part of the long tradition of British photography experimentation, that begun with Fox Talbot. Made at Kingswood in Kent these images are made without the use of a lens.”

\n\n

Andy Goldsworthy

\n\n

\n\n

Lot 32: Andy Goldsworthy Two works: (i) Untitled; (ii) Untitled, 1989. Estimate: £2,500 - 3,500.

\n\n

“One of my longest and closest artist relationships. His work is so subtle and beautiful, and, for me, connects to Yves Klein and Lee Ufan. A fascination with the transitory nature of all states of being.”

\n\n

\n\n

Lot 55: Andy Goldsworthy Cold wind | work partly collapsed | difficult day | looty encouraging me on, Grise Fiord, Ellesmere Island 5 April 1989, 1989. Estimate: £2,000 - 3,000.

\n\n

“Made during his extraordinary 'Touching North' series in 1989 in Greenland and at the North Pole. These works were a starting point for my long fascination with Andy's work.”

\n\n

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53

José Maria Sicilia

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Full-Cataloguing

José Maria Sicilia