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  • Literature

    Pegram Harrison 121

  • Artist Biography

    Helen Frankenthaler

    Helen Frankenthaler was one of the most influential members of the second generation of Abstract Expressionists and had a considerable impact on the transition from the prevailing New York School sensibilities to the subsequent Color Field style. Frankenthaler first achieved widespread praise for the opaque, floating fields of color of her 1952 painting Mountain and Sea, created using a technique that involved pouring thinned paint onto untreated canvases that had been laid on the floor of her studio. This so-called “soak-stain” technique was an acclaimed overture to Frankenthaler’s tireless experimentations with other styles and media throughout her career, including work in ceramics, sculpture, and printmaking.  

    Frankenthaler’s distinguished career has been widely celebrated since its beginnings. She was featured in the storied 1951 Ninth Street Show in New York as well as in Clement Greenberg’s 1964 Post-Painterly Abstraction exhibition at the Los Angeles County Museum of Art. Frankenthaler co-represented the United States at the 33rd Venice Biennale in 1966 and received the National Medal of the Arts in 2001.  

     
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204

Cedar Hill

1983
Woodcut in colours, on handmade light pink Mingei Momo paper, the full sheet.
S. 51.4 x 63.5 cm (20 1/4 x 25 in.)
Signed, dated, numbered 18/18 and dedicated in pencil (an artist's proof, the edition was 75), published by Crown Point Press, Oakland, California (with their blindstamp), framed.

Estimate
£4,000 - 6,000 

Sold for £8,125

Contact Specialist
Rebecca Tooby-Desmond
Specialist, Head of Sale, Editions, Associate Director
London
+44 207 318 4079

Evening & Day Editions

London Auction 23 January 2020