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  • Provenance

    Sean Kelly, New York
    Acquired from the above by the present owner

  • Exhibited

    New York, Lisson Gallery, James Casebere, February 3 - March 4, 2000 (another example exhibited)
    New York, Sean Kelly, James Casebere, March 28 - May 16, 2001 (another example exhibited)
    Andover, Phillips Academy, Addison Gallery of American Art; Philadelphia, Institute of Contemporary Art, The Architectural Unconscious: James Casebere and Glen Seator, April 22, 2000 - July 29, 2001, pp. 12, 32 (another example exhibited and illustrated)
    Winston-Salem, Southeastern Center for Contemporary Art; Cleveland, Museum of Contemporary Art; Musée d’Art Contemporain de Montreal; Indianapolis Museum of Art, Picture Show: James Casebere, January 26, 2002 - April 14, 2002 - August 17, 2003, pp. 3, 14, back cover (another example exhibited and illustrated)
    San Sebastian, Koldo Mitxelene Kulturunea, arkitektura eszentrikoak / arquitecturas exéntricas, February 4 - April 19, 2003, pp. 56-57 (another example exhibited and illustrated)
    Seoul, Gallery Ihn, James Casebere, October 21 - November 12, 2008, p. 41 (another example exhibited and illustrated)
    Munich, Haus der Kunst, James Casebere: Fugitive, February 12 - June 12, 2016, pp. 82-83 (another example exhibited and illustrated)

  • Literature

    Julie Lasky, “Grand Illusion,” Interiors, July 1999 p. 8
    Chris Chang, Jeffrey Eugenides and Anthony Vidler, James Casebere, The Spatial Uncanny, Milan, 2001, p. 135 (another example illustrated)
    Okwui Enwezor ed., James Casebere: Works 1975-2010, New York, 2011, p. 183 (another example illustrated)
    Alberto Ruiz de Samaniego ed., James Casebere, Porto, 2005, p. 34 (another example illustrated)
    Michael Tarantino, James Casebere: Asylum, Portugal, 1999, pp. 27, 106, 122 (another example illustrated)
    Steven Vincent, “In the Studio,” Art + Auction, November 2003, p. 39 (another example illustrated)

139

Flooded Hallway

signed "J Casebere" on a label affixed to the reverse
chromogenic print, mounted to Plexiglas, in 3 parts
92 x 113 in. (233.7 x 287 cm.)
Executed in 1998, this work is number 2 from an edition of 3 plus 1 artist's proof.

Another example from this edition is housed in the permanent collection of the Cantor Arts Center, Stanford University.

Estimate
$12,000 - 18,000 

Contact Specialist
Sam Mansour
Associate Specialist, Head of New Now Sale
New York
+1 212 940 1219
[email protected]

New Now

New York Auction 26 September 2018