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“In Hey Let’s Go for a Ride, the girl’s face and the soda bottle burst out of the frame right in your face. You’re in the picture. It’s coming at you as if you’re a couple of inches from the girl holding the soda bottle. You almost have to back off.”
—James RosenquistExpansively dynamic and masterfully rendered, Hey! Let’s Go For A Ride offers a technically remarkable graphic reinvention of Rosenquist’s 1961 painting of the same name: painterly brushstrokes are reconstructed as magnified airbrush dots, and his softly blended contours are transformed into hardline, over-splattered graphic patterns. These rearticulations breathe new life into one of Rosenquist’s earlier paintings and speaks to the artist’s uncanny ability to develop compositions that are equally strong across mediums and scales. “The process was about practicing to see how skillfully I could do the images in lithography… to see if I could work in this medium, to see if I could get the feeling on a miniature scale," Rosenquist said. "They were really like my notebook, and I was restudying the paintings in another medium… When you take a large painting that maintains itself as a small image, as a composition or idea… it is strong if it is good, and that’s really peculiar.”i
In part, these stunning results are owed to Rosenquist’s decision to take it upon himself and painstakingly re-render the image by hand for the print edition, utilizing the textures found in commercial printing to inspire his vision for his own lithograph. As Maurice Sanchez, master printer of Petersburg Press, recalled, “he didn’t use crisp 4 x 5’ transparencies he could have gone to Leo’s [the Castelli Gallery] and found, but reproductions of paintings – way off, hyped-up reproductions that added another dimension to his original vision. The reproductions were Benday dotted, and the closest you could get to that look was with an airbrush…”ii Like commercially printed Ben-Day dots, a graphic element also reappropriated notably by Rosenquist’s contemporary Roy Lichtenstein, the airbrush technique Rosenquist utilizes imparts a uniquely bold shading effect to the image, further separating the print from its painted counterpart and illustrating Rosenquist’s lively and experimental printmaking process.
Rosenquist and Roy Lichtenstein at showing of Time Dust, 1992, Gagosian Gallery, New York, 1993. Courtesy of the Estate of James Rosenquist. i James Rosenquist, quoted in Constance Glenn, James Rosenquist: Time Dust, Complete Graphics 1962 – 1992, 1993, p. 54.
ii Maurice Sanchez, quoted ibid., p. 52.
Literature
Constance Glenn 55
217
Hey! Let's Go for a Ride (G. 55)
1972
Lithograph in colors, on Hodgkinson handmade Wookey Hole paper, with full margins.
I. 22 1/4 x 22 1/2 in. (56.5 x 57.2 cm)
S. 31 1/2 x 30 1/8 in. (80 x 76.5 cm)
Signed, titled, dated and numbered 'H.C. 3/13' in pencil (an hors commerce, the edition was 75 and 20 artist's proofs), published by Petersburg Press, New York (with their blindstamp), framed.
Estimate
$3,000 - 5,000
Sold for $9,525
Works from the James Rosenquist Estate
New York Auction 15 February 2024
200
James Rosenquist
Circles of Confusion, from 11 Pop Artists, Volume I (G. 10)
Estimate $800 - 1,200
Sold for $2,794
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201
James Rosenquist
Whipped Butter for Eugene Ruchin, from 11 Pop Artists, Volume II (G. 11)
Estimate $400 - 600
Sold for $3,556
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202
James Rosenquist
For Love, from 11 Pop Artists, Volume III (G. 13)
Estimate $1,000 - 2,000
Sold for $2,540
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203
James Rosenquist
F-111 (Leo Castelli Gallery)
Estimate $800 - 1,200
Sold for $6,350
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204
James Rosenquist
A Drawing While Waiting for an Idea (S. 6, G. 14)
Estimate $800 - 1,200
Sold for $2,794
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205
James Rosenquist
Morning Mirror (G. 15)
Estimate $600 - 900
Sold for $2,286
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206
James Rosenquist
Circles of Confusion & Lite Bulb
Estimate $600 - 900
Sold for $3,556
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207
James Rosenquist
Small Doorstop
Estimate $80,000 - 120,000
Sold for $95,250
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208
James Rosenquist
Forehead I; and Forehead II (G. 20 & 21)
Estimate $2,000 - 3,000
Sold for $3,048
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209
James Rosenquist
See-Saw, Class Systems (G. 22)
Estimate $500 - 700
Sold for $2,794
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210
James Rosenquist
Night Smoke II (S. 15, G. 26)
Estimate $1,500 - 2,500
Sold for $3,302
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211
James Rosenquist
Spaghetti (G. 31)
Estimate $3,000 - 5,000
Sold for $10,795
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212
James Rosenquist
Tumbleweed (G. 32)
Estimate $600 - 900
Sold for $889
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213
James Rosenquist
Delivery Hat, from Cold Light Suite (G. 35)
Estimate $400 - 600
Sold for $1,651
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214
James Rosenquist
Mirrored Flag; Moon Beam Mistaken for the News; and Cold Light, from Cold Light Suite (G. 37-38 & 40)
Estimate $3,000 - 5,000
Sold for $7,620
