85
Jesús Rafael Soto
Vibrations: four plates
- Estimate
- £500 - 700‡
£3,000
Lot Details
Four screenprints in colours from the set of eight, on cardboard, with title and justification pages, with full margins,
1969
71.7 x 54.5 cm (28 1/4 x 21 1/2 in.)
all signed and numbered 55/200 in pencil (the justification page states an edition of 125 copies), published by Denise René, Paris (with their blindstamp), the sheets loose (as issued) contained in the original blue and black linen-covered portfolio.
Specialist
Jesús Rafael Soto
Venezuelan | B. 1923 D. 2005Jesús Rafael Soto was born in Ciudad Bolívar and studied at the School of Visual and Applied Arts in Caracas. During this period he became acquainted with Los Disidentes, a group of artists that included Alejandro Otero and Carlos Cruz-Diez. In addition to his fellow compatriots, Soto’'s work was influenced by Kazimir Malevich and Piet Mondrian.
The main artistic tenets evinced in Soto's works are pure abstraction, vibrations, progressions and geometric rigor. They can be seen through the use of lines and superimposed squares in his sculptures, made with paint and a series of industrial and synthetic materials. He spent much time in Europe, becoming a key member of the Group Zero movement, which included such artists as Lucio Fontana, Gunther Uecker and Yves Klein. As a result, Soto's work also incorporates modernist concepts such as light, time, movement, color manipulation and space. All of these facets place him as an important figure within the Kinetic and Op Art movements.
Browse ArtistThe main artistic tenets evinced in Soto's works are pure abstraction, vibrations, progressions and geometric rigor. They can be seen through the use of lines and superimposed squares in his sculptures, made with paint and a series of industrial and synthetic materials. He spent much time in Europe, becoming a key member of the Group Zero movement, which included such artists as Lucio Fontana, Gunther Uecker and Yves Klein. As a result, Soto's work also incorporates modernist concepts such as light, time, movement, color manipulation and space. All of these facets place him as an important figure within the Kinetic and Op Art movements.