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215
James Rosenquist
Earth and Moon, from Cold Light Suite (G. 43)
Estimate $800 - 1,200
Sold for $5,715
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216
James Rosenquist
Pulling Out (G. 47)
Estimate $600 - 900
Sold for $3,048
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217
James Rosenquist
Hey! Let's Go for a Ride (G. 55)
Estimate $3,000 - 5,000
Sold for $9,525
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218
James Rosenquist
Brighter than the Sun (G. 57)
Estimate $600 - 900
Sold for $3,048
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219
James Rosenquist
Short Schedule (S. 1972.05, G. 61)
Estimate $500 - 700
Sold for $2,540
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220
James Rosenquist
Banner #1
Estimate $3,000 - 5,000
Sold for $3,302
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221
James Rosenquist
Banner #2
Estimate $3,000 - 5,000
Sold for $9,525
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222
James Rosenquist
First [When was the first time you had your eyes examined?] (G. 64)
Estimate $800 - 1,200
Sold for $2,286
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223
James Rosenquist
Off the Continental Divide (S. 17, G. 69)
Estimate $7,000 - 10,000
Sold for $6,985
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224
James Rosenquist
F-111 (south) (west) (north) (east) (G. 73)
Estimate $30,000 - 50,000
Sold for $228,600
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225
James Rosenquist
Tampa—New York 1188 (G. 81)
Estimate $2,000 - 3,000
Sold for $9,525
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226
James Rosenquist
Head Stand (G. 777, G. 104)
Estimate $800 - 1,200
Sold for $2,286
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227
James Rosenquist
Terrarium (G. 154)
Estimate $1,000 - 1,500
Sold for $2,286
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228
James Rosenquist
Industrial Cottage (G. 159)
Estimate $1,000 - 1,500
Sold for $2,286
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229
James Rosenquist
Sheer Line (S. 1979.41, G. 163)
Estimate $800 - 1,200
Sold for $4,826
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230
James Rosenquist
Idea I; and Idea II (G. 165 & 166)
Estimate $600 - 900
Sold for $1,397
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231
James Rosenquist
Doorskin (G. 168)
Estimate $1,000 - 2,000
Sold for $1,651
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232
James Rosenquist
Chambers (S. 19, G. 173)
Estimate $800 - 1,200
Sold for $1,270
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233
James Rosenquist
Dog Descending a Staircase (S. 20, G. 174)
Estimate $6,000 - 9,000
Sold for $16,510
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234
James Rosenquist
High Technology and Mysticism: A Meeting Point (G. 180-186)
Estimate $4,000 - 6,000
Sold for $4,826
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235
James Rosenquist
The Glass Wishes: eight plates (G. 1014-1016, 1018-1019, 1021, 1023 & 1024, G. 187-189, 191-192, 194, 196 & 197)
Estimate $4,000 - 6,000
Sold for $3,810
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236
James Rosenquist
The Kabuki Blushes, from Secrets in Carnations (G. 206)
Estimate $2,000 - 3,000
Sold for $7,620
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237
James Rosenquist
Welcome to the Water Planet (G. 211)
Estimate $4,000 - 6,000
Sold for $10,160
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238
James Rosenquist
The Prickly Dark (G. 212)
Estimate $3,000 - 5,000
Sold for $6,096
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239
James Rosenquist
The Bird of Paradise Approaches the Hot Water Planet, from Welcome to the Water Planet (G. 214)
Estimate $8,000 - 12,000
Sold for $44,450
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240
James Rosenquist
Time Door Time D'Or, from Welcome to the Water Planet (G. 218)
Estimate $10,000 - 15,000
Sold for $30,480
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241
James Rosenquist
Space Dust, from Welcome to the Water Planet (G. 219)
Estimate $10,000 - 15,000
Sold for $21,590
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242
James Rosenquist
Caught One Lost One for the Fast Student or Star Catcher, from Welcome to the Water Planet (G. 222)
Estimate $2,000 - 3,000
Sold for $7,620
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243
James Rosenquist
House of Fire (G. 223)
Estimate $15,000 - 25,000
Sold for $25,400
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244
James Rosenquist
The Light Bulb Shining (G. 228)
Estimate $2,500 - 3,500
Sold for $7,620
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245
James Rosenquist
Speed of Light
Estimate $15,000 - 25,000
Sold for $39,370
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246
James Rosenquist
The Stowaway Peers Out at the Speed of Light
Estimate $15,000 - 25,000
Sold for $27,940
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247
James Rosenquist
The Xenophobic Movie Director or Our Foreign Policy
Estimate $7,000 - 9,000
Sold for $6,985
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248
James Rosenquist
The Memory Continues but the Clock Disappears
Estimate $2,000 - 3,000
Sold for $10,160
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249
James Rosenquist
Time Lines
Estimate $2,000 - 3,000
Sold for $7,938
